Antibalas

The musical collective known as Antibalas​ (Spanish for bullet-proof or anti-bullets) was conceived of in Mexico City and formed in Brooklyn New York. The early nucleus of the group was composed of the band's founder Martín Perna and included several members from the Soul Providers / Dap Kings band, performing their first show in May 1998 in Harlem, NY. Soon after, Lagos, Nigeria native Amayo joined the band after seeing the band at a neighborhood concert. Fluent in the afrobeat music of Fela, he began composing and performing lyrics and assuming the role of the group's lead vocalist / frontman. The band began rehearsing and composing at Desco 41st street studios and later at the first Daptone Studios at Amayo's Afro Spot venue. They spent their first year performing exclusively in noncommercial spaces in lofts, community centers, parks, art galleries. In August 1999, they created a weekly residence called Africalia at Tribeca club NoMoore that ran for 18 months, where the band and repertoire expanded.

In 2001, following their debut record (reissued independently, then licensed to Ninja Tune) they began touring internationally, from Glastonbury, Montreux to Newport Jazz and other renowned rock, jazz and world music festivals. Around 2003, following their third album "Who Is This America," the Dap Kings and Antibalas both became very busy, each group developed its separate full-time lineup although the groups would remain close, later reuniting with Sharon Jones and the Dap Kings and Charles Bradley for the 2014 Daptone Super Soul Revue across summer festivals and theaters in Europe and culminating in a three night run at New York's Apollo Theater. The group toured heavily performing over one hundred shows per year spread across North America and Europe between 2002 and 2007 with the releases of their third album, "Who Is This America", and fourth, "Security".

From 2007-2012 many members and former members of the Antibalas participated in the Tony-Award winning Broadway musical FELA!, including the show's musical director Aaron Johnson, lead saxophonist Stuart Bogie, and assistant MD trumpeter Jordan McLean. In 2011, the group returned to the Daptone House of Soul to record their most recent album, "Antibalas" produced by emeritus member Gabriel Roth. The group toured heavily throughout the US and Europe, and later that year, performed songs from the album live on NBC's Late Night with Jimmy Fallon, and ABC's Jimmy Kimmel Live.

Antibalas has recorded five studio albums on the Daptone, Ninja Tune, Anti-, and Ropeadope labels as well as a number of singles and EPs. The band is currently finishing their sixth studio album due out in mid-2017. Though recognized for their fluency in Afrobeat and funk music, the band is known to collaborate with diverse groups and artists, from Angélique Kidjo to Jovanotti to Medeski Martin & Wood to Public Enemy, and served as the house band at Carnegie Hall in 2014 (Music of Paul Simon), 2015 (Music of David Byrne & Talking Heads) and most recently 2017’s Music of Aretha Franklin.

The Antibalas horns have performed on Grammy award-winning albums by Angelique Kidjo, and Mark Ronson and dozens of albums, sound tracks and live guest appearances with artists including The Roots, My Morning Jacket, TV on the Radio, Santigold, Jovanotti, Nneka, Ed Sheeran, Alabama Shakes, The String Cheese Incident and numerous others. Former Antibalas members have gone on to record and perform with The Dap Kings, Arcade Fire, Mark Ronson, the Black Keys, the Arks, Menahan Street Band, the El Michels Affair, Iron and Wine, Bat For Lashes, and Imogen Heap.

INNOV GNAWA IS A GRAMMY-NOMINATED MUSICAL COLLECTIVE DEDICATED TO EXPLORING MOROCCO’S VENERABLE GNAWA MUSIC TRADITION IN THE HEART OF NEW YORK CITY. FORMED IN THE SUMMER OF 2014 BY MOROCCAN EXPAT SAMIR LANGUS, THE GROUP DRAWS ON THE CONSIDERABLE TALENTS AND EXPERTISE OF HASSAN BEN JAAFER, A MAÂLEM, OR MASTER GNAWA MUSICIAN, ORIGINALLY FROM FEZ, MOROCCO. UNDER THE GUIDANCE OF BEN JAAFER, INNOV HAS DELVED DEEP INTO THE ROOTS AND RITUALS OF GNAWA MUSIC, AND MADE A BIG SPLASH IN NYC, PLAYING SOME OF THE CITY’S MOST PRESTIGIOUS ROOMS INCLUDING LINCOLN CENTER, MUSIC HALL OF WILLIAMSBURG, BROOKLYN BOWL AND THE STORIED BACKROOM OF BROOKLYN’S BARBÈS.

FOR THE UNINITIATED, GNAWA MUSIC IS THE RITUAL TRANCE MUSIC OF MOROCCO’S BLACK COMMUNITIES, ORIGINALLY DESCENDED FROM SLAVES AND SOLDIERS ONCE BROUGHT TO MOROCCO FROM NORTHERN MALI AND MAURITANIA. OFTEN CALLED “THE MOROCCAN BLUES”, GNAWA MUSIC HAS A RAW, HYPNOTIC POWER THAT’S FASCINATED OUTSIDERS AS DIVERSE AS WRITER/COMPOSER PAUL BOWLES, JAZZ GIANT RANDY WESTON AND ROCK GOD JIMI HENDRIX. THE MUSIC IS UTTERLY SINGULAR, PLAYED ON AN ARRAY OF UNIQUE INSTRUMENTS — FROM THE LUTE-LIKE SINTIR THAT THE MAÂLEM USES TO CALL THE TUNE, TO THE METAL QARQABA (CASTANETS) WITH WHICH THE KOUYOS (CHORUS) KEEP TIME AND POUND OUT CLATTERING, HYPNOTIC RHYTHMS.

HAILED BY BROOKLYN MAGAZINE AS ONE OF THE "5 BANDS YOU NEED TO KNOW IN BROOKLYN'S ARABIC MUSIC SCENE", INNOV GNAWA MAKE GREAT USE OF THIS TRADITIONAL REPERTOIRE, AND ADD THEIR OWN, CONTEMPORARY SPIN WITH ADDITIONAL AFRICAN AND LATIN PERCUSSION. TAKEN AS A WHOLE, THIS EXCITING NEW OUTFIT WORKS HARD TO FUSE A CENTURIES OLD NORTH AFRICAN TRADITION WITH THE PULSE AND ATTITUDE OF NEW YORK CITY NOW.

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