The Funky Biscuit Presents
Biscuit Jam With Mark Telesca, Richie Schmidt & The Funky Biscuit All Stars Featuring Terry Hanck
303 SE Mizner Blvd
Royal Palm Place
Boca Raton, FL, 33432
Doors 5:00 PM / Show 8:00 PM
This event is minors under 21 with parent or legal guardian
Watch & Listen
Terry Hanck Band
Blues and soul music fans know that the soundtrack to early rock' n' roll ran on three-minute instrumentals with sax in the lead, and was directly related to 1950s and 1960s New Orleans R&B hits, along with that deep-fried wildness that came from Memphis. With this history lesson in mind, old school rock 'n' soul saxophonist and singer Terry Hanck makes perfect sense. Clearly, Hanck has worshipped at the right Southern altars-- those of such iconic R&B brothers as Fats Domino, Ray Charles, B. B. King, Lee Allen and King Curtis. "I write songs that you think you've heard for years," says the South Florida-based Hanck, who's got suave movie-star looks and a good time presence that immutably anchors the old-style R&B he adores.
As Living Blues writer Lee Hildebrand testified, "Hanck is one of the most formidable saxophonists in the blues and soul business. He has a virile tone and attack and an uncanny command of upper-register notes." But, whether it is a joyous jump blues romp or a steamy slow dance of a stroll--this is the kind of music that has mattered to the tall tenor man all his life...
It took one cross-country journey in the early 1960s for California to ensnare the Chicago-born Hanck. The sun-drenched lure of surfer life spoke oceans to the landlocked Windy City teen. "The whole California lifestyle thing--it just blew me away! There was never any doubt in my mind, once I got out of high school, where I was gonna end up."
Cut to Orange County, 1964: Surfing, diving, partying. And KBCA, one 24-hour AM jazz station in Los Angeles, that played everything from Muddy Waters to John Coltrane. For Hanck, that was it. As he slyly remembers: "All of a sudden, I needed something to do with my mind." He picked up a sax. "The tenor was the voice."
Six years later, in 1970, Hanck moved north to the East Bay. His first band was called Grayson Street. "We played Bo Diddley, R&B, simple stuff," he says. "We were too bluesy for the funk crowd, too funky for the rock 'n' roll crowd. They all hated us, except the musicians: That is always death, you know" Hanck says with a large twinkle in his eyes, "when you have real musicians coming to see you."
One real musician who did come to see Hanck was Elvin Bishop, an alumnus of seminal American blues-rock group the Paul Butterfield Blues Band. "He heard the band in 1972," Hanck recalls, "and asked both the harmonica player and I to join, knowing he was only going to pick one guy. So I said no. And the harmonica player said yes." In 1976, Bishop brought Hanck to Miami to play on what became his classic album, Struttin' My Stuff, and which included his chart-topping smash hit "Fooled Around And Fell In Love." Hanck was asked again to join the band, and as Hanck reveals "I said 'no' again, like an idiot. I had a single out with my band and I had a false sense of security. But in 1977 he asked one more time and I said 'yes,' finally. I joined when the band was on top. I went from riding around in a potato-chip truck to limousines."
For over a decade, Bishop provided Hanck a worldwide stage to growl, squonk, soar and soothe on his tenor. In 1987, Hanck bid adieu to his friend, and formed his own group."Terry Hanck is a fine vocalist, an amazing showman and my favorite sax player," asserts Bishop today. That fact was borne out on the 2011 Delta Groove live album, Elvin Bishop's Raising Hell Revue, where Hanck re-joined his boss and friend on the 2010 Legendary Rhythm & Blues Cruise where the great vibin' on the good ship was captured.
Thank Hanck too, for also on that cruise and album was Chris "The Kid" Andersen. Around the turn of the millennium, Hanck was in Norway, saw the young and talented Norwegian guitarist, and brought him to America, when he held down the guitar chair in Hanck's band for four years. The strongly developed bond between the two has lasted, as Andersen has appeared on and co-produced all Hanck's releases (including this one), since 2002's I Keep On Holdin'On. Andersen has also gone on to produce CDs by Grammy-winning legend Charlie Musselwhite and multiple Blues Music Awards– winners and nominated CDs by Terry, John Nemeth and Rick Estrin & the Nightcats.
Many accolades are coming to guitarist Johnny Soubrand, who replaced Andersen back in 2004. Reflecting upon Johnny's role in the band these past few years Hanck affirms, "Johnny really works best for me. He's right there with the sound." Rounding out the tough rhythm section is long time drummer Butch Cousins (younger brother to Richard Cousins (Robert Cray bassist), and newest member bassist Tim Wagar, a stalwart of the San Francisco blues scene and beyond ( Lavern Baker, James Cotton, Jimmy McCracklin, Lowell Fulson. Howard Tate).
