The Travelin' McCourys

From a source deep, abundant, and pure the river flows. It’s there on the map, marking place and time. Yet, the river changes as it remains a constant, carving away at the edges, making new pathways, gaining strength as it progresses forward. The Travelin’ McCourys are that river.
The McCoury brothers- Ronnie (mandolin) and Rob (banjo) - were born into the bluegrass tradition. Talk about a source abundant and pure: their father, Del, is among the most influential and successful musicians in the history of the genre. Years on the road with Dad in the Del McCoury Band honed their knife-edge chops, and encouraged the duo to imagine how traditional bluegrass could cut innovative pathways into 21st century music.
“If you put your mind, your skills, and your ability to it, I think you can make just about anything work on bluegrass instruments,” says Ronnie. “That’s a really fun part of this- figuring the new stuff out and surprising the audience.”
With fiddler Jason Carter, bassist Alan Bartram, and latest recruit Cody Kilby on guitar, they assembled a group that could take what they had in their DNA, take what traditions they learned and heard, and push the music forward. In fact, the band became the only group to have each of its members recognized with an International Bluegrass Music Association Award for their instrument at least once. There were peers, too, that could see bluegrass as both historic and progressive. Rock and Roll Hall of Fame inductees The Allman Brothers Band, improv-rock kings Phish, and jamband contemporary Keller Williams were just a few that formed a mutual admiration society with the ensemble.
The band played the Allman’s Wanee Festival, and guitarist Warren Haynes’ Christmas jam- an annual holiday homecoming of Southern music. An early-years jam with the Lee Boys was hailed by many as the highlight of the evening, and with the video catching fire online, earned a legion of new, young fans of their supercharged combination of sacred steel, R&B, and bluegrass. There were unforgettable collaborations with country smash Dierks Bentley, and onstage magic, jamming with titans String Cheese Incident and Phish, cutting an album with Keller (Pick), and creating the Grateful Ball- a tribute concert-turned-tour bridging bluegrass with the iconic music of the Grateful Dead.
“That’s something that’s part of us being who we are,” says Ronnie. “It comes, too, with us plugging in. It gets louder, for sure. We can’t be another version of our dad’s band. It wouldn’t make any sense for us to do that.”
Their concerts became can’t-miss events, whether headlining historic venues or as festival favorites, drawing the love and respect of a growing fanbase craving their eclectic repertoire. At the 2016 edition of DelFest, an annual gathering of the genre’s best aptly named for the McCoury patriarch, the band delivered the take-away highlight. Rolling Stone called it “a sublime combination of rock and bluegrass, contemporary and classic, old and young. The best set of the festival…” The river was going new places, getting stronger. It was time to re-draw the map.
“We’ve tried to pick songs we think people are going to enjoy,” says Ronnie. “Something we learned from our dad is that a good song is a good song. It can be done in any way.”
So arrives the long-awaited, self-titled debut album from the quintet. A brilliantly executed set overflowing with inventive style, stellar musicianship, and, of course, plenty of burnin’ grass, the 14-song collection is a true culmination of their decades-long journey. From the headwaters of Bill Monroe and the waves of Jerry Garcia to a sound both rooted and revolutionary, soulful and transcending that belongs only to the Travelin’ McCourys.
“The album definitely shows what we’ve evolved into as a band. And, it’s a pretty good representation of what’s happening with the whole genre,” says Rob. “The old bluegrass material is something I love but it’s been done many times. We’re forging ahead with our own sound. That’s what you have to do to make it all work.”

Larry Keel is described by music critics and reviewers as the most powerful, innovative and all-out exhilarating acoustic flatpicking guitarist performing today. Keel has absorbed the best lessons from his Bluegrass family upbringing, both sides deeply steeped in the rich mountain music culture and heritage of Southwest Virginia. From there, he has always integrated that solid musical grounding and natural-born talent with his own incomparable approach to playing amplified, acoustic guitar and composing original music. He's also got a knack for choosing interesting and appealing material from all realms of music with guts, whether it's a tune written by a fellow song-writer/musician friend, or a surprise cover from any number of musical acts all over the map. The combination is pretty irresistible, and has earned Keel the highest respect and billing among the top acoustic and jam rock musicians alive, and some now gone: Tony Rice, Chris Thile, Steve Martin, Tim O’Brien, Vassar Clements, Sam Bush, Del McCoury, John Hartford, Bill Monroe, Peter Rowan, and Danny Barnes to name a few.

And his fierce, high-spirited energy also appeals to young rockers, jammers and alt-country pickers and fans who are equally drawn to Keel’s blazing guitar power, the deep rumbling voice, his earthy and expansive song-writing, and his down-home-gritty-good-time charm. Keel convenes and collaborates with JamBand and Rock giants Greensky Bluegrass, Infamous Stringdusters, Yonder Mountain String Band, Keller Williams, Jorma Kaukonen, David Nelson, Little Feat, Railroad Earth, String Cheese Incident, Fruition and Leftover Salmon, amongst others. Keel has a variety of musical formats he presents throughout the year; look out for his core band The Larry Keel Experience (featuring award-winning and highly accomplished Jared Pool on mandolin and penetrating vocals, and wife Jenny Keel with her rock solid bass lines as well as tenor vocal harmonies), Larry Does Jerry (Keel performing the music for Jerry Garcia and the Grateful Dead), Larry and the Smokin’ J’s (featuring Jon Stickley, Jay Starling and Jared Pool), Keller Williams and the Keels, and steady swirl of pairings with Keel and Drew Emmitt, Andy Thorn, Danny Barnes, members of the Del McCoury Band, Steep Canyon Rangers, just to name a few. Of note for early 2017 is Keel’s top billing at New York’s Carnegie Hall, where he will headline along with Al Di Meola, Stefane Wrembel and Stochelo Rosenberg at the Django A Go-Go concert, celebrating Django Reinhardt’s influence on the world of guitar music. Throughout his career, Keel has released 15 albums and is featured on 10 others. The most recent release, March 2016, is EXPERIENCED, an entirely original work that showcases Larry’s and banjo virtuoso Will Lee’s exceptional songwriting, singing and jaw-dropping instrumental performances, accompanied by Keel’s equally talented wife Jenny Keel on upright bass and harmony vocals. This Americana Radio charting album exemplifies the raw sophistication of Keel’s progressive acoustic style, and features musician-friends who appear as guests on various tracks of Experienced; the artists include Sam Bush, Del McCoury, Peter Rowan, Keller Williams, Jason Carter (Del McCoury Band), Mike Guggino (Steep Canyon Rangers) and Anders Beck (Greensky Bluegrass). Quotes about Keel and his music from these artists themselves capture the essence of what this album and Keel’s artistry represents.

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