Amy Helm sought what she calls a “circular sound” for her new album. It’s a well-rounded one, one marked by streaks of Americana, country, blues, and gospel, and the kinds of four-part harmonies that can burst open a melody and close the loop of an octave. And sentimentally, it’s a sound that represents the feeling of community.

This Too Shall Light, released September 21, 2018 on Yep Roc Records, comprises 10 songs produced by Grammy-winning producer and songwriter Joe Henry. Helm left her home and comfort zone of Woodstock, NY, choosing to record in Los Angeles within the confines of just a four-day window. The musicians were directed not to overthink the songs, and Helm herself barely performed any of the selections while leading up to the recording. As a result, the sessions forced fast musical trust among the collaborators and yielded the vibrant instrumental improvisations heard throughout This Too Shall Light.

Although a profound songwriter herself, Helm and Henry jointly arranged a diverse collection of songs for the record, which range from Rod Stewart’s “Mandolin Wind” to Allen Toussaint’s “Freedom for the Stallion” and even the Milk Carton Kids’ “Michigan.” The title track in particular, written by Hiss Golden Messenger’s MC Taylor and Josh Kaufman (Josh Ritter, Bob Weir, Craig Finn), is a brilliant summation of the record’s sound and spirit. Seemingly a play on the old adage that “This too shall pass,” Helm’s voice veers from commanding to supplicating within a single soulful verse, as she manipulates that message so that light leads throughout even the darkest of times.

A lifelong musician and music-lover, Helm’s parents —The Band’s legendary drummer and singer Levon Helm and singer/songwriter Libby Titus — guided her training and influences. She later became a founding member of the alt-country collective Ollabelle and served as a backing musician in her father's Midnight Ramble Band. And on This Too Shall Light, Helm says that two songs in particular pay homage to Levon — “The Stones I Throw,” a song he released in 1965 with Levon and the Hawks, and the closing traditional number, an a cappella version of the hymnal “Gloryland,” which was passed from father to daughter.

While This Too Shall Light is only Helm’s second album under her own name, it serves as a comprehensive portrait covering her life's journeys and recoveries; They’re the stories that, no matter where they take her, seem to end and begin in the same place like a circle.

The Restless Age

The Restless Age is a collaboration – a harmony of Will Bryant, Lee Falco and Brandon Morrison. Each player brings a unique song and voice to the bandstand, as the trio spans generations and genres.

The members of The Restless Age have been a premier rhythm section throughout New York’s Hudson Valley for the past half-decade. As the house band for Amy Helm’s ‘Oh to be Home Again’ at Levon Helm Studios, they performed behind Donald Fagen, John Sebastian and Graham Nash, as well as being Kate Pierson’s (The B-52’s) touring band in support of her 2015 debut album ‘Guitars & Microphones’. During that same year they toured the U.S. & Canada supporting the The Waterboys and The Gipsy Kings along with fellow Hudson Valley singer-songwriter Connor Kennedy. Lee Falco, Brandon Morrison and Will Bryant rose to national attention backing Donald Fagen of Steely Dan, as “The Nightflyers” on his 2017 national tour. Now, with their harmonious indie rock The Restless Agesteps out as a unit of songwriters, singers and instrumentalists.

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