Vinyl Music Hall Presents
Beartooth- The Disease Tour Part II
Of Mice & Men, Hands Like Houses, Dead American
2 S. Palafox St.
Pensacola, FL, 35202
This event is all ages
Beartooth began as an emotional exorcism. Conceived, constructed, and unleashed
by one man in a basement studio. Now, even as the band has grown to become a
headlining festival act; cracked Billboard’s Top 25; lit up SiriusXM radio; and were
crowned Breakthrough Band at both the Metal Hammer Golden Gods Awards and
Loudwire Music Awards, Beartooth’s music and message remain intensely personal.
The fierce dedication to honesty, authenticity, and raw fury demonstrated by Caleb
Shomo is at the center of everything Beartooth represents. The music he’s crafted in
his darkest hours transcends, connecting with the broken hearted and isolated
around the globe. Songs like “In Between,” “Hated,” “The Lines,” and “Sick of Me”
have been streamed hundreds of millions of times. These are anthems for the
downtrodden and disconnected, celebrated with sing-alongs on international tours;
supporting Slipknot, Bring Me The Horizon, or Pierce The Veil; on the Kerrang! Tour
with Don Broco in the UK; at major festivals like Download and Rock on the Range.
What began as artistic self-medication for a single multi-instrumentalist and
producer, with no career aspirations or grand plans, quickly caught fire. The Sick EP
(2013), Disgusting (2014), and the sophomore-slump shattering Aggressive (2016)
comprise a blunt audio journal, chronicling Shomo’s battles with his own demons.
As Beartooth became a fully functioning band, bringing these intimate musings to
the masses, that purity remained, via a consistently isolated creative methodology.
The stark look inward further intensified with September 28, 2018’s Disease.
The third full-length album from Beartooth is a painstaking, riff-driven examination
of the unshakeable throes of depression. While there are moments of positivity, this
isn’t the sound of triumph. This is music about survival.
“The album is a whirlwind of emotion,” Shomo explains. “Crazy highs, crazy lows,
and lots of intensity. This record isn't about winning anything. It's about trying to
even begin to learn how to deal with things. It’s hard to process just how dark you
can get, what you can really put yourself through with expectations. It's like starting
from the beginning all over again. At the end of the day, it is a very dark album.”
Even as Shomo and his bandmates played to sold-out crowds across Europe, the
battle against mental illness and childhood issues returned, and the seed for Disease
was planted. The title track was the first song written for it, setting the overall tone.
As always, Shomo recorded vocals, guitars, bass, and drums, and mixed the album
himself with assistance from an engineer, now with executive producer (and
Grammy winner) Nick Raskulinecz, who has worked with Foo Fighters and Rush. To
further enhance the emotional realism Beartooth champions, the third full-length
album was tracked in a brand new environment, with an old-school urgency. After
crafting the songs in his usual basement domain, Shomo made the trip from the
familiar comfort of his equipment and isolation in Ohio to Blackbird in Nashville.
“When I make a record at home, I feel really safe there,” Shomo confesses. “Going
into Blackbird, there was a lot of fear. Thankfully, going into that environment just
brought out the best. It made the songs feel even more real. It was all worth it.”
The famous recording studio was the birthplace of pivotal work from a massive list
of legends, tastemakers, and up-and-comers; like Alice In Chains, Taylor Swift, and
Greta Van Fleet. Determined to challenge himself in new ways, Shomo kicked aside
his drum samples and digital guitar tones in favor of rich analog vibes, banging out
take after take, to capture the feel of classic favorites like AC/DC and Motörhead.
Ten to twelve hour days, six days per week, sweating and screaming through
performances, resulted in gargantuan surefire Beartooth bangers like “Used and
Abused,” “Manipulation,” and “Enemy,” easily among the strongest songs in the
catalog. “You Never Know” was written in collaboration with producer and
songwriter Drew Fulk (Fit For A King, As I Lay Dying), after several hours of
conversation in a coffee shop. The album closer, “Clever,” was written in an
afternoon at the studio, a fittingly sorrowful bookend to Beartooth’s darkest album.
“Depression is something that's just ‘in your head,’ there's no reason for it, so it
‘should’ be easy enough to just get over, but I can never do it. It’s something
unshakeable. I can’t make it work,” Shomo says. “I wanted to write an album about
that. Disease really encompasses everything emotionally that I wanted to convey.”
Shomo’s commitment to raw and personal truth will always define Beartooth. “It's
very important that I stay honest with every song that I write. I didn't even mean to
start this band. I wrote a couple songs and I felt way better afterward. Especially
with this record, there are no compromises. It is exactly what I wanted to make.”
With Beartooth, what begins each time as the personal expression of one man is
shared with his bandmates, then through the power of musical inspiration and
connection, is given to the world then returns to its creator, to begin the cycle anew.
Of Mice & Men
Of Mice & Men is an American metalcore band from Costa Mesa, California.
Hands Like Houses
Hands Like Houses is an Australian rock band from Canberra, Australia. Formed in 2008, the group is currently signed to Rise Records.
Their debut album, Ground Dweller, was released on 13 March 2012 and charted at number 141 on the Billboard Top 200 and number 2 on the Billboard Heatseekers Chart.
Their second album, Unimagine, was released on 23 July 2013, during their route on Warped Tour.
Dead American was born out of timing, patience, and waiting for the right moment. In the wake of his departure from Saosin, Cove Reber ventured into a slower paced lifestyle in order to both deconstruct and then rebuild into a new normal. Though the desire to write and create never dissipated, the opportune sign needed to present itself in order to regain the needed passion to commit to the process again.
In 2016, Cove was introduced to Chad Jordan through a mutual friend. At the time, Chad had a lot touring experience as a drummer and guitarist for numerous bands, but was looking to put to use some instrumental compositions he had written throughout his musical career that needed to be completed with vocals. Chad began sending these self-recorded demos to Cove through email, which resulted in Cove tracking vocals to them due to feeling a connection to the nostalgic sensibility of the songs.
Songs from “The Shape Of Punk Is Dumb” began to take form in the coming year, with the duo heading into Rigby Road Studios in Salt Lake City with producer and engineer Joel Pack in the winter of 2017. Amongst busy schedules and slowly chipping away at the songs over time, the record was completed and mastered in the middle of 2018. Within conversations and dreaming up the concept of the band, the duo decided to leave their current residences in Utah and move to familiar Southern California where they both individually grew up.
During this transition, the need for a bassist was present, resulting in Chad connecting with Josh Latham. Chad and Josh were long-time high school friends who had written countless songs together throughout their adolescence – Josh had years of knowledge in recording and playing music, and was looking for a change from his current life pattern, so the decision was made to relocate from the state of Washington and move in with Chad and Cove to pursue this project together.
As the trio made progress, the next undertaking was searching for a guitarist. While names had been thrown on the table, Chad suggested teaming up with Jamey Price who was previously in a band called Sleep For Sleepers with him. Chad and Jamey had written together and toured the country in the past, so being productive in the creative process was of familiarity. Jamey had also been playing a role in the project since its conception through designing artwork and suggesting the band name, so the vision was caught early on when officially joining.
$26.50 - $30
* General Admission * Standing Room Only- If Seating Is Available, It Will Be Limited And On A Strictly First Come/First Serve Basis * No Re-Entry * All Ages Event * Attendees Under 16 Must Be Accompanied By A Ticketed, Adult Guardian *