The Funky Biscuit & Blues Radio International Present
An All Star Concert Benefiting The Mike Ledbetter Family Featuring Monster Mike Welch, Danielle Nicole, Albert Castiglia, JP Soars, Matt Schofield, Annika Chambers, Terry Hanck, Brandon Miller, Mark Telesca, Jay Stollman & Other Special Guests
303 SE Mizner Blvd
Royal Palm Place
Boca Raton, FL, 33432
Doors 5:00 PM / Show 8:00 PM
This event is minors under 21 with parent or legal guardian
Watch & Listen
Monster Mike Welch
With over 25 years of touring and recording under his belt, Boston-based blues guitarist Monster Mike Welch is considered a seasoned veteran of the international blues scene despite his relatively young age. Given the nickname “Monster Mike” by actor/Ghostbuster Dan Aykroyd at the tender age of 13, Welch has since carved out a niche as a highly accomplished and in-demand guitarist. To date, Welch has released six albums under his own name and in 2001, he joined the ranks of one of New England’s most beloved blues institutions, Sugar Ray and the Bluetones, where he stayed until 2017, recording five albums and racking up multiple Blues Music Award nominations for the band in that time.
In addition, Welch has recorded with Shemekia Copeland, Ronnie Earl, Danielle Nicole, Duke Robillard, Johnny Winter, Victor Wainwright, Nick Moss, the Mannish Boys and Sugaray Rayford, among others. Welch left the Bluetones in 2017 to focus on his partnership with Mike Ledbetter, which led to seven Blues Music Award nominations and the formation of the Welch Ledbetter Connection within the first year. Welch has received three consecutive Blues Music Award nominations by the Blues Foundation for Instrumentalist-Guitar beginning in 2016, a Boston Music Award for Best Blues Act, and is an inductee of the Rhode Island Music Hall Of Fame.
Founding member, lead singer, and bass player of Kansas City blues-rock band Trampled Under Foot, Danielle Nicole stepped out on her own in 2015 with her debut album “Wolf Den.” In 2018, Nicole returns with a follow-up release via Concord Records.
"I grew up playing the blues, and the blues is still a big part of what I do. But now I'm reaching out more and trying different things. It still sounds like me, but I'm stretching out a lot more than I have previously."
Nicole's distinctive, inventive bass work—which resulted in her becoming the first woman to win the Blues Foundation's 2014 Blues Music Award for Best Instrumentalist, Bass—is the product of years of intensive roadwork. Although she had no experience with the instrument when she became Trampled Under Foot's bassist, now she can't imagine life without it.
"When I started doing my solo thing," she continues, "someone asked me if I was gonna hire a bass player. No, of course not! I originally picked up the bass to keep Trampled Under Foot a family band, but I really fell in love with it. It was a huge challenge, and it still is. But I really love being part of the groove and getting to sing on top of that. I had learned some stuff on acoustic guitar before I started playing bass, but I never really felt connected to it the way I do with the bass. It's empowering, walking onto a stage full of grown men who can play their asses off, and it's 'OK, I'm gonna play this bass, we're gonna do this, and it's gonna rock.'"
Rounding out her band are longtime Danielle Nicole Band guitarist and multi-instrumentalist Brandon Miller, and her older brother Kris Schenebelen [Trampled Under Foot] on drums.
"I think that it's a good time for the kind of thing I'm doing," she states. "From my years of playing blues festivals, I've seen that younger and younger audiences are getting into the blues. I think that people want to hear authentic music again."
Up All Night. It’s an apt title for Albert Castiglia’s seventh album: nobody sleeps when this man is in town. After 27 years of house-rocking studio albums and smack-in-the-mouth live shows, the Florida bandleader is the acknowledged master of red-raw, sweat-and-hair blues that gives it to you straight. Now, the visceral riffs and bruised soul of Up All Night make everything else sound like a lullaby. “I’d describe the musical vibe of this new album,” says Castiglia simply, “as heavy.”
Released in 2017 on Ruf Records, Up All Night finds Castiglia in a creative swagger after last year’s acclaimed Big Dog. What wasn’t broke then hasn’t been fixed now, with the bluesman once again recording at Dockside Studios, Louisiana, and capturing a warts-and-all mix alongside producer Mike Zito. “I figured since the Big Dog session went so well there, why change studios?” he reasons. “I’ll probably record there for the rest of my life.”
