Soulfly presented by 94.3 KILO
Kataklysm, Incite, Skinflint, Deathride, Fall From Silence
3970 Clearview Frontage Road
Colorado Springs, CO, 80911
This event is all ages
Watch & Listen
Max Cavalera is the walking embodiment of creative energy, of all of the diverse layers of urgency that are possible from that select few whose artistic output defines genres. Mystic shaman, protest singer, revolutionary hero, everyday metalhead, furious consumer of heavy music of all shades, husband, father, leader, songwriter… Cavalera reigns as the adoptive tribal chief of a generation of fans, stretching from the roughest slums of South America to the coldest confines of Russia. Anywhere that people are disenfranchised, the songs of SOULFLY serve as their anthems.
Armed with Cavalera's four-stringed guitars, unmistakable growl and instantly recognizable riffage, the muddy tones and constant rhythmic bounce of SOULFLY has retained its gritty edge while pushing the boundaries of what's possible in metal. »Savages« represents a career-defining moment, solidifying the lineup with longtime lead guitarist Marc Rizzo (who has been in SOULFLY almost as long as Max was in SEPULTURA), bassist Tony Campos (Static X, Ministry, Prong) and Max's 21 year-old Zyon, who splits his time between drumming in LODY KONG and now SOULFLY.
"All of the things that make SOULFLY killer are combined in Savages," Max declares.
»Savages« melds the most brutal, the heaviest and overall the most vibrant components that made up each record in SOULFLY's diverse catalog. By Max's own account, »Savages« is possessed of the tribal groove of the first two SOULFLY albums, particularly in songs like 'Bloodshed', 'Ayatollah of Rock 'N' Rolla' and 'Master of Savagery'. But there's also the thrash metal that was found on DARK AGES and OMEN; whereas the CAVALERA CONSPIRACY records contain short, punky bursts, the new SOULFLY record gets into the epic length territory of early METALLICA. The death metal vibe of SOULFLY's »Enslaved« emerges in songs like 'Fallen' and 'Cannibal Holocaust'.
"I really like the name »Savages«. I like single words that sound powerful, like 'Primitive', 'Roots', 'Arise'," Max explains. "It's about the human condition right now. We have the Internet and we're working on missions to Mars, but we are still decapitating each other and blowing up marathons. We're still savages. Even with technology and how far we've come in the world, our spirit is still that of a savage."
A trailblazing pioneer and musician with millions of albums sold who nevertheless retains boundless street cred due to his grimy, raw and undeniable authenticity; Max Cavalera is one of the most prolific artists the realm of heavy music has ever known. There's CAVALERA CONSPIRACY, which reunited Max with his brother and former bandmate, Igor Cavalera. There was the brutal attack of NAILBOMB, Max's collaboration with Alex Newport from FUDGE TUNNEL, which included members of DEAD KENNEDYS, FRONT LINE ASSEMBLY, BIOHAZARD and NEUROSIS on-stage. There's his forthcoming band with members of THE DILLINGER ESCAPE PLAN, MASTODON and THE MARS VOLTA. Of course, there's Max's unassailable work as SEPULTURA's founder, leading the Brazilian band from their badass lo-fi beginnings, through their era of sophisticated thrash classics, up through the cultural landmark that is 'Roots'.
SOULFLY began almost instantaneously after his departure from the band he founded. The eponymously titled debut »Soulfly« sold over 500,000 copies in the United States alone, further expanding upon the tribal foundation of 'Roots' with percussive instrumentation, forays into esoteric sounds and multiple guest performers. Across the seven albums and never-ending tours that followed, Max worked with a who's-who of the heavy music scene as band mates, guest musicians and touring members, including guys from SLIPKNOT, SLAYER, MEGADETH, DEFTONES, RADIOHEAD, STONE SOUR, CYPRESS HILL, MACHINE HEAD, DEVILDRIVER, FEAR FACTORY, MORBID ANGEL, THROWDOWN, S.O.D., SKINDRED, BORKNAGAR, WILL HAVEN and CATTLE DECAPITATION, among others.
In addition to Max's own self-production, a number of important producers have lent their skills to SOULFLY, including »Roots« producer Ross Robinson (KORN, AT THE DRIVE-IN), Toby Wright (Ozzy Osbourne, SLAYER), Andy Sneap (MEGADETH, KILLSWITCH ENGAGE), ex-SOULFLY guitarist Logan Mader (FIVE FINGER DEATH PUNCH, GORJIA) and Zeuss (HATEBREED, SUICIDE SILENCE) and Terry Date (PANTERA, DEFTONES).
Cavalera asked Date, who had mixed for SOULFLY in the past, to produce the new album. Once studio time with the legendary producer was on the calendar, Max kicked into high gear with the material. Max and Zyon worked on the songs that would comprise »Savages« at home. "Zyon came up to me and said, 'Give me a shot. I'll play on the record for you. I won't let you down," explains the elder Cavalera. "I went into a room with him to jam and it felt great. So I said, 'Fuck yeah, let's do it!"
