9081 Santa Monica Blvd
Los Angeles, CA, 90069
This event is all ages
Lera Lynn – Plays Well With Others
Throughout her career — a nearly decade-long run filled with three album releases, a career-shifting appearance and soundtrack for HBO’s True Detective, hundreds of shows on both sides of the Atlantic, and a sound encompassing everything from Americana to stark indie rock — Lera Lynn has balanced her fierce independence with a string of collaborations.
She's written songs with T Bone Burnett and Rosanne Cash. She's recorded albums with full bands (2014's The Avenues, hailed by outlets like Rolling Stone and American Songwriter) and smaller lineups (the experimental, NPR and New York Times-approved Resistor, which Lynn co-produced at her Nashville home). On her fourth album, Plays Well With Others, she teams up with eight different duet partners and seven co-writers, resulting in her most diverse, collaborative work to date.
Plays Well With Others is a unique duets album — one in which nearly every song is completely co-written and co-sung. Peter Bradley Adams, John Paul White, Dylan LeBlanc, Andrew Combs, Rodney Crowell, Shovels & Rope, JD McPherson, and Nicole Atkins all make appearances, working alongside Lynn not only to perform these songs, but to create them, too.
"Songwriting can be such a personal process; in the past I have tended to do it alone," Lynn admits. “With this record, I wanted to get outside of my own writing corner. I have access to a great community of writers and singers in Nashville, and it became an exciting challenge to sit down with some friends and say, 'Let's write a duet — one that maybe hasn't been written before — and then record it together.' This was an important thing for me to do as an artist: to open myself up to other people and have some fun.”
Lynn recorded Plays Well With Others at John Paul White's studio, Sun Drop Sound, in Florence, Alabama. There — with Lynn, White, and the Alabama Shakes' Ben Tanner all serving as co-producers — she tracked nine songs in a series of live takes. Looking to add some sonic framework to an album whose tracklist was vast and varied, she only used acoustic instruments, layering upright piano, strings, percussion, acoustic guitars, and creative sounds into arrangements that nodded to artists like Roy Orbison, George Harrison, Neil Young, John Lennon and Tom Petty. The result is an album that's at times more stripped-down than The Avenues and far less amplified than Resistor, while still shining a light on Lynn's striking voice and unique blend of American music.
Appropriately, the nine songs on Plays Well With Others tackle issues of the heart, from love to lust to loss. On the album's haunting opener, "Same Old Song," Lynn and Peter Bradley Adams swap harmonies from opposite sides of a broken relationship, both trying to summon up the courage to sever ties completely. "What is Love" — a gorgeous folk song recorded with Dylan LeBlanc — finds its two singers questioning their own worth, while the Rodney Crowell collaboration "Crimson Underground" unfolds like a conversation between the self and the voice of temptation. There's also a coed cover of TV on the Radio's "Wolf Like Me," performed with Shovels & Rope; a tribute to the glory days of 1960s Roy Orbison with Nicole Atkins; a kinetic, psychedelic "Breakdown" with Andrew Combs; and a pair of duets with John Paul White, who first sang with Lynn during a handful of shared shows in 2017.
“John’s a great vocalist and really great harmony singer, which makes him the perfect duet partner," Lynn says of John Paul White, who kicked off his career as one-half of the Civil Wars. "During our tour together, we started covering ‘Almost Persuaded,' which I'd heard Conway Twitty and many others perform. By the time we recorded the song, we'd also written 'Lose Yourself', which is a song about the love-strickens’ last attempt at retaining their fleeting individual identity.
With Plays Well With Others, Lera Lynn cements her own identity as both creator and collaborator. On an album filled with Grammy winners, country icons, folksingers, and Americana heroes, it's still her star that shimmers the brightest, shining light on the newest phase of an eclectic, ever-expanding career.
All These Years
When the 19-year-old Norwegian Thomas Dybdahl released his two first EPs “Bird” & “John Wayne” in 2000-2001 he appeared as nothing but a small blip on the musical radar in Norway. Interest was peaked somewhat by the single Love’s Lost, but it wasn’t until his debut album “…that great October sound” in 2002 that he got peoples attention for real. With a dogmatic one-microphone-only approach, a soulful tenor voice, an intimate acoustic sound and good songs he soon found his way onto the airwaves in Norway. What followed was a slew of great reviews, awards and eventually a growing fan base all over the world.
When his follow up “Stray Dogs” was released in 2003, fellow Norwegians started referring to him as one their most prized artist and singers. They have continued to do so even know 16 years after his debut and about to release his 8th solo album.
In addition to being a solo artist he has made a career composing for film and theatre. For his first score he received the Norwegian “Amanda” award, the highest honour for a film composer.
He has also worked as a producer, songwriter and as a front man in the band The National Bank, as well as guesting with other acts ranging from Morcheeba to French singer Melanie Pain all the way to folk icon Judy Collins.
Having the status as a musician’s musician, he was quickly discovered by other artist like Elvis Costello, Jamie Cullum and taste makers like LA’s indie radio station KCRW and
one of his early fans was Grammy award winning music producer Larry Klein (Joni Mitchell, Herbie Hancock, Tracy Chapman). The two worked together on Thomas’ 2013 album “What’s Left Is Forever”, which was nominated for a Grammy the following year and the two have now embarked on yet another collaboration.
All These Things
Thomas Dybdahl’s latest album “All These Things” was written and recorded in LA, June 2017.
“Larry and I had talked for a while about making an album again in a proper old school way. The best session musicians, the best live room, good songs and a super tight schedule so we would be pressed for time and have to trust our instincts without being able to redo too much. This album was therefore recorded in Sunset Sound in the course of 3 very busy days/nights and was a reaction to my previous album in many ways. My previous album was more focused on the production itself and on the sonic aspect. This one was all about raw energy and being able to capture the spirit of what was happening between the musicians. I’m very proud of the record and can’t wait to show it to the world!”
The album features a stellar cast of musicians with a discography long enough to fill an encyclopaedia, as Larry brought in the absolute best to fit theses 9 new songs. James Gadson (drums), Dean Parks (guitars), Patrick Warren (keys), Dan Lutz (bass), Brian MacLeod (drums) and David Baerwald (guitar) comprise the main band on the record.
“Not everyone has the privilege of going into the studio with legends like these and call it going to work. I had to pinch myself every now and then and tell myself to be in the moment and to enjoy”.
In addition to the main band, Thomas is also joined by one of the brightest new stars on the Americana/folk scene, Lera Lynn, for the duet “When I Go”.
“Ever since her enigmatic and super moody performances in the dive bar scenes in True Detective I have been a fan. Working with her was a treat, what a singer and songwriter she is!”
All These Things is due for release October 2018!
Adv Tix $22.00/ DOS Tix $25.00
Tue, February 19
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