Mark Telesca is an American Songwriter / Singer / Guitarist and Bassist. He studied music at Florida Atlantic University and currently lives in West Palm Beach, Florida.
His “HOOK” oriented songwriting style and storytelling lyrics along with his expressive style of bass playing and powerful lead vocal is capturing the attention of music lovers everywhere.
Mark has released his first solo studio CD titled “Heavy Breathing” in January of 2015. His CD spent many months on steady rotation on SIRIUSXM RADIO (Bluesville). The CD is receiving rave reviews and reached the #5 spot on "Blues Power Radio's Top 30" Blues Albums. He has had three singles off the Heavy Breathing CD that has charted on Blues 411 Baker's Dozen of Blues. "If You Got Enough Jack" has reached #5 " Cross the Dog" has reached #2 and "I Don't Need Your Lovin' Anymore" has reached #1 !!!
In January 2015, Mark took his band to Memphis, TN to compete in the International Blues Challenge (IBC) and were semi finalists.
Mark has also started a career playing solo acoustic guitar focusing on Pre-WWII blues, Americana and his own original music. He has since competed in his local IBC challenge as a solo artist. He has been fortunate enough to win himself another spot in to compete again in Memphis in January 2016 and will be competing again in 2017.
Mark is very proud to be endorsed by Delaney Guitars. Delaney Guitars has built the Mark Telesca Bass Model. They are calling the bass the "TRADITION" model based on its traditional looks, feel and sound. It is currently available for purchase www.delaneyguitars.com
Mark is out gigging almost every night promoting his music. In addition to his hectic gigging schedule, he is the host of one of the most popular Pro Blues Jams in the Southeast. The Jam takes place every Monday at the Funky Biscuit in Boca Raton, FL. There are many touring artist who make it a point to spend some extra time in sunny Florida just to attend and hopefully participate in this high quality Jam.
As well as being a songwriter, singer, guitarist, and band leader, Mark is a touring bassist supporting many blues / rock artists. He is currently touring with “Blue Mercy” Featuring 2014 Blues Music Award winner and 2015 Blues Music Award Nominee Diunna Greenleaf.
Mark was the bassist along with 2010 Blues Music Award Winner and 2015 Grammy Winner Jason Ricci on Harmonica in The Keith Brown Trio. They later recorded Keith’s album “Down the Line” an acoustic album.
Influences are: The Delta Blues, Gospel Music and Motown.
Bass influences are James Jamerson, Donald Duck Dunn, Oteil Burbridge, Willie Weeks ... Just to name a few.
Richie Schmidt was born and raised in NYC, and was surrounded by musical influences from an early age. Singing in his church's “cherub” choir at age 5, he would follow on to the junior and adult choirs. From grade 2 to 6 he took violin lessons (at public school!). And when the church began to experiment with the new “folk” music style that was becoming popular, he began playing guitar. Some formal lessons followed at the local music store, and the guitar became a constant companion.
With his transistor radio (tuned to WABC), he began listening and learning the songs of the time. A friendly competition with his sister Debbie (also a singer/guitarist) provided a “look what I just learned” leap-frog game of sharing songs and styles, accelerating his knowledge of the instrument, as well as his familiarity with the variety of 60s and 70s pop music.
Other influences would add some spice to his skills. Under the direction of musicologist Peter Griggs he studied East Indian music and performed as a percussionist with the NYC Gamelan. A high school friend, Christopher Thall, was a prodigious talent who demonstrated learning techniques that opened up many avenues to musical approach and understanding. And Richie's fascination with musical instruments led him to acquire abilities on piano and flute, as well as banjo, mandolin and other stringed instruments.
He began performing in rock cover bands in 1976, playing classic rock favorites at parties and high schools and eventually in clubs all around NYC and Long Island. In 1983, he fully dedicated himself to a life of music, leaving his home to join a traveling act. Early in these travels he met keyboardist Tess Smith. The two traveled with the touring band for a number of years, eventually settling in South Florida. In 1990 they were married, and began performing as the duo “Twocan Blue”.
In 2002 Richie was invited to fill the guitar role for “The Fabulous Fleetwood's” the longest running “rockin' blues” band in the region.
In 2008, he was the musical director for the stage re-creation of the concert movie “The Last Waltz”, and also performed in the role of guitarist Robbie Robertson .
Continuing on a busy schedule of performances, he's frequently called on as a solo artist and side man, performing on stages large & small, with local musician friends, as well as many noteworthy artists.
Reserve Seats for this event are subject to a $15 food or beverage minimum (Happy Hour Menu not available during this event). Entire party must arrive no later than 7:30pm or reserved seats will be released
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