William Matheny, Will Stewart, Kyle Kimbrell

Rock & Roll from Morgantown, WV

The best storytellers often aren’t the ones who have had the wildest experiences; they’re the ones who have experienced things we all have, and can articulate them in a way we haven’t yet figured out ourselves. They give us a new vocabulary for talking about ourselves and our world. That’s the gift William Matheny presents to us.





Matheny, a West Virginia native and longtime multi-instrumentalist for Athens, Ohio, indie heroes Southeast Engine, first broke out on his own with 2017’s Strange Constellations, his debut 11-song solo collection. He would best be classed as a songwriter’s songwriter--the kind of composer who gets the melody just right every time, and the kind of lyricist whose turns of phrase bring an involuntary grin. Once you’ve heard his deft songcraft, you might feel cheated that you didn’t discover him sooner.



His newest release on Misra Records, Moon Over Kenova, is a 14 song EP that Matheny conceived to accompany his 2017 debut. A lot of people will