Right Round: The 80s Alt Dance Party

Right Round: The 80s Alt Dance Party

DJ lil' e brings the beats and the dance to the mainstage come early March, get ready.

DJ lil'e

Lil'e, AKA Erin Myers, hopes that whatever you call her, you dance while you're doing it. Because she would get down to a heart monitor if it was over 98 bpm, e spends a good bit of her time trying to elicit that response in others by making with the beat-beat using her turntables and vast collection of eclectic records.

You can book lil'e in one easy step - just visit her website at djlile [dot] com and send her a note!

Wild Moccasins (DJ set)

Fronted by Zahira Gutierrez (vocals/keyboard) and Cody Swann (guitar/vocals), Wild
Moccasins’ forthcoming third full-length serves as a new beginning for the group. Look Together
tackles themes of repairing relationships, shedding insecurities, and fresh starts, with vibrant
guitar and synth lines layered under Gutierrez’s soaring pop melodies. The impassioned 12-
track LP began to form merely a week after the release of 2014’s 88 92, as Gutierrez and
Swann’s decade-long romantic relationship dissolved.
Healing proved to be a burdensome task, as Wild Moccasins were charted for two years of
extensive touring. Gutierrez and Swann would spend countless hours positioned in a shared
tour van, painfully staring each other down on stage and ultimately exchanging exaggerated hesaid-she-said’s
through songwriting.
“When you’re going through a breakup it’s not uncommon for heartache to steer your mind
toward resentment,” Swann says. “But I never imagined how jarring it would be to hear it sung
to me on stage.”
Emotionally aggressive tracks like “Doe-Eyed Dancer” examine the complexities of observing an
ex from afar, as Gutierrez bitingly sings, "And I bet you thought you wouldn’t get caught/It’s not
entirely her fault/But she will never love you, no." The combative opener, “Boyish Wave,” tackles
misguided judgment through feisty guitar riffs and antagonistic percussion. Look Together’s title
track details love lost and the respective vows that come with the territory, while the album
closes with the deeply pain-stricken, “Waterless Cup,” in which Gutierrez laments through
flawless vocals, “After all, I’m the one who poured the salt/The one with the change of heart/
After all, it’s all my fault.”
Gutierrez and Swann began their writing partnership roughly a year into their romantic
relationship, in 2007. The group has undergone numerous roster changes over the years, but
currently exists with the addition of Avery Davis (drums) and original member Nicholas Cody
(bass). The dynamic quartet’s 2009 debut release, Microscopic Metronomes, is purely indie
rock-driven, bolstered by dancey guitar riffs and tightly knit vocal harmonies; while full lengths,
Skin Collision Past (2011) and 88 92 saw the band add more new wave influences with
shimmering synth underlays. Their latest effort is highly pop-powered, with Ben H. Allen (Gnarls
Barkley, Deerhunter, Animal Collective) at the production helm. Recorded at Atlanta’s Maze
studios, Allen encouraged the group to revise their approach to the writing and recording
process. The result is a diverse album that blends the signature, guitar-driven elements of Wild
Moccasins’ early discography with expansive electronic and '80s/'90s pop components.
For most romantically intertwined bands, Look Together would have never happened. Dissolving
the group would seem to be the logical conclusion of their romantic split, but instead, the former
couple chose to reconcile their differences the only way they knew how – working towards a
common musical goal. Songwriting has been habitually engrained in the duo, and while being
emotionally vulnerable with a former partner was difficult, it helped to construct the bridge
between confusion and solidarity, culminating as a resilient and volatile break-up record cowritten
by exes.
“I think we look back on that time and take some comfort in knowing that we went through that
together,” Swann says. “It needed to happen in order for us to have this resolve.”
“Yeah, it needed to happen,” Gutierrez adds. “Now, when I sing the songs, I find myself
breathing a sigh of relief.”



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