POF presents . . .
NSFWknd: The Beths, Bad Bad Hats, Black Belt Eagle Scout
3200 Commerce Street
Dallas, TX, 75226
This event is all ages
Alternative/indie pop band from Auckland, NZ.
Bad Bad Hats
Bad Bad Hats is an indie rock band from Minneapolis, Minnesota. The band consists of Kerry Alexander, Chris Hoge, and Connor Davison. Named for a trouble-making character from the Madeline children’s books, Bad Bad Hats is defined by a balance of sweet and sour. Their music honors classic pop songwriting, with nods to nineties rock simplicity and pop-punk frivolity. Through it all, Alexander’s unflinchingly sincere lyrics cut to the emotional heart of things.
Alexander and Hoge met while attending Macalester College in Saint Paul, Minnesota. In 2012, they formed Bad Bad Hats with friend and bassist Noah Boswell, and began performing around the Twin Cities. That same year, they were signed by Minneapolis label Afternoon Records. Their 2015 debut album Psychic Reader caught the attention of outlets including The New Yorker, NPR, Pitchfork, and Paste. Since the release of Psychic Reader, Bad Bad Hats has toured the U.S. extensively, supporting artists including Margaret Glaspy, Hippo Campus, and Third Eye Blind.
Lightning Round, the band’s second full-length album, finds Bad Bad Hats more confident and mature than ever. Producer and collaborator Brett Bullion (who also produced Psychic Reader) encouraged the group to record live in the studio, an approach which pushed the band outside of their comfort zone and lends many songs on the record a loose, organic feel. There is a vulnerability in this (fluttering tape loops, a few wrong notes) and it makes the music on the new album feel as honest and unpredictable as Alexander’s lyrics. In this spontaneous environment, Hoge, who is known to play every instrument in the band, delivers some of his most inspired musical performances yet.
As for Alexander, she’s still writing love songs, ones that recount with cinematic swell the subtle joy and pain of the everyday. Her vocals are supported by open, breathing arrangements that feature lush keyboard sounds and woody guitar tones. Davison was recruited to play drums on the album and became a full-time member in the process. His drumming and melodic contributions give the new songs a level of nuance not heard in previous releases.
Lightning Round marks the final release with contributions from original member Noah Boswell, who will be leaving the group this fall to pursue a master’s degree. Bad Bad Hats continues with Alexander, Hoge, and Davison. They have plans to tour the country this year.
Black Belt Eagle Scout
Katherine Paul is Black Belt Eagle Scout, and after releasing an EP in 2014 Paul has wrapped up the band’s first full-length. Recorded in the middle of winter near her hometown in Northwest Washington, the landscape’s eerie beauty and Paul’s connection to it are palpable on Mother of My Children. Stemming from this place, the album traces the full spectrum of confronting buried feelings and the loss of what life was supposed to look like.
Paul grew up in a small Indian reservation, the Swinomish Indian Tribal Community, surrounded by family focused on native drumming, singing, and arts. “Indigenous music is the foundation for all of my music,” Paul explains. From an early age, Paul was singing and dancing at powwows with one of her strongest memories at her family’s own powwow, called the All My Relations Powwow. Paul reminisces, “When I was younger, my only form of music was through the songs my ancestors taught the generations of my family. Singing in our language is a spiritual process and it carries on through me in how I create music today.”
With the support of her family and a handful of bootleg Hole and Nirvana VHS tapes, Paul taught herself how to play guitar and drums as a teenager. In 2007, Paul moved to Portland, OR, to attend college and get involved with the Rock’n’Roll Camp for Girls. Inspired by Riot Grrrl and Post-Rock bands like Sleater-Kinney and Do Make Say Think, Paul dove deep into the Portland music scene, playing guitar and drums in a bunch of bands while evolving her artistry into what would later be Black Belt Eagle Scout.
On Mother of My Children, the songs weave together to capture both the enduring and fleeting experiences of loss, frustration, and dreaming. The structures are traditional, but the lyrics don’t adhere to any format other than what feels right in the moment. “I don’t play music to write songs,” Paul explains, “I play music to process feelings, and sometimes what comes out of that is a song.” Paired with Paul’s clear and measured voice, each song leaves the listener feeling as if they were there when the song was written, the immediate, candid emotion tangible.
The album begins with the singles “Soft Stud” and “Indians Never Die.” Paul calls “Soft Stud” her “queer anthem,” saying that it is “about the hardships of queer desire within an open relationship, which I think a lot of the queer community can relate to.” The choruses in the song start soft with lyrics, “need you, want you, I know you’re taken” and develop into louder choruses and heavy guitar solos.
When reflecting more on her writing process, Paul admits “I wrote this album in the fall of 2016 after two pretty big losses in my life. My mentor, Geneviève Castrée, had just died from pancreatic cancer and the relationship I had with the first women I loved had drastically lessened and changed.” Heavy and heartbroken, Paul found respite from the weight of such loss in the creation of these songs that “are about grief and love for people,” she says, “but also about being a native person in what is the United States today.”
As Standing Rock was happening, many people in Paul’s life were coming together and fighting for the most basic thing necessary to sustain human life: water. “Our treaty rights weren’t being honored,” Paul laments, “Imagine hearing on the news that the government doesn’t support you as a human being and never has.” Paul goes on stating, “’Indians Never Die’ is a call out to colonizers and those who don’t respect the Earth; they don’t care about the water, they don’t care about how they are destroying what is around them. Indigenous people are the protectors of this land. Indians never die because this is our land that we will forever protect in the present and the afterlife.”
The album in itself is sprinkled with guitar solos, some heavy and some woven hooks. “Just Lie Down” starts with a heavy nature of distorted feedback and wild drums that sound like violent waves on a rainy coastal night. The song embodies what anger looks like when mixed with sadness. Lyrics like, “You aren’t yourself, what’s wrong, it’s in your head, it’s in your heart” are what Paul calls, “a point in grief where you don’t feel at all like yourself and you wonder if you’re going mad. The stage of grief and sadness that turns to anger, while it is a terrible thing, can also bring out a sense of relief that the process is coming to a healing point soon.”
Mother of My Children is a life chapter gently preserved, and the access listeners have to such vulnerability feels special and generous. We are left wanting more, and all signs point to Black Belt Eagle Scout just getting started.