Generally on a SOULFLY album, the drummers would learn the songs in the studio, based on demo recordings from Max. This time, Max had the luxury of working out the songs at home with Zyon. "We jammed every single day for a month. He knew 90% of the material already when we got into the studio. It reminded me of recording the old Sepultura stuff, like Arise and Chaos A.D., Igor knew exactly what he was going to do before we went into the studio. This was very similar."
Cavalera says he must've written at least 1,000 riffs specifically for »Savages«. "The killer riff is what hooks the whole song together," he says. "For me the writing process is about finding the most killer riffs possible. It's a battle; sometimes I struggle with the guitar for hours. You have to throw it down on the floor and take a break. Come back a few hours later. 'Let's try this again, motherfucker!' Grab it again and go to battle, go to war with the guitar until you get the right riffs."
Max points to BLACK SABBATH's 'Symptom of the Universe' as one of the penultimate riffs of all time, citing SABBATH's Tony Iommi and METALLICA frontman James Hetfield as among the riff-masters he most admires. "I think of riff making as an art-form. I take it really seriously. I think it deserves more attention. It has such value."
Speaking of riffs, Rizzo came into the band a decade ago and his love of thrash metal, death metal and collaborative spirit has energized Max ever since. "When Marc entered Soulfly, it was a drastic change. He's the guitar player I've been looking for my whole life. Andreas [Kisser] and I really clicked when we worked together. I never had that again after that. We had other guys that were cool, but it was never 100% there. When Marc came in, I found it! We've developed a great bond since." Rizzo particularly shines on the opening track on Savages, 'Bloodshed.' "There's stuff all over the song – clean guitars, feedback – he just makes the song better."
Campos has a lengthy resume in the world of metal and Max says they bonded over their shared Latino heritage, among other things. "I had this idea about this guy Vargas, a Venezuelan cannibal, they call him 'El Comegente.' He's the Hannibal Lecter of the Andes. We both read about it. Tony sings some of it in Spanish and I sing in Portuguese. He's a great bass player too, fucking amazing. Killer bass tones, distortion, all balls-out metal. He keeps this shit real heavy, great tone. It's great recording with guys who know what they're doing. I don't have to ask if they know."
Max acknowledges the inherent risk in putting a 21 year-old behind the kit for such an important record, but it was a risk he absolutely wanted to take. "To have my son drumming on the album, that's killer. I like risks. I like to start shit up and see what happens. Even if I fail, at least I knew I tried. Rather than knowing I didn't try at all. To me, that's the bigger failure. It took a little bit of courage to put my son on it. I came to the studio and told Terry there was a young drummer who doesn't play to a click. Terry knew what to do and Zyon did great. The drums sound amazing."
Like all things Max Cavalera, does SOULFLY's »Savages is a family affair. Not only does it mark Zyon's recorded debut with the band, but one of Max's other kids throws down some vocals in the opening track, 'Bloodshed'. "My son Igor has a killer punk rock voice that reminds me of the old CORROSION OF CONFORMITY days," Max says. "The chorus has this old punk style riff, almost like a MISFITS type riff. His voice is killer."
Like every SOULFLY album, »Savages« contains an impressive guest list comprised of veterans and up-and-comers. CLUTCH's Neil Fallon turns up on 'Ayatollah of Rock 'N' Rolla', the title of which was inspired by Mel Gibson's classic Mad Max 2: The Road Warrior movie. Jamie Hanks from I DECLARE WAR brought his high and low deathcore vocals to 'Fallen', a death metal oriented song Max says is in the vein of CANNIBAL CORPSE.
Mitch Harris from NAPALM DEATH contributed vocals to 'K.C.S.' Harris has been around the Cavaleras long enough that there are videos of him changing Zyon's diapers when SOULFLY's new drummer was just one month old. "Mitch came to the studio just to hang out during a day off from tour," Max explains. "I'm like, 'You ready to sing some shit on this record?' I put him on the spot. He's like, 'Right now?' I said, 'Fuck yeah, let's do it!' There was one point where we were recording together where he did a scream and I saw his eyeball popping out of his face like a cartoon. I was like, 'Dude that was the most metal thing I've seen in a long time.'"
Even as Max continues to consume new music from band like NINE INCH NAILS, MAN MUST DIE, TRIGGER THE BLOODSHED and I DECLARE WAR, even as he revisits seminal material from METALLICA, SLAYER, C.O.C. and the like, and indulges his penchant for world music, and gets his hands in his other projects and collaborations, it all adds up to a singular, distinct, straightforward and riff-heavy machine known as SOULFLY.
For over a quarter century the monumental vessel of KATAKLYSM has overwhelmed the world with immense, powerful, death metal. Since their formation in 1991 they have uprooted influence in everything from ancient human history to the basic instincts surrounding mortal emotion. Part of what has kept Kataklysm not just surviving, but thriving for such a long period of time, is their incredible ability to explore the darkest chasms and most intricate paths of fleshly nature through music. With no end in sight, Kataklysm has culminated their most recent inspirations into their upcoming creation entitled: Meditations, to be released June 1st, 2018 via Nuclear Blast Records.
