1811 14th St. NW
Washington, DC, 20009
If gravity is strong enough, at the end of time our universe will collapse,
pulling all of existence back down to infinitesimal size, like before the Big
Bang. But if expansion outpaces gravity, eventually the universe will be cold
and empty--all light, heat, and connection will be gone. That possibility is
called The Big Freeze.
Recorded in her childhood home during the dead of winter, The Big Freeze
represents a pivotal step for New York songwriter Laura Stevenson. Despite
her pedigree in the punk and indie rock scenes, and the occasional inclusion
of a backing band (like on the sprightly, C86-inspired pop track
“Dermatillomania”), for the first time on record Stevenson’s voice and
guitar are in clear and highlighted focus. It is a natural aesthetic choice for
the musician, who has often toured as a solo act and who pulls influence
from the great American songbook, and a choice that plays to the core
strength and organic beauty of her writing. And though it is easily the
darkest and most emotionally-devastating album of Stevenson’s career, it is
also without a doubt her most powerful.
Stevenson builds on her own private worlds with choruses of multi-tracked
voices, swarms of cellos, French horns and violins; orchestration that
blooms and swells throughout each intimate performance. Exploring
thematic ideas of distance and misconnection; worlds pulling apart, aching
loneliness, and attempts to drive out hibernating dormant demons.
In the opening track Stevenson’s voice insists the listener “lay back with
arms out, all-in, unfeeling,” to allow themselves to sink into a flood of
instrumental sound that thrums between dissonance and resolution. From
waves crashing in an abandoned waterpark on the haunting “Value Inn”, to
the last leaves trembling before winter sets in on “Rattle At Will”, a creeping
sense of isolation and anxious beauty surrounds every song. And yet there is
also warmth, and hope. The album’s third track “Living Room, NY” tells of
an intercontinental love and longing which seems to have the strength to
thrive despite even the most trying and impossible of circumstances. Across
ten tracks, the listener will travel through the cold night, following after a
small but powerful flame burning from the other side.
Stevenson is a songwriter whose strengths have gone unsung for far too
long, but The Big Freeze is likely to change that. At times you will be
reminded of classic American songwriters from both the mainstream and
the fringe, whether it’s Jason Molina, Judee Sill, Harry Nilsson or Dolly
Parton. But always you will be reminded of the power of the human voice
(and a single guitar) to invoke the universe. Or in this case, it’s end.
Although the band takes its name from leader Nayan Bhula's status as an Indian who does not live in India, The NRIs are 8 diverse individuals who each bring something unique to their collective sound.
The NRIs' 5th EP, "An Echo for Each One of Us," showcases the band's willingness to push boundaries. This is their first recording with a new drummer and a permanent horn section, and the overall sound strains defiantly against the edges of the band's folk-pop categorization. It is also the first EP in the band's catalog to include 6 songs, rather than 5. The 6th song, "Like I'm Flying," was written for an independent documentary film of the same name. Titled with a nod to the work of Hermann Hesse, the record explores the echoes and waves of human experience