The Pauses present 1998 - a two night event celebrating music & culture from the year
Zap Dragon, Punctuality Award, DJ Smilin' Dan
1042 N. Mills Avenue
Orlando, FL, 32803
This event is 18 and over
Watch & Listen
With their sophomore release Unbuilding, the Pauses have hit their sonic geyser, and attentive listeners can marvel at the resulting indierocktronica glints and glitter. Based in Orlando, Florida, the Pauses are multi-instrumentalist Jason Kupfer, vocalist-bassist-keyboardist Tierney Tough, and drummer Nathan Chase. Their debut, A Cautionary Tale, introduced listeners to Kupfer’s studied ear and methodical rock flourishes, Chase’s technical rhythms, and Tough’s attentive musicality and immaculate vocal. Both of their albums were produced and mixed by J. Robbins (Jawbox, Burning Airlines), and his influence can be heard in the heavier guitar propulsion that churns under the allure of the electronic ear candy on the surface. This combination live makes dancing feel like a decision the whole room made at once.
On Unbuilding, the Pauses have evolved their collaborative songwriting, and few tracks show the pop heft of that effort as well as “Digital Detox.” It slams you almost like a wall of sound, with Tough’s typically clear-as-a-bell vocal distorted to great effect, evoking ‘60s girl groups with warped sensibilities. Trumpets, timpani, cello, theremin and electronic elements are called upon to create the Pauses’ authentic sound, and then whisked away to allow the vocals space, as in the sparse, unusual dreamscape on “Had/Have.” Other times, the sound can bound in bilateral increments, like the playful piano to guitar crush of “The Means.” Their range is key, with loud live rockers like “Don’t Wake Me Up” and “Animus?”, which is particularly intense as it dangles wildly at the album’s end and concludes, “What a way to feel nothing real.”
That line evokes an overarching theme of the album, which gazes into the black mirror and is smart enough not to take it seriously. Songs like “Eventually, Everything Connects,” “Digital Detox” and “Don’t Wake Me Up” suggest a rebellion against the online drone, with lines that invite you to throw your arms up and sing out, “I don’t need the details shoved down my throat.
"Trust me, I understand the hardship of having an odd name. And not that rock music necessarily maintains seriousness as a requisite, but having a band moniker like Zap Dragon & the Attack makes things hard for you before you play a single note. I'm probably not the only one to ever wonder how this Orlando combo can possibly ...be good enough to overcome such a silly name. It's a reasonable question. Then again, it all depends on what you're going for. But it turns out they're not some sort of comic-nerd band at all. In fact, their deal is a shiny, skipping ball of jaunty rock, folk twangs and pop hooks that's cloyingly peppy. They're often a little south of goofy,but their sweet guilelessness has much more traction and potential when they slow things down and dial it in. Their melodies breathe deeper and their heart beats louder. That's when their set hit moments of clarity. And it's where their hope lies." -Bao Le-Huu
Featuring members of The New Lows, The Attack, and Watch Me Disappear.
$10.00 - $12.00
You booted up your 32mb Rio mp3 player and confided in your Furby that you'd be Rockafeller Skanking down to Spencer's Gifts with 3D Doritos in hand to check out the new batch of age-inappropriate birthday cards. It was 1998 and you weren't gonna let cringing your way through the animal cracker scene in Armageddon with your parents get you down. Well now you can finally settle the great Antz vs. A Bug's Life debate as Will's Pub is transported back in time to......1998! The Pauses will be taking you back 20 years with Music, Movies, Games, Costumes, Foods, Beepers, F-R-I-E-N-D-S, a Big Lebowski photobooth, raffles, trivia, themed drinks, and a few other surprises.
Tue, December 18
Tue, December 18
Wed, December 19
Thu, December 20
Fri, December 21