Dockside might be home-turf, but any notion of a comfort zone was dispelled by an edgy new lineup who pushed their bandleader to the wire. “Putting my new band together was a pivotal moment and this recent incarnation has really upped my game,” says Castiglia. “My drummer, Brian Menendez, is very dynamic and gives me that extra spark. He's along the lines of a Ginger Baker or Mitch Mitchell. Jimmy Pritchard is my bass player and he’s solid as a rock. His tone is fat and he's right on time. When I hear him, I think of Bill Wyman or Calvin ‘Fuzz’ Jones. It’s a power trio with no boundaries or restrictions. It’s a pretty amazing sound to me and it’s reflective in Up All Night.”
Up All Night is what happens when fist-tight chemistry meets a songwriter firing on all cylinders. Flying out of the blocks and bottling ten songs on the first day, Castiglia shook the Dockside walls with the most powerful songs of his career. There’s the stinging Hoodoo On Me. The strutting garage-band vibe and scream-it-back chorus of Three Legged Dog. The punchy call-and-response bar-room brawler that is Knocked Down Loaded. “That song was written with my frequent collaborator, Graham Wood Drout,” says Castiglia, “and it brings me back to when I was a young musician and felt like I was ten feet tall and bulletproof.”
Other high-velocity cuts include 95 South’s travelogue, decorated by the inimitable slide-guitar fairydust of Sonny Landreth (“That’s about having to drive from Washington D.C. to my home in South Florida in the middle of a tropical storm”), while Chase Her Around The House splices an early rock ‘n’ roll vibe with an age-old male need (“It’s about coming home and wanting to devour your significant other after being on the road for a long time”).
He’ll pummel you with the rough stuff, but Castiglia can also shift gears to more contemplative moments, whether that’s the rolling and contented acoustic blues of You Got Me To That Place, or its thematic opposite-man, Unhappy House Of Blues. “That song was co-written with Cyril Neville,” he explains. “Cyril wrote the lyrics but I completely relate to them, because they bring me back to unhappier times when I was a struggling musician and I had no support from who I was with. I think anyone can relate to these tunes.”
This isn’t Castiglia’s first time around. Born on August 12th, 1969, in New York – before moving to Florida aged five – he made his professional debut in 1990 with Miami Blues Authority, but truly hit the international radar when Junior Wells invited him into his solo band for several world tours. “It was an incredible adventure,” recalls Castiglia. “Ever since I was a kid, I wanted to be a Chicago bluesman. Junior opened the door for me to do that. He recorded his last studio album, Come On In This House, at Dockside. What a sign!”
The gig was a shop-window, and though Wells died in 1998, there was no stopping Castiglia, whether he was joining the great Atlanta vocalist Sandra Hall for national tours in the late-’90s, or holding his own in onstage jams with everyone from Pinetop Perkins to John Primer. Nobody’s sideman, his own burgeoning solo career began with 2002’s Burn, followed up by 2006’s A Stone’s Throw, 2010’s Keepin On and 2012’s Living The Dream. In 2014, Ruf debut Solid Ground was declared “smouldering and intense” by The Blues Magazine, while last year’s Big Dog was the thrilling culmination of a lifetime’s craft, championed by Blues Blast’s Kim Derr as “the best album I’ve listened to this year”.
That back catalogue is a high bar, but Up All Night raises it, defying you to sleep until you’ve worn out its 11 magnetic tracks. “You’ll rock out and dance like nobody’s watching,” concludes Albert. “If you’re sad, this record will lift you up. If you’re already happy, this album will make you happier. You can listen to this album anywhere, anytime…”
Not every blues artist can create a cohesive sound in the genre by weaving in a diversity of other influences, but guitarist and vocalist JP Soars is obviously not just any blues artist. A 2009 winner of the International Blues Challenge in Memphis, TN with his band the Red Hots (and the festival's Albert King Award winner as best guitarist to boot), the Arkansas native toured extensively through the United States, Canada, South America and Europe with metal bands after relocating to South Florida, and is one of the few guitarists also capable of adding nuances of his long-standing, Django Reinhardt-inspired "Gypsy jazz" side project.
