The Way Up Tour
The Soul Rebels with special guest Talib Kweli & DMX
with support from DJ TAP.10
61 Wythe Avenue
Brooklyn, NY, 11249
Doors 6:00 PM / Show 8:30 PM
This event is 21 and over
THE SOUL REBELS
The Soul Rebels are riding high in 2019, receiving national attention with a performance on NPR's Tiny Desk series, a debut late night TV appearance on The Late Show with Stephen Colbert, a headlining set at the global TED Conference, and an appearance and official soundtrack feature for Universal Pictures' hit comedy Girls Trip. The band continues to expand its international reach touring four continents including Europe, Australia, China, South Korea and Japan. Their explosive stage presence has led to live collaborations with the likes of: Nas, G-Eazy, Robin Thicke, Macy Gray, Portugal. The Man, Robert Glasper, Pretty Lights, DMX, Curren$y, Joey Bada$$, Talib Kweli, GZA, Macklemore & Ryan Lewis, Mobb Deep, Raekwon, Metallica, and Marilyn Manson among many others, and opening for Lauryn Hill and Nile Rodgers.
The Soul Rebels started with an idea - to expand upon the pop music they loved on the radio and the New Orleans brass tradition they grew up on. They took that tradition and blended funk and soul with elements of hip hop, jazz and rock all within a brass band context. The band has built a career around an eclectic live show that harnesses the power of horns and drums in a deep pocket funk party-like atmosphere. The Soul Rebels continue to chart new territory as they feature in major films, tour globally, and combine topnotch musicianship with songs that celebrate dancing, life, funk and soul.
The Brooklyn-based rapper earned his stripes as one of the most lyrically-gifted, socially aware and politically insightful rappers to emerge in the last 20 years. His travels around the globe as one of rap's most in-demand performers combined with his conversations with political activists and his genre-straddling work with Idle Warship and others caused Kweli to realize that he was limited in a sense, a prisoner of sorts of his own success as one of the world's best rappers with something significant to say.
"My music has been associated with those types of causes, with positivity, spirituality, intelligence and being thought-provoking and such," he says. "I think sometimes people get caught up in that part of me as an artist and don't necessarily understand the musicality or fully appreciate the music and the entertainment value behind what I do. I tried to stretch my wings a little bit and bring something that was less beholden to the world of hip-hop and more existing in the world in general."
The result of this artistic growth and exploration arrives with Kweli's dynamic Prisoner Of Conscious AKA P.O.C., an artistic tour de force that signals the start of the next chapter of Kweli's remarkable career. The BK MC spent more time working on Prisoner Of Conscious than any of his other albums, a three-year journey that found him exploring new vibes, joining in some unlikely collaborations and taking him to foreign lands.
Produced by Symbolyc One (Kanye West, Ghostface), the title track's alternatively rap and rock-based beat provides a distinctive platform for Kweli to deliver rhymes that detail his artistic awakening, while producers Sean C & LV (Jay-Z, Raekwon) created a Marvin Gaye-esque vibe for "Come," a cut featuring Miguel that showcases Kweli trying to convince a series of women to do things his way.
Then there's the dramatic, piano-driven "Before He Walked," which showcases passionate vocals from singer Abby Dobson and includes a verse from possibly the most noteworthy guest on Prisoner Of Conscious: Nelly. Both Kweli and The St. Louis rapper recount the importance music has had in their lives on the stirring song, which was an outgrowth of conversations about music and life Kweli and Nelly had at Kweli's Los Angeles residence.
"Nelly is somebody I've known and have been friendly with throughout the years in this business," Kweli says. "Nelly has always been an example for me because a rising tide raises all boats. Nelly is an artist who is polarizing at times because of the 'Tip Drill' video to the boycotts he's endured at colleges, but I know him as a person, and he's a great person."
Elsewhere, the driving "Ready Set Go" with singer Melanie Fiona features Kweli's ever-impressive clever verbal gymnastics, which are also on display on the stark Busta Rhymes-guested and RZA-produced "Rocketships."
Kweli shifts gears on "Favela Love." Inspired by and created during a trip to Sao Paulo, Brazil, the breezy song features crooning from Brazilian singer and actor Seu George (City Of God, The Life Aquatic with Steve Zissou). Kweli and George met in the studio, leading Kweli to deviate from his original concept for the song.
"The song went from being about a woman to be being about Brazil, about the favela, about loving to come there," he reveals. "The woman is really a metaphor for the place. That's why it's called 'Favela Love.' When I was telling Seu George about that, he started singing about how much he loves Brazil and where Brazil fits in the world."
AFTER NEARLY 20 YEARS OF RELEASING MESMERIZING MUSIC, TALIB KWELI STANDS AS ONE OF THE WORLD'S MOST TALENTED AND MOST ACCOMPLISHED RAPPERS.
Whether working with Mos Def as one-half of Black Star, partnering with producer Hi-Tek for Reflection Eternal, releasing landmark solo material or collaborating with Kanye West or Madlib, Kweli commands attention by delivering top-tier lyricism, crafting captivating stories and showing the ability to rhyme over virtually any type of beat.
In particular, Kweli showed his artistic reach in Idle Warship. Teaming with longtime collaborator and acclaimed singer Res, Kweli began getting out of his sonic and creative comfort zone on the group's 2009 mixtape Party Robot and its debut album, 2011's Habits Of The Heart.
Idle Warship's music challenged Kweli and led him to a new artistic space. "I like the position I'm in," he says. "I feel like I'm a connector, a leader. I feel like I've led by example and I want to continue to do that. I like the fact that I'm in a position where cats who are coming out and making music that I enjoy are interested in my music and are interested in my influence. It's a great feeling."
Kweli also has the high-powered Attack The Block mixtape with DJ Z-Trip set to arrive and will be focusing on making his Javotti Media (which released his 2011 album, Gutter Rainbows, and is named after his paternal grandmother) into a media powerhouse that releases music, films and books.
But for now, Prisoner Of Conscious arrives as an artistic triumph, a collection that embodies Talib Kweli's robust creative vision. "I wanted to put out an album that really can support the artist that I've become," he says. "I'm a touring artist. I'm an artist that's internationally known. I'm not just a local artist at this point in my career. I'm cognizant of the fact that what I do is beyond where it started. I'm trying to reach the apex of where I am now, but without turning my back on or dismissing what I've done before."
Following the deaths of Tupac Shakur and the Notorious B.I.G., DMX took over as the undisputed reigning king of hardcore rap. He was that rare commodity: a commercial powerhouse with artistic and street credibility to spare. His rapid ascent to stardom was actually almost a decade in the making, which gave him a chance to develop the theatrical image that made him one of rap's most distinctive personalities during his heyday. Everything about DMX was unremittingly intense, from his muscular, tattooed physique to his gruff, barking delivery, which made a perfect match for his trademark lyrical obsession with dogs. Plus, there was substance behind the style; much of his work was tied together by a fascination with the split between the sacred and the profane. He could move from spiritual anguish one minute to a narrative about the sins of the streets the next, yet keep it all part of the same complex character, sort of like a hip-hop Johnny Cash. The results were compelling enough to make DMX the first artist ever to have his first four albums enter the charts at number one.
with support from DJ TAP.10
Tickets for 3/30: Click Here!
Advanced tickets to this event are SOLD OUT! We will have a limited number of admissions available to purchase at the box office on the night of the show starting at 6:00 PM. All admissions at the door will be first come first serve, one ticket per customer, with no re entry. $25 at the door, cash only.
Wed, July 17
Thu, July 18
Thu, July 18
Fri, July 19
Fri, July 19