219 South 600 West
Salt Lake City, UT, 84101
Watch & Listen
Los Angeles-based indie rock band The Wrecks root from Thousand Oaks, CA. The group consists of Nick Anderson (vocals/guitar), Nick Schmidt (lead guitar), Westen Weiss (guitar), Aaron Kelley (bass), and Billy Nally (drums). Heavily influenced by groups such as The Pixies, The Strokes, Weezer, and Vampire Weekend, this 5-piece isn't afraid to blend undeniably catchy choruses, with self-deprecative, honest lyrics and vocals that pull you right to the center of each song.
The band actually recorded their debut EP on a whim, alongside friend and engineer Andrew D’Angelo, when they were surprised with the news that a friend had been granted access to a studio for just a few days. With a total budget of $0, and only a week as a band under their belts, the group set out to record the best songs that they could in 3 days. After working ridiculous hours through the night, and to the next day whenever they could get in the studio, the 3 days were over and the EP was cut. Little did the band know, they were not even allowed to be in the studio that week. So through feelings of guilt and worry, they cleaned every bit of information of theirs from the studio computer, every crumb of Dominoes from the studio couch, and they were off with their entire EP on an hard drive in a backpack.
The homemade "We Are The Wrecks" EP was self-released in March 2016. After hundreds of spins on Sirius XM's Alt Nation, and features on some of Spotify's biggest rock playlists, the band signed to Another Century/Sony Music in December of 2016. Their debut single Favorite Liar broke the Top 40 on alternative radio, has over 6 million plays on Spotify, and spent almost a dozen weeks in the top 10 of Alt Nation's Alt-18 Countdown. After signing their record deal, The Wrecks sought out to record a new EP in Los Angeles. 3 weeks into recording, and after blowing almost the entire budget, the band decided the music was going in the wrong direction and threw the EP away. "I just felt that we had strayed too far from the core of the band's sound," says frontman Nick Anderson. "It sounded like we were trying really hard to get on the radio or something, and I feel like that rarely gets you on the radio anyway." So after getting their label and management on board, The Wrecks decided to move into Anderson's grandmother's house in his small hometown (Wellsville, NY) to work on the new record in a barn studio that their friend Patrick Barry owns. Co-produced again by Nick Anderson and Andrew D'Angelo, The Wrecks say their new upcoming EP "comes from a genuine place, and is something we're all truly proud of."
Deal Casino has been soundtracking the comeback story of Asbury Park since 2013. A New Jersey beach town that once looked all but lost, after years of economic depression and the devastating wrath of Hurricane Sandy, Asbury has become the sort of underdog story that people write movies about. Its music scene is proof that there is hope for the future of rock and roll, and Deal Casino is at the center of it.
With 3 out of the 4 band members playing together since they were in elementary school, they might as well be a family. When they found their drummer, the band’s work ethic kicked into high gear. They helped to build a local studio, and worked for recording time to get their first EP done. They spent every waking hour writing and recording and learning. They sharpened their skills on stage playing residencies at every small venue in Asbury Park, and a few in Manhattan and Philadelphia.
Their classic rock influences-Led Zeppelin for guitar tone, The Band for harmonies, Pink Floyd for studio techniques, the Who for melody—have informed every decision in their writing. Process-wise, the band is more like the Grateful Dead, living in a house together where they write and practice daily and they work just to afford to keep their music habit going. Their first record evokes the alt-pop of artists like Oasis and Kings of Leon, but as they prepare to release their second LP, they have moved into bold new sonic territory, evoking psych elements of Tame Impala and the moodier indie sounds of Modest Mouse and The National. They revere classic recording techniques—analog devices, tape, real guitars and real drums, 4 part harmonies—and they embrace electronics, with modular synths everywhere and samples artfully placed in their records and live sets.
The band has developed these sounds over the course of the last 5 years, releasing their self-titled first LP in summer of 2017. Their second LP, entitled LLC, comes out between September and November. Engineered and produced by Erik Kase Romero of The Front Bottoms, the album is the result of a winter retreat to Fidelitorium Studios in North Carolina. The band locked themselves away for weeks and created what became a completely new direction for their sound. They hit the road with The Wrecks for a full US tour in November.