Public Works Presents:
Houses (Live- Chicago) + D33J + Yalls + Elephant & Castle
D33J, Yalls, Elephant & Castle
161 Erie Street
San Francisco, CA, 94103
Doors 8:00 PM (event ends at 1:00 AM)
This event is 21 and over
“I got laid off from my job at the end of last year and decided I needed a change. Megan put in her two weeks and we moved out to a little cabin in Papaikou, Hawaii. It’s a pretty remote place outside of Hilo (i.e no plumbing/electricity/gas). We worked for meals during the day cultivating indigenous microorganisms and learning the basics of sustainable living. We drank showered and cooked with rain water. It was a beautifully simple experience. In our downtime, she would paint and I would record. We’d have to light candles in an effort to save solar power to keep my computer running. We inspired each other a lot out there, and I think it shows in the music. She sings on a lot of the tracks on All Night. The music comes from a place of love and ease. The video for Endless Spring was shot there in our spare time, and the music was sketched out loosely over the course of a few months. We just kind of melted into one person. We were able to keep our heads above water for a few months before we both went broke and moved back to Chicago last month. I put together all the arrangements and field recordings over the last few weeks, and that became All Night, our first record. “
"Bay Area's most cherished lunatic beat folk phenomenon" --No Fear Of Pop
"We've been hooked on his bizarrely rewarding twists of pop music." --mapzzz blog
Elephant & Castle
David Vincent Reep isn’t really from any one place. The young musician has already lived in Colorado, Texas, London and California in his lifetime. The son of working parents, music wasn’t something that held prominence in the house during his formative years.
Through some combination of intuition, curiosity and boredom during his seven year stay in London, David picked up an acoustic guitar and dove into the world of the blues and soul music for a while. He was also an avid skater at the time, spending hours in Southbank, London, with occasional trips to the infamously dreary Elephant and Castle area (that place that would later become his music moniker). Upon return to the U.S., David was enamored with the rave scene that had spawned here and recalls being captivated with DJ Shadow’s music. It was during this time that he first picked up the SP-303 and began to experiment with his own musical ideas.
Despite his musical curiosities, David’s originaly had his sights set on journalism as a career and moved to California to pursue it. But after leaving UC Santa Cruz because they canceled their journalism program, he relocated to the Bay area and enrolled in audio-engineering school.
While enriching his knowledge of music and sound at school, David had the opportunity to intern at Studio 880, home of Amp Live of Zion I and a general hub for East Bay music in general. Through his tenure at Studio 880, David stumbled on the bright idea of starting his own DIY music label after realizing he probably would not be able to be hired at a label as he once thought.
In 2007 and 2008, he self-released a handful of 7”’s and full length efforts by friends and musicians he had met in his years in the Bay. He continued his own musical explorations on the 303 but they were still contained to the realm of impassioned hobby, until one fateful South by Southwest a few years ago.
David was all set to attend the heralded music and media showcase in Texas when he ran into a roadblock: his flight was overbooked. Disheartened but not deflated, David set out to Oakland’s Groove Yard record store bent on making a project he describes as “modern sounding, but from records only.”
A month or so later, his Analogue EP was born. On a whim he asked the Godfather of Low End, Daddy Kev, if he would consider mastering the project. Much to David’s surprise, Kev said yes and like that David was on his way down to LA to sit in the session at the famed Echo Chamber in downtown. After receiving an unexpected pep talk from Daddy Kev (as well as a shot at playing Low End Theory), David sent out the EP to a few blogs and it soon found its way on Pitchfork. This combination of events propelled David to take his own music a bit more serious.
Putting his label ambitions aside for the time being, David spent the better part of last summer working on the Transitions LP, to be released on Plug Research. Compared to his previous EP, David says, “this album is way more ambient. It’s not as beat oriented, it’s a little more jazz influenced, has a few songs with weird time signatures, making it a bit more complex of a record.
During it’s creation, I was making music that was much more spacial and flowing.” The mostly instrumental project contains influences from DJ Shadow, Flying Lotus’ early work, Burial and matthewdavid. but it’s ambitions lie a bit further than just another beat-music record.
“Anything emotion-based is usually my favorite kind of music. With this project, I chose music that resonated with me because I’ve found that if I get a strong emotional reaction from something, chances are other people will feel it too.” David, as Elephant and Castle, has grown into a versatile producer, employing both technical proficiency and intuition to push his music forward.
Public Works Presents: HOUSES (Chicago)
+ D33J (LA/SF)
+ Elephant & Castle
We are proud to announce Houses is coming to Public Works.
We have been wanting to get them here for a while now..
D33J will be playing as well with more TBA support announced soon.
Music Omh: Houses - All Night Album Review
Consequence of Sound: Houses - All Night Album Review
"This Chicago-based project led by Dexter Tortoriello debuts with a gorgeous album of blissed-out ambient pop combining ethereal, mildly glitchy electronic textures, heavenly synths, occasional piano and other instrumentation, along with chill dance rhythms, soft, hazy vocals and dreamy melodies." - Don Yates (KEXP)
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