The building of the record began surrounding the recent 25 year milestone as the band found themselves in an era of re-creation. Kataklysm’s sound has always been incredibly diverse and attracted a wide variety of fans. Frontman Maurizio Iacono feels that the time has come to truly immerse the band in those origins of being naturally unique: “We’ve never really belonged to one thing, we were never really a follower of one style of music; we were a hybrid. It confused people a little bit, I think… we were an outsider band regarding that... not part of anything.” This philosophy has naturally lead to the beginning of an Outsider Movement, a “vast majority” of uniqueness amongst the masses of the metal world.
As the band approaches this new era, they remain true to their root sound while developing an even more melodic dynamism. The title, Meditations, mirrors the emotional elements of these robust and vigorous sounds, while the incredible artwork (designed by artist Suzy Iacono) visually reflects the emotional torment and sonic release that the songs on the album portray. With Kataklysm’s classic symbol reflecting the clouds in the sky, a human face is seen struggling from inside the roots of a tree; screaming and struggling to escape. The washy colors set the tone for an intense and effective batch of musical measures. Strong songs like “Guillotine” and “Outsider” are sure to be die-hard fan pleasers with their classic Kataklysm sound and as they “are very intertwined with Kataklysm’s message,” says Iacono.
This album cycle also consisted of a slightly different recipe in terms of the recording process. Guitarist JF Dagenais, who has always been involved in the band’s recording, set out to do the entirety of Meditations with the band’s newest member, drummer Oli Beaudoin, by his side. Dagenais & Beaudoin recorded the album in the depths of the Canadian forest at the studio the band built specifically for JF’s recordings. The production process was also taken in an entirely different direction this time with the hiring of fellow Canadian Jay Ruston who more commonly works with bands like Stone Sour and Anthrax. “It’s a risk when you’re in a very tunnel vision industry,” says Iacono. “We wanted something out there, with a different kind of production [and] we were very impressed with his sound.”
Meditations is a refreshing representation of both the roots and foundations of Kataklysm. It represents the duality of various essences in the realm of truly existing as an Outsider. It is something which will electrify consistent Kataklysm fans, welcome new ones, and reawaken old ones. KATAKLYSM is: Maurizio Iacono (Vocals), JF Dagenais (Guitars), Stephane Barbe (Bass), and Oli Beaudoin (Drums).
Now close to 15-years into a career where everything was earned and nothing was taken for granted, INCITE bridges the gap between multiple crowds across various metal sub-genres. As renegade disciples of trailblazing architects like Pantera, Slayer, Sepultura, and Machine Head, INCITE raise the torch for trend-killing and hipster-smashing metal. INCITE is as much a part of the fabric of the style championed by Lamb Of God as the surge of newer bands like Power Trip. INCITE perfected their signature brand of extreme sounds playing shows with DevilDriver, Crowbar, Brujeria, Soulfly, Cavalera Conspiracy, and Six Feet Under. This is a band who can open for Gorgoroth one night and Cancer Bats the next, converting true-believers out of people who grew up on Deftones or Immortal. The band’s fifth album, Built to Destroy, is a visceral, urgent, voracious distillation of modern metal, with reverence for the past, produced by Steve Evetts (The Dillinger Escape Plan, Suicide Silence) and mastered by Zeuss (Rob Zombie, Hatebreed).
Metal band from Gaborone, Botswana that formed in 2006.
Bass - Kebonye "Raskebo" Nkoloso
Drums - Sandra Sbrana
Guitar & vocals - Giuseppe "Juice" Sbrana
LOCATION: GABORONE, BOTSWANA, AFRICA
GENRE: AFRICAN HEAVY METAL
MASSIVE DESTRUCTION (FULL LENGTH 09)
IKLWA (FULL LENGTH 2010)
GAUNA (7" 2011) "EXCLUSIVELY THROUGH LEGION OF DEATH RECORDS FRANCE. ONLY AVAILABLE ON VINYL FORMAT!
DIPOKO (FULL LENGTH 2012/2013)
Nyemba (Full Length)
Skinflint is a three piece Heavy Metal band from Gaborone, Botswana. They have incorporated elements from African culture with Heavy Metal music, attracting the attention of international media. Their releases Iklwa, Gauna, Dipoko and Nyemba pay homage to ancestral beliefs and African spirituality, while still playing in the vein of Traditional Heavy Metal. The band has headlined shows across Africa, and enjoyed successful tours as far as Sweden.
Deathride is a thrashmetal outfit out of colorado springs composed of hardcore seasoned musicians.
Fall From Silence
Raw, powerful, aggressive, high energy music that will re-invent your entire thought process!!
Fall From Silence is a mix of individuals from across the country. A few of us served in the military together which allowed us to discover the creative intellect in each other. Our music is designed to make you re-invent your entire thought process.