It all coalesces on Soars' upcoming fourth CD, Southbound I-95, recorded at the familiar Studio 13 in Fort Lauderdale, FL. Dotted with special guests, its sessions reveal hints of soul, R&B, surf, reggae, roots and country music on both Soars originals and a sprinkling of surprising covers -- all of which enhance and modernize, rather than take away from, the disc's traditional blues undercurrent.
"I like T-Bone Walker, Wes Montgomery, Django Reinhardt, Pete Fountain, Louis Armstrong, Guitar Slim, Muddy Waters, and Howlin' Wolf," Soars says. "But at the same time, I also love Willie Nelson, George Jones, Tito Puente, Black Sabbath, and old Metallica. If it moves me, I dig it."
Soars got bitten by the blues bug via a legendary source in 1988, when he won a guitar and two tickets in a raffle to see B.B. King in concert. Meeting the iconic guitarist and singer further enhanced the young musician's quest to learn more about the timeless power of the music. Soars started his blues recording career a decade ago with the 2008 release Back of My Mind, followed by More Bees With Honey (2011) and Full Moon Night in Memphis (2014). Collectively, his catalog has received extensive airplay on the XM Radio programs of Little Steven ("Underground Garage") and B.B. King ("Bluesville"); Top 50 status on the "Living Blues" charts, Blues Music Award nominations for "Best Contemporary Male Blues Artist of the Year," and "Best Blues CD" and "Album of the Year" accolades from the Palm Beach Post.
A gritty and expressive vocalist, Soars elicits signature tones from hollow-body guitars, plus a home-made two-string cigar box guitar for his incendiary slide guitar playing. All of which has helped him earn dates at the Baltic Sea Festival in Germany, the Liberation Day Festival in Holland, and other shows in France, Switzerland, Luxembourg, Austria, and Colombia as well as road work throughout the United States and Canada.
In the past two years, Soars and the Red Hots have also played the Peer Blues Festival in Belgium, sharing the stage with Buddy Guy, Joe Bonamassa, Brian Setzer, and Larry Graham, and the Mississippi Delta Blues Festival in Caxias do Sul, Brazil before 10,000 people. After being discovered by the Brazilian festival's presenter while playing with his "Gypsy jazz" project at a South Florida venue, Soars and company played the side stage in that format, then headlined the main stage with full blues intensity at its ninth annual event.
For the past several years, Soars has additionally been part of the regional all-star blues act Southern Hospitality. Also featuring Tampa vocalist/guitarist Damon Fowler and Memphis vocalist/keyboardist Victor Wainwright, plus Red Hots drummer Chris Peet and Fowler's bassist Matt Walker, the Blind Pig recording artists earned a Blues Blast Award for "Best New Artist Debut Release" for their 2013 CD Easy Livin,' and have toured worldwide in-between the three bandleaders' own schedules. Southern Hospitality appears with a host of international blues icons on the Legendary Rhythm & Blues Cruise sailing out of Fort Lauderdale, FL in February.
Soars prides himself with having one of the tightest bands on the scene, with Red Hots bassist Cleveland Frederick and longtime drummer Chris Peet. The trio has extensive touring scheduled through the United States and Europe during the first half of 2018, in addition to appearances by popular demand at blues venues on both coastlines of South Florida, all in support of Southbound I-95. Both his all-star band and new Red Hots CD may have names framed in southern trajectory, but Soars' career is clearly on a northward upswing.
Though he holds a British passport and is an inductee of the British Blues Hall of Fame, Matt Schofield has been making his mark globally as one of the top players in the new class of six string wunderkinds.
The Los Angeles Daily News wrote, ‘ In Schofield, the UK has produced the best Blues guitarist from any country in decades… head and shoulders above the herd’, while Guitar & Bass Magazine rated him in the top ten British blues guitarists of all time ranking him with icons Eric Clapton and Peter Green.
Born in the industrial city of Manchester and raised amongst the rolling hills and locked in time Cotswolds, Schofield began playing guitar at the age of 12.
“My dad relocated to America, but before he left he gave me a BB King video. I watched it before school every day; it was three or four tracks from a concert. Later, when I was in California with my father, he showed me BB King with Albert Collins and Stevie Ray Vaughan on video”.
