(((folkYEAH!))) Presents NYE in SF 2012/2013
The Fresh & Onlys
Sonny & The Sunsets, Kelley Stoltz, Extra Classic, DJ sets by Midnight Artist & BG
777 Valencia Street
San Francisco, CA, 94110
Doors 8:00 PM / Show 8:30 PM
This event is all ages
Watch & Listen
The Fresh & Onlys
Three long years of anticipation have preceded San Francisco's psych-blasted, starry-eyed weirdos The Fresh & Onlys’ return with Wolf Lie Down. The opening title track is a searing return to form with chugging full speed rhythms, snotty Wipers wall-of-sound guitar gristle, and the unmistakable midnight croon of singer Tim Cohen. Their 6th LP and debut for Sinderlyn Records finds the band equally at home with anthemic garage rock burners like "Impossible Man" and "One Of A Kind," and the brooding western twang of "Walking Blues" or "Black Widow".
While Cohen and guitarist/producer Wymond Miles are not the new kids on the scene (both are fathers of two now), Wolf Lie Down strips back the layered feel of the last few records to reveal themselves full of passion, imbued with an uplifting romanticism, and their trademark (if often overlooked) wry sense of humor. Recorded mostly at Miles' home studio, the songs' foundation came to life in the studios of Bay Area analog garage/ psych veterans Kelley Stoltz (Electric Duck) and Greg Ashley (Creamery).
Wolf Lie Down builds on the band’s literate guitar-pop arcana, seamlessly incorporating their pastoral desert-noir sensibility into Cohen and Miles' dueling damaged art-punk songcraft. While the record is driven and performed predominately by the duo of Miles and Cohen, former members Shayde Sartin and Kyle Gibson lay down their classic rhythmic chug on a few tunes. They also enlisted original drummer James Kim, as well as touring companion James Barone (Beach House) on drums and some mixing duties.
This new chapter in the elusive world of The Fresh & Onlys is a triumphant return to form as underground jangle titans. Wolf Lie Down also wears the haunted pastoral vividness of their most recent work. Perhaps ironically, their latest LP in a vast canon of work may be the best introduction to this unapologetic multi-faceted rock ‘n’ roll band.
Sonny & The Sunsets
Sonny & the Sunsets are a beautiful west coast thing. Birthed from the sand, the surf, and twilight campfires down in Ocean Beach, Sonny & the Sunsets’ busted beach-pop songs spark recollections of doo wop's otherworldly despair, a dose of goofball humor from the Michael Hurley school, and positive possibilities exuded by Jonathan Richman. Helmed by the singer / songwriter, playwright, author & onetime troubadour Sonny Smith, The Sunsets have featured a revolving door lineup that have included Shayde Sartin, Ryan Browne, Kelley Stotlz and Tahlia Harbour. Adopting a range of sounds Smith's sardonic, laid-back style is interwoven throughout his compelling songwriting and vocals.
Extra fine songwriter and longtime bedroom-pop auteur Kelley Stoltz delivers on the promise so many of his records slyly hint at. Que Aura is the platonic ideal of a Kelley Stoltz record, which is a very exciting thing indeed. Stoltz embraces his best synth-pop tendencies, with this incredibly self-assured set of tender tunes, combining in his own hangdog fashion both a disco-lit abandon and the attendant post-party sighs of dread and remorse.
Great songs come out of Stoltz at an alarming rate on any given day but this particular collection is some of his most effortlessly catchy stuff yet. Ennui under the disco lights suits him very well—there’s a hearty sip of Pulp-ian white Brit shimmy with a wink, a dash of Fleetwood Mac’s cynically professional late ’70s sheen, and even a spritz or two of Echo and The Bunnymen, which should surprise no one who’s noticed Stoltz has been playing guitar with McCulloch and Company for the past year or so. This record cements Stoltz’s place in the power-pop pantheon where he belongs, right between Dwight Twilley and Martin Newell. Let the Hall of Fame know!
Extra Classic is a band based out of San Francisco, CA. Recording in their analog studio in San Francisco, lead songwriters, Alex and Adrianne deLanda, formed Extra Classic based on their mutual love of classic Jamaican dub and psychedelic rock and roll. After self-releasing their own 45rpm vinyl singles, the Roots/Psychedelic inspired debut Extra Classic full-length album, “Your Light Like White Lightning, Your Light Like A Laser Beam,” was released by Burger Records in 2012 on cassette (currently sold out). Manimal Vinyl (Los Angeles, CA) released the album on gatefold vinyl LP format.
The Extra Classic live band consists of the following players. Adrianne deLanda (vocals and keyboards; formerly Adrianne Verhoeven) released an album under the name, “Dri,” titled, “Smoke Rings” in 2007. Adrianne was a member of The Anniversary from 1997-2003 (Vagrant Records). Alex deLanda (bass & guitar) is a song writer/producer who has worked with The Papercuts, The Donkeys, and Casiotone for The Painfully Alone, among others. Alex maintains an analog tape recording studio, Nopal Recording, in San Francisco where all Extra Classic songs are produced. Josh Adams (drums) has played with bands such as Mike Andrews, Linda Perhacs, and Zander Schloss & Sean Wheeler. Josh Miller (guitar) also plays in bay-area based band, The Wrong Words (Trouble In Mind) and the Bart Davenport band. Aaron Deer (keys) was a member of The Impossible Shapes. Extra Classic is booked by Robin Taylor at Inland Empire Touring.
Inspired by their favorite classic Jamaican Dub and Lovers Rock albums, Alex and Adrianne have worked to create a “Showcase” LP for the sophomore Extra Classic release. In the traditional “Showcase” format, each song is immediately followed by its corresponding dub/version. In this way, the Extra Classic “Showcase” LP has 6 songs, each followed by a dub/version, for a total of 12 songs on the album. All of the songs from the Extra Classic “Showcase” album were produced with vintage recording equipment and tape machines from the 60s & 70s. The dub/versions of each song on the album highlight various aspects of themes presented in each song with a psychedelic sonic quality. Alex and Adrianne have worked diligently to create new songs with old sounds in a swirling mixture of analog tape splicing, space echo, heavy phase, and classic song-writing themes.