PUP

Toronto punk band PUP are back with their highly-anticipated 3rd LP, “Morbid Stuff”,on April 5, 2019.PUP have spent the past 5 years touring the world on the back of their first two records, which earned them love and accolades from The New York Times, Pitchfork, SPIN, and helped to cement them as one the most energetic and exciting up and coming bands inthe punk community. “Morbid Stuff”, produced by Dave Schiffman (Vampire Weekend,Weezer,The Mars Volta), is the band’s best and most complete effort yet -a noisy, biting, and recklessly fun ode to nihilism and depression

Chicago’s Twin Peaks have gleefully embraced change ever since their 2010 formation to become one of the city’s most essential rock bands. With their fourth album Lookout Low, the sonic and creative leap the five-piece takes feels like a total revolution in their youthful sound. The 10-track effort was recorded and cut live over three weeks in Wales with legendary producer Ethan Johns. Thanks to the band’s dedicated approach to rehearsing and demoing out their material before hitting the studio, the songs burst with life and the undeniable magic of their live show.

2016's Down In Heaven connected with audiences in a big way, seeing the band taking over late night on CONAN, while landing festival slots at Lollapalooza, Bonnaroo & Coachella, and tours supporting luminaries like Spoon, Cage The Elephant, and Wilco.

Armed with four excellent and collaborative songwriters, each member upped their game on Lookout Low. Guitarist Cadien Lake James’ mind-bending opener “Casey’s Groove” is expansive and reassuring, bassist Jack Dolan’s “Unfamiliar Sun” is patient and affecting, guitarist Clay Frankel translates heartache into catharsis on the title track, while multi-instrumentalist Colin Croom reaches new performing heights on “Ferry Song.” Lookout Low shows that Twin Peaks is less a band and more a brotherhood, one that’s endured for almost a decade.

The follow up to Cayetana’s debut LP Nervous Like Me, which gained the band critical acclaim, a dedicated fan following, and tours with bands like The Menzingers, Against Me!, Waxahatchee and The Bouncing Souls in The US, Canada and Australia, New Kind of Normal retains the pop sensibility and candid songwriting of its predecessor yet exhibits a clear growth in sonic diversity. Although many of the songs were worked out at Koch’s barnyard studio in the Poconos, the band returned to Matt Schimelfenig at Philly’s Miner Street Studios to record the record. The collaboration resulted in a diverse output of expertly crafted, hooky pop songs like “Mesa” coupled with sparse, dark, and deeply emotional synth-laden tracks like “World.” Musically, the record captures the quiet moments of crushing vulnerability and the hardened highs of personal strength as expertly as Koch’s lyrical craft.
If Cayetana’s newest album had a tagline it would be “how to stop self-sabotaging and accept love.” Thematically, the Philadelphia indie rock three-piece - comprised of Augusta Koch, Allegra Anka and Kelly Olsen - has been exploring the delicate interplay of mental illness and wellness, since they began releasing music in 2014, but never so gracefully and poignantly as on New Kind of Normal. “The record is about mental health…struggling with that and settling into a new kind of normal where you can finally recognize your own your destructive behaviors and accept love into your life.” Cayetana explore the concept of normality when living with mental illness, that what you know as normal can be self-destructive, and that finding a new way of living, a new kind of normal, where self-care and self-respect are the norm is an often painful and lifelong process that can feel foreign and undeserving. New Kind of Normal, however, reminds us that self-love is merited and palpable and delivers us a soundtrack for finding it.
Songs like “Certain for Miles,” embody the concept of the record beautifully. Koch sings, “When the world bears down on me will I laugh at it’s audacity and be able to comprehend? When the world bears down on me will I laugh at it’s audacity and be able to start again?” The answer, apparently, is yes and always has been.
From the group’s inception Cayetana has exemplified the beauty and spirit of perseverance and DIY. They started as three friends who had barely been acquainted with their instruments and in just three years have become one of the most promising bands in indie music. They prove on New Kind of Normal that growth takes self-responsibility, accepting the help of others, and resilience proving that the risk is worth the writhing.
Proving themselves masters of self-actualization, Cayetana has formed their own record label – Plum Records – to release their second LP. Koch says of Plum, “We believe in ourselves so much more than anyone else is going to believe in us, so why not put all of our energy into releasing the record?” Koch is as candid about the financial, emotional and sometimes creative sacrifice that being a musician entails as she is about her own personal internal experiences. For their second record, Cayetana refused to compromise and hope to help other artists to do the same in the future. “We want to empower people and show them that they don’t have to wait for something to happen. They can do it themselves.”
Evidently, there is a new kind of normal not only in the mind but also in music and Cayetana is determined to help us find it.

Partner is funny, but not a joke. Gay, but not for each other.



Partner is the “mature” effort of two best friends named Josée Caron and Lucy Niles. Borne of their fortuitous friendship, Partner confidently harnesses the infinite power of Rock to explore a variety of niche yet strangely universal themes.



The two met while attending Mount Allison University in small town Sackville, New Brunswick, on Canada’s East Coast.



The duo played in numerous Sackville bands together over their University years. Around mid 2014 the idea of Partner came to fruition.



Influenced by acts as varied as Tegan and Sara, Melissa Etheridge, Ween, kd lang, and Aerosmith, Partner delivers a refreshing and vital twist on a classic, prompting you to re-think what you thought was possible in Rock.



They released their debut album In Search of Lost Time on September 08, 2017. The album made NPR’s All Songs Considered, Stereogum, Noisey, Exclaim, CBC Music, Indie 88 and many more best of 2017 lists. The album was shortlisted for the Polaris Prize, and Partner were the recipients of the SOCAN songwriting prize for their song “Play the Field”.



Despite the success of ISOLT, Partner is committed to exploring and breaking down the limits of their minds in the name of Rock. Their follow up EP (April 2019) Saturday the 14th represents the first steps towards a bold new future: the listener will find the band questioning the rules and questioning themselves, and, if they listen closely, a few tantalizing hints for what lies in store next

$39.50 - $59.50

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Advance tickets also available at Rotate This & Soundscapes 

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