Lady Lamb

To many, Lady Lamb the Beekeeper (aka Aly Spaltro) is an enigma. Her songs are at once intimate and unbridled- both deeply personal and existentially contemplative. Spaltro is a fearless performer who can command a pitch-black stage with nothing more than her voice. Yet, when the band bursts in and the lights come up, what began as a demonstration of restraint shifts seamlessly into an emphatic snarl.

It was in Spaltro's home state of Maine that she first found her voice among thousands of films in the independent rental store where she worked the closing shift. After hours, Spaltro would create songs completely uninhibited by musical conventions, learning to play and sing as she hit record. A handful of these songs were carefully curated and fully arranged for her debut studio album, Ripely Pine (Ba Da Bing! Records).

On her newest work, After, Spaltro explores dualities further - giving equal attention to both the internal and external, the before and after. Her most palpable fears and memories are on display here, with a familiar vulnerability even more direct than her last effort. These new works - which found Spaltro co-producing with her Ripely Pine partner Nadim Issa - are sonically vibrant, with an assertive use of grit and brightness. Thematically, they provide direct insight into Spaltro's rumination on mortality, family, friendships, and leaving home. Where Ripely Pine sometimes lacked in personal narrative and directness is where After shines. The last line on After encompasses the self-assurance of the work as a whole, stating "I know where I come from." This theme is constant throughout the album.

Renata Zeiguer is a Brooklyn-based multi-instrumentalist singer-songwriter, the daughter of Argentinean and Philippine immigrants. An NYC native, she grew up playing classical and jazz music, beginning on the violin and the piano at age 6, and listening to her grandmother play ragtime and tango music obsessively on a baby grand during family visits in Buenos Aires. Her music is both wonderfully dreamy and strange – there is an ambiance that exudes a kind of dreamy exotica, a “timeless portal where Les Paul and Mary Ford meet Os Mutantes and the Pixies.” Some may hear a sort of weightless negative space where Joe Meek’s “I Hear a New World” meets Kate Bush. Renata’s debut album ‘Old Ghost’ released on Northern Spy Records in February 2018 is the sound of someone finding and losing herself in the endless dance of fear and forgiveness. With secretly wise melodic constructions, she tempts the listener toward forbidden insights, resurrecting her childhood fascination with classical and jazz music. The ghosts of Ravel and Gershwin run through her veins, whirling with Billie Holiday, Yo La Tengo and The Beatles. Her music is stained with the brutality of battling oneself, and yet the pulse of love echoes throughout like a mystical wind.

$20.00

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