“It was like; I’ve got to do this. There’s something about the way the three of them were jamming. B.B. really was majestic. As an 11-or 12-year-old watching him, I was mesmerized but didn’t think there was any way I could ever do that. It was too special. But when I saw Stevie Ray Vaughan playing with him, I thought maybe I could. Stevie made it seem accessible to people. I taught myself, working my way through my Dad’s great blues record collection. I did my first gig age 13, and I’ve been doing it ever since”.
At age 18 he left the countryside and moved to London. There, as a sideman, he was able to hone his skills as backing a great variety of experienced and well known artists of the British Blues scene, visiting American artists, as well start touring internationally. The introspective, well read (lover of science, history and philosophy) and passionate Schofield said, “this enabled me to stay close to my roots while learning my trade and exploring a variety of musical frontiers.”
“By age 25 I was starting to explore my own band projects. Although my formative guitar influences are the largely the old school blues players, I never wanted my own music to be constrained by a rigid formula, or even genre. I just want to play ‘Matt Schofield music’. Classic Jazz, funk, soul and rock and all the music I love have all found their way into it. The process of writing and singing has become increasingly important to me, and I feel it’s those other aspects of creativity that helped define my own voice on the guitar. It’s always been important to find a context for the guitar to be part of, so that it’s not just guitar solos for their own sake.
“I remain a music lover first and foremost. The recognition I’ve received from both fans and peers is humbling and inspiring, and those ‘pinch me’ moments where I found myself trading licks with heroes like Robben Ford and Buddy Guy are still the biggest thrill.”
“Now after five studio albums and a solid 10 years of touring with my own band, I have definite broader concepts I want to explore. Remaining open to where the music might take me while maintaining the excitement that improvising and collaborating with talented musicians allow, is key to me. My inspiration and goals came from many places: My influences old and new, including musicians I have wanted to collaborate with for years. Things I still feel I hadn’t fully realized on previous studio records, and a need to keep pushing myself. It all meets at the place where I’m heading now. I’m always aiming to go as far as possible to capturing the same connection with the listener that I aim to make at a live show or on record. That’s the goal. Capturing that special moment.”
Matt is signed to the Mascot Label Group, which is home to some of the world’s most respected guitarists.
Awards and commentary:
British Blues Awards Guitarist of the Year 2010, 2011, 2012 which garnered him an induction into the British Blues Hall of Fame
Voted Blues Album of the Year (2011) Mojo Magazine
Penguin Book of Blues Recordings cited as one of only two living British artists to achieve the maximum four-star rating
Guitar & Bass magazine’s Top Ten British Blues Guitarists
“In Schofield, the UK has produced the best blues guitarist from any country in decades.” L.A. DAILY NEWS, USA
“The best of this generation’s European players. His feel for the music is incredible.” VINTAGE GUITAR, USA
“Top ten British Blues guitarists of all time.” GUITAR & BASS, UK
“The UK’s most exciting blues guitar player.” GUITARIST, UK
ANNIKA CHAMBERS, like so many powerful vocal artists, can trace her love of music back to early childhood. “I grew up singing in the church,” she says. Not that she had to tell us. Citing the gospel influences of Yolanda Adams, Shirley Caesar, Dottie Peoples and Whitney Houston, you can’t help but feel the Spirit moving through the entire room when Annika throws herself into the heart of a song. But it was during her two tours of duty in the US Army that Chambers realized the gift she had. “One of my colonels heard me singing, and he said, ‘Why don’t you sing the Anthem for one of our ceremonies?’” She was an immediate hit and became their first choice for all their music events, joining the gospel choir and even winning the talent show on her base. From there, Chambers became part of a touring band making the rounds through Kosovo and Iraq, providing a welcome lift for the troops’ morale. She also planned special events, concerts, dances and karaoke nights, always doing her part to infuse the good time music into their lives. Returning to Houston in 2011 brought the creation of Annika Chambers and The House Rules Band. Audiences loved their combination of blues and soul and started paying attention to that powerhouse voice behind the microphone. Among her admirers was bassist Larry Fulcher (2012 inductee to the Blues Hall of Fame) and producer/musician Richard Cagle of Montrose Records. By the end of 2014, Chambers’ debut album, “Making My Mark”, was climbing blues charts across the US and Europe. Her meteoric success and rising attention brought Annika Chambers the coveted nomination for 2015 BMA (Blues Music Award) “Best New Artist 2015”. Her sophomore release, “Wild & Free”, did not disappoint, with a debut at #7 on the Billboard Blues chart! Building on her success, Chambers used this opportunity to showcase her ever-improving abilities to sing across multiple musical genres. The word continues to spread on this rising star as festivals from South America, Europe and right in her own backyard (Minnesota Bayfront Blues Festival, Las Vegas Blues Bender, Gloucester Blues Festival, Mississippi Delta Blues Festival) race to feature Annika Chambers in their lineup. A full-time music career can keep a person busy and yet Annika Chambers always finds time to give back to her community. Chambers has a deep passion for supporting and inspiring the next generation of musicians. When performing, she’ll often shift the spotlight to local youth musicians and she also donates time speaking in classrooms about the legacy that is the blues. Keep cruising the website to discover videos of Annika’s performances and samples from her CDs!
