Giants In The Trees

Giants In The Trees

Giants in the Trees are Jillian Raye, Erik Friend, Ray Prestegard and Krist Novoselić, a new band from Washington State. However, they are not a Seattle band. The group is from Wahkiakum County - which, on the north shore of the Lower Columbia River, is closer to Portland Oregon than Seattle. That said, they do not consider themselves a Portland band either.

This is a band's bio and not a lesson on geography so let's take at look at who makes the music in Giants in the Trees.

Krist Novoselić plays bass and accordion in the group. A founding member of the band Nirvana, Novoselić helped change the face of music in 1991 with the release of Nevermind. Novoselić's strong and melodic bass helped make that one of the best known Rock records of all time. The success of Nirvana allowed Novoselić to move to his home in Wahkiakum County in 1992. Krist loves the environment and culture of the Lower Columbia River.

Novoselić has played in a few bands since Nirvana, but Giants in the Trees is his first real local musical project. How did these locals come together? They all met at the Skamokawa Grange and, after an impromptu acoustic jam, made a call for another, albeit louder, session.

Having the hall to themselves, Novoselić joined musicians Ray Prestegard, Jillian Raye and Erik Friend in wasting no time. This group of players wrote two songs in the first two days of playing, Sasquatch and Center of the Earth.

Feeling they were at home with each other, a new Rock band came together. Giants in the Trees started playing live in the area. Their first show was a benefit for the old Grange hall.

Ray Prestegard was born and raised on the Lower Columbia. He brings accomplished musicianship to the band with electric guitar, lap slide and box guitar.

Jillian Raye does vocals, banjo and guitar for Giants in the Trees. Originally from California, Raye brings a keen sense of vocal phrasing to her strong singing style. She also created and performed all of the rich harmony vocals on the album.

Erik Friend is also a former Californian. Moving to Seattle to work for Microsoft, Friend is a true techie. He too found his home, off the grid, in Wahkiakum. His musical talents go beyond percussion to include mandolin and other acoustic string instruments. He also recorded the band's album at the Murky Slough studio.

It took a year of playing, experimenting, and fun times for Giants in the Trees to compile their twelve-song record. There is definitely an Americana sound - it's fair to hear some classic Country with the banjo, slide and accordion. The band is not offended by the word schmaltz because with their recordings and live performances, the goal is to have as much fun as possible.

There was no idea behind forming the band's sound. Rather, it comes together through the various musical skills individual members bring into the work. Novoselić rocks the accordion and bass. Prestegard brings mastery of six and four string instruments. Raye plays six string banjo, does bass guitar duty, and drives the sound with top vocal chops. Friend loves to lay down a groove. It all comes together for an original sound.

That is just the sound. The group really is a song band. Every tune on the record has its own personality. There are different sounds and rhythms, producing a real mixed bag of songs. One tune can have a waltz accordion and slide, while the next a heavy fuzz bass under a deep Electronica groove. There is melody from start to finish. This is just this writer trying to make an observation, however, there is nothing like listening to the music yourself.

Giants in the Trees have built a sound around old-school Pop music. They follow musical traditions, while at the same time, have their feet firmly rooting in today. Again, the band is fun. There are so many melodies to really stomp your feet to. All the while, you can still sit back and just listen, and you really should!

Currently, Giants in the Trees are playing shows in the Pacific Northwest of the United States. Their self-titled album is also self-released and available on your preferred online music service.


The coming together of Joy Pearson and Rebecca Marie Miller as Portland’s newest folk outfit, Lenore, is serendipitous, to say the least. After individually hitting rock bottom — Pearson following her divorce and Miller after a period of destitution in LA — the pair separately turned to songwriting in the search for a still point in their turning worlds.

After several years of lending their abilities to other projects, including Saddle Creek’s The Mynabirds, and Portland’s own The High Water Jazz Band, they finally found themselves spinning on the same axis when a chance meeting through a mutual friend, Pokey LaFarge, sparked an immediate connection. A drunken night ensued, and before they’d even scoped each other’s material, they had committed.

Now, just under two years since that fateful night, and Lenore can boast having performed at legendary Pacific Northwest venues including Mississippi Studios, Aladdin Theater, and Doug Fir Lounge in Portland, as well as the Sunset Tavern, Triple Door, and Tractor Tavern in Seattle. They've opened for the likes of Eric Bachmann, Laura Gibson, and ex-collaborators, The Mynabirds, and have shared the stage with Peter Buck (R.E.M.), as well as Chris Funk and Jenny Conlee (The Decemberists).

Since Lenore's formation, Miller and Pearson have gained full-time collaborators in seasoned Portland musicians Edward Cameron (classical guitar) and Jessie Dettwiler (cello), who have contributed significantly to the evolution of Lenore's sound — a melancholic blend of harmony-driven folk with an ever present silver lining.

Lenore began recording their self-titled debut album in January with producer John Askew for expected release in September 2017. Pre-order:

$17 ADV


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