Crys Matthews, Rachael Kilgour
185 Orchard St.
New York, NY, 10002
Doors 6:30 PM / Show 7:00 PM
This event is 21 and over
Crys Matthews is nothing if not ambitious. In August 2017, she simultaneously released both a new full-length album, The Imagineers and an EP, Battle Hymn For An Army Of Lovers. These collections showcase two sides of Matthews’ dynamic songwriting; The Imagineers is a selection of thoughtful songs about love and life while Battle Hymn For An Army Of Lovers tackles social justice themes. Songs from both projects have already won her recognition and awards. She was one of ten finalists (from a pool of 5,000) in this year’s NewSong Music Competition and, after performing at Lincoln Center on November 30th, she was named grand-prize winner. Matthews also won the People Music Network’s Social Justice Songs contest at the 2017 Northeast Regional Folk Alliance.
A southeastern North Carolina native who now calls Herndon, Virginia home, Matthews blends Americana, folk, jazz, blues, bluegrass and funk into a bold, complex performance steeped in traditional melodies and punctuated by honest, original lyrics. Having been compared to everyone from Toshi Reagon to Tracy Chapman to Ruthie Foster, Matthews’ eclectic infusion of genres has won her honorable mentions at the 2017, 2013 and 2014 Mid-Atlantic Song Contest and extensive radio play from Woman of Substance radio to WTJU-Charlottesville and WMRA-Harrisonburg to KBOO-Portland.
Equally at home in an acoustic listening room as she is on stage at large music festivals, Matthews has quickly gathered a loyal following on the east coast playing such prestigious venues as the Sundance Film Festival, The Birchmere, The Hamilton, and Jammin’ Java. Matthews’ festival and showcase roster has included BMI’s Island Hopper Songwriter Festival, the 40th Michigan Womyn’s Music Festival, Folk Alliance International, 30A Songwriters Festival, Northeast Regional Folk Alliance and many more.
A prolific lyricist and composer, Matthews has found inspiration in her surroundings; from driving through the Blue Ridge Mountains to the compelling and heart-breaking love story of Richard and Mildred Loving. Thoughtful, realistic and emotional, Matthews’ songs speak to the voice of our generation and remind us why music indeed soothes the soul.
Rachael Kilgour is a Minnesota-born, Boston-based songwriter and performing artist whose sincere, lyric-driven work has been called both brave and humane. The 2015 grand prize winner of the esteemed international NewSong Music Performance & Songwriting Competition and 2017 winner of the Kerrville Grassyhill New Folk Contest, Kilgour has been featured at NYC’s Lincoln Center, at The Kennedy Center in Washington D.C. and by the ASCAP Music Cafe at the Sundance Film Festival.
Married in her early twenties, Kilgour devoted her young adulthood to parenting her stepchild and building family and community. Her work from that time (Self-Titled 2008, Will You Marry Me? 2011, Whistleblower’s Manifesto 2013) chronicled her life as a young parent in a same-sex partnership and addressed sociopolitical issues from government corruption to income inequality and religious hypocrisy. Kilgour’s music career took a backseat during those years as she lived a slow, home-focused life.
In 2014, divorce brought an unexpected end to her role as a member of the family she had helped to grow. In the months following, Kilgour found solace in songwriting. Rabbit in the Road, was born out of that time: the love, loss and the profound sense of resilience that followed.
“While I have always felt a strong pull to address social injustices from the stage, this new collection of work requires something new of me,” Kilgour shared. “I feel called to use my platform to address emotion and grief and forgiveness in a way that is not often done in our culture.”
Though the album was instigated by a particular event in her life, each track explores a different aspect of Kilgour’s emotional journey. “I was taught from a young age that a person’s hurtful behavior is almost always a sign of inner pain and not a reflection of your self-worth. The second track on the album, ‘Deep Bruises’, was my attempt to put that belief into practice under the most difficult circumstances.”
Later, in “Ready Freddie”, Kilgour professes her unconditional love and confidence in her step-daughter as she steps into adolescence:
“I know you can take it
I believe that you will make it
On your own somehow
Maybe not right now
But I can see you’re almost ready
Do you think you’re ready Freddie?
Say it right out loud
You’re gonna make me proud”
Finally, in the title track, Kilgour examines the dualities of forgiveness. As is true of the album in its entirety, the detailed examination of Kilgour’s relationships and emotions is surprisingly universal:
“With your hands around his neck
You spared his misery
How swift you gave that rabbit
What you couldn’t give to me”
Rabbit in the Road was released March 3rd, 2017 on NewSong Recordings. It was produced by Catie Curtis with help from sound engineer, Crit Harmon and mixed by Gar Ragland at Echo Mountain Recording Studios in Asheville, NC. The album takes an intimate and often painful look at the failed marriage and loss of family. Kilgour’s writing and delivery cut deep, with resolute simplicity. Sorrow, rage, resilience and compassion exist side by side within a series of honest and memorable melodies. The collection of work stands tall on a foundation of vulnerability and opens the door to moments of profound connection.
GA Seated || Please note, there is a two drink minimum in the room.
Advance tickets are available online until 5:30PM, day of show. Any remaining tickets can be purchased at the door at showtime.
Rockwood Music Hall Stage 3
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