123 S. Walnut St
Bloomington, IN, 47401
Doors 8:30 PM / Show 9:30 PM
This event is 18 and over
Watch & Listen
Stella Donnelly was raised between Morriston, Swansea in Wales and the burbs of Quinns Rocks, Western Australia. Donnelly got her start singing Green Day songs in her Aussie high school rock band, eventually turning her interest to jazz and contemporary as an adult studying at the West Australian Academy of Performing Arts.
At the beginning of 2017 Donnelly released her debut EP Thrush Metal and was met with critical acclaim. The five-track release was written over the space of two years; a musical undertaking resulting in a bold and unapologetic repertoire of songs which has forged Donnelly to the forefront of the new guard of Australian songwriters.
The second half of 2017 saw Donnelly receive invitations to perform at word-renowned music showcases in 2018; the UK’s The Great Escape and Austin’s SXSW. In November, Donnelly travelled to London to perform sold out shows as part of The Great Escape’s ‘First 50’.
Back on home soil, Donnelly won the inaugural Levi’s Music Prize, as the ‘most outstanding talent’ at Brisbane’s Bigsound conference, a swathe of Western Australian Music Industry Awards, including Best EP, Best Folk Act, Best Single, Best Female Vocalist and Most Popular New Act. This was quickly followed by Australian national youth radio station Triple J awarding Donnelly the ‘Unearthed Artist of the Year’ award.
The music video release of Donnelly’s first single ‘Boys Will Be Boys’ saw critical acclaim from The New York Times, NPR and Pitchfork.
Donnelly’s brutally honest and witty observations of people and relationships are transformed into blissful poems and lyrical punch lines on her standout debut EP Thrush Metal. Donnelly’s relatable way of writing is her lens to the world in which we live, a glimpse into what it’s like to be a millennial woman in the age of Trump, Tinder and third wave feminism.
Faye Webster isn’t afraid to tell you how she feels. Rooted in a familial lineage of folk, 21-year-old songwriter Webster’s forthright, exposed lyricism pays homage to the great Americana traditions of songwriting while drawing from Webster’s own experiences immersed in Atlanta’s hip-hop scene. Her carefully-cultivated sound organically mingles that inherited country and folk with her time immersed in rap collective Awful Records, injecting the traditional with a clandestine jolt.
A decorated photographer as well as a musician, Webster’s artistic mediums don’t intertwine, instead running parallel to one another. The through-line is her exceptional knack for direction, an assured confidence in her own point of view.
“Kingston,” the first new song since her 2017’s sophomore self-titled LP, is quintessential Faye Webster. Awash in the haze of a humid Georgia summer, all lovestruck and dewy, “Kingston” glimmers with a hushed glitz: a mellowed punctuation of brass, the twang of pedal-steel, feather-light vocals unfurling like a sigh, and slinking hues of R&B.
In the accompanying self-directed video for “Kingston,” we move through a blushing tangle of flamingos and lush palm trees, the sheen of red silk, a glimmering ice-rink. At the center of it all stands Faye Webster, in focus, gazing directly into the camera with a wide-eyed, unflinching gaze: the sharp, confident conductor in control of a dreamy haze.
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