Blues and soul music fans know that the soundtrack to early rock' n' roll ran on three-minute instrumentals with sax in the lead, and was directly related to 1950s and 1960s New Orleans R&B hits, along with that deep-fried wildness that came from Memphis. With this history lesson in mind, old school rock 'n' soul saxophonist and singer Terry Hanck makes perfect sense. Clearly, Hanck has worshipped at the right Southern altars-- those of such iconic R&B brothers as Fats Domino, Ray Charles, B. B. King, Lee Allen and King Curtis. "I write songs that you think you've heard for years," says the South Florida-based Hanck, who's got suave movie-star looks and a good time presence that immutably anchors the old-style R&B he adores.
As Living Blues writer Lee Hildebrand testified, "Hanck is one of the most formidable saxophonists in the blues and soul business. He has a virile tone and attack and an uncanny command of upper-register notes." But, whether it is a joyous jump blues romp or a steamy slow dance of a stroll--this is the kind of music that has mattered to the tall tenor man all his life...
It took one cross-country journey in the early 1960s for California to ensnare the Chicago-born Hanck. The sun-drenched lure of surfer life spoke oceans to the landlocked Windy City teen. "The whole California lifestyle thing--it just blew me away! There was never any doubt in my mind, once I got out of high school, where I was gonna end up."
Cut to Orange County, 1964: Surfing, diving, partying. And KBCA, one 24-hour AM jazz station in Los Angeles, that played everything from Muddy Waters to John Coltrane. For Hanck, that was it. As he slyly remembers: "All of a sudden, I needed something to do with my mind." He picked up a sax. "The tenor was the voice."
Six years later, in 1970, Hanck moved north to the East Bay. His first band was called Grayson Street. "We played Bo Diddley, R&B, simple stuff," he says. "We were too bluesy for the funk crowd, too funky for the rock 'n' roll crowd. They all hated us, except the musicians: That is always death, you know" Hanck says with a large twinkle in his eyes, "when you have real musicians coming to see you."
One real musician who did come to see Hanck was Elvin Bishop, an alumnus of seminal American blues-rock group the Paul Butterfield Blues Band. "He heard the band in 1972," Hanck recalls, "and asked both the harmonica player and I to join, knowing he was only going to pick one guy. So I said no. And the harmonica player said yes." In 1976, Bishop brought Hanck to Miami to play on what became his classic album, Struttin' My Stuff, and which included his chart-topping smash hit "Fooled Around And Fell In Love." Hanck was asked again to join the band, and as Hanck reveals "I said 'no' again, like an idiot. I had a single out with my band and I had a false sense of security. But in 1977 he asked one more time and I said 'yes,' finally. I joined when the band was on top. I went from riding around in a potato-chip truck to limousines."
For over a decade, Bishop provided Hanck a worldwide stage to growl, squonk, soar and soothe on his tenor. In 1987, Hanck bid adieu to his friend, and formed his own group."Terry Hanck is a fine vocalist, an amazing showman and my favorite sax player," asserts Bishop today. That fact was borne out on the 2011 Delta Groove live album, Elvin Bishop's Raising Hell Revue, where Hanck re-joined his boss and friend on the 2010 Legendary Rhythm & Blues Cruise where the great vibin' on the good ship was captured.
Thank Hanck too, for also on that cruise and album was Chris "The Kid" Andersen. Around the turn of the millennium, Hanck was in Norway, saw the young and talented Norwegian guitarist, and brought him to America, when he held down the guitar chair in Hanck's band for four years. The strongly developed bond between the two has lasted, as Andersen has appeared on and co-produced all Hanck's releases (including this one), since 2002's I Keep On Holdin'On. Andersen has also gone on to produce CDs by Grammy-winning legend Charlie Musselwhite and multiple Blues Music Awards– winners and nominated CDs by Terry, John Nemeth and Rick Estrin & the Nightcats.
Many accolades are coming to guitarist Johnny Soubrand, who replaced Andersen back in 2004. Reflecting upon Johnny's role in the band these past few years Hanck affirms, "Johnny really works best for me. He's right there with the sound." Rounding out the tough rhythm section is long time drummer Butch Cousins (younger brother to Richard Cousins (Robert Cray bassist), and newest member bassist Tim Wagar, a stalwart of the San Francisco blues scene and beyond ( Lavern Baker, James Cotton, Jimmy McCracklin, Lowell Fulson. Howard Tate).
Music has always been a part of Brandon Miller’s life. From an early age, his dad would let him explore his record collection of Led Zeppelin, Genesis, Aerosmith and other classic rock legends. Miller spent countless days and nights trying to recreate the sounds of his musical heroes. After sculpting his sound for years, he formed the Brandon Miller Band, a powerful, guitar-driven blues-rock trio. Having released two, full-length albums and sharing the stage with artists like Jonny Lang, Foghat, Night Ranger and Eddie Money; Brandon Miller brings a fiery passion to the guitar that is unlike any other.
Born April 8th, 1990, Brandon grew up listening to classic rock from the 60s and 70s because of his parents love for music. Listening to the rock n roll stories of disc jockeys from a famous Kansas City radio station just stirred the fire of his love for music even more. When he first began elementary school, his older brother had begun playing guitar. Brandon would sneak into his brothers room to grab his guitar just to play around with it. Driving his brother mad because of his always wanting to play, Brandon received his first guitar for Christmas when he was seven.
His love for music quickly turned to dedication and devotion after he started attending concerts at a very young age. Seeing idols such as Kenny Wayne Shepherd, Eric Clapton, Joe Bonamassa, Tom Petty, Aerosmith, KISS, Rush, Fleetwood Mac, and Lynyrd Skynyrd, he wanted to take it to the next level of playing. He was learning very quickly and could start playing songs he was listening to. However, when he was around the age of 11, his frustration began to show. He couldn’t recreate the solos and difficult guitar work which made him sit his guitar down and didn’t want to touch it. He didn’t play as much as what he used to and the music bug hadn’t completely bit him yet.
Shortly after he turned thirteen in seventh grade, the music bug bit him deeply and over the summer his talent exploded. He would sit and practice for hours upon hours. Some days he would practice up to ten hours, and soon he was recreating what before he couldn’t. He began going to blues jam sessions around Kansas City where he began to gain popularity with his audiences in large part due to his young age and immense talent. Quickly he realized that his age always presented some problems when clubs and bars would not let him into play until they witnessed his precocious ability first hand. At these jams, he met some of the most influential musicians in his career. With these musicians, he discovered his true love blues. He could be found during his middle school years not listening to what was popular at school dances or on the pop radio stations, but listening to legendary blues artists such as Robert Johnson, Albert King, Freddie King, Howlin Wolf, Muddy Waters, John Lee Hooker, and many more. One artist stuck out the most, Stevie Ray Vaughan. Listening to how he put all of his emotions into his playing inspired Brandon to do the same to spread the blues and bring it back to Kansas City.
Over the next few years, audiences would come from throughout the Kansas City area to see this young guitar-slinger play the blues. He became a part of several different local cover bands around the city. The ReHabaneros play some tunes by his biggest influences consisting Stevie Ray Vaughan, Jimi Hendrix, Led Zeppelin and The Allman Brothers. His other side projects, Stairway to Zeppelin and Almost KISS tribute bands, give him an opportunity to focus on the stage show and appreciate what makes an all-around great show. His first band, Static 210, was members from his high school class who reached high success through their original music around Kansas City. Soon enough he was playing every weekend and spreading his music in general and his blues in particular to many. After achieving major popularity, he experienced the unique opportunity to perform at Verizon Wireless Amphitheater prior to such acts as Aerosmith, Def Leppard, Motley Crue, and Journey as well as to share the stage with Eddie Money at the Uptown Theater, and open for other national touring acts Jonny Lang, Royal Southern Brotherhood, Leann Womack and Jo Dee Mesina.
Brandon currently performs with his own band, Brandon Miller Band, as well as the Danielle Nicole Band.
Mark Telesca is an American Songwriter / Singer / Guitarist and Bassist. He studied music at Florida Atlantic University and currently lives in West Palm Beach, Florida.
His “HOOK” oriented songwriting style and storytelling lyrics along with his expressive style of bass playing and powerful lead vocal is capturing the attention of music lovers everywhere.
Mark has released his first solo studio CD titled “Heavy Breathing” in January of 2015. His CD spent many months on steady rotation on SIRIUSXM RADIO (Bluesville). The CD is receiving rave reviews and reached the #5 spot on "Blues Power Radio's Top 30" Blues Albums. He has had three singles off the Heavy Breathing CD that has charted on Blues 411 Baker's Dozen of Blues. "If You Got Enough Jack" has reached #5 " Cross the Dog" has reached #2 and "I Don't Need Your Lovin' Anymore" has reached #1 !!!
In January 2015, Mark took his band to Memphis, TN to compete in the International Blues Challenge (IBC) and were semi finalists.
Mark has also started a career playing solo acoustic guitar focusing on Pre-WWII blues, Americana and his own original music. He has since competed in his local IBC challenge as a solo artist. He has been fortunate enough to win himself another spot in to compete again in Memphis in January 2016 and will be competing again in 2017.
Mark is very proud to be endorsed by Delaney Guitars. Delaney Guitars has built the Mark Telesca Bass Model. They are calling the bass the "TRADITION" model based on its traditional looks, feel and sound. It is currently available for purchase www.delaneyguitars.com
Mark is out gigging almost every night promoting his music. In addition to his hectic gigging schedule, he is the host of one of the most popular Pro Blues Jams in the Southeast. The Jam takes place every Monday at the Funky Biscuit in Boca Raton, FL. There are many touring artist who make it a point to spend some extra time in sunny Florida just to attend and hopefully participate in this high quality Jam.
As well as being a songwriter, singer, guitarist, and band leader, Mark is a touring bassist supporting many blues / rock artists. He is currently touring with “Blue Mercy” Featuring 2014 Blues Music Award winner and 2015 Blues Music Award Nominee Diunna Greenleaf.
Mark was the bassist along with 2010 Blues Music Award Winner and 2015 Grammy Winner Jason Ricci on Harmonica in The Keith Brown Trio. They later recorded Keith’s album “Down the Line” an acoustic album.
Influences are: The Delta Blues, Gospel Music and Motown.
Bass influences are James Jamerson, Donald Duck Dunn, Oteil Burbridge, Willie Weeks ... Just to name a few.
Jay Stollman has achieved unparalleled success as one of the most popular vocalists on the East Coast. He has performed around the world to rave reviews, sharing the stage with musical legends such as James Brown, Wilson Pickett, The Temptations, Four Tops, Jose Feliciano, Blues Traveler, Joan Osborne, Johnny Winter, Peter Frampton, Bo Diddley, Ronnie Spector, Felix Cavaliere, Tower of Power and Elton John, to name a few.
Jay's vocals are a dynamic fusion of Blue Eyed Soul and Rock and Roll. Along with great performance ability and stage presence, a Jay Stollman show is always guaranteed to rock the house.
Jay Stollman was honored to appear with The Johnny Winter Band as the front man and lead vocalist for the Johnny Winter Remembrance Shows, honoring the legendary bluesman, as well as performing with The Jay Stollman Band. He is a standout performer and always a crowd favorite.
$20.00 - $40.00 General Admission $25.00 Day Of Show
Reserve Seats for this show are subject to a $15 food and beverage minimum
Proceeds Benefiting The Mike Ledbetter Family
The Funky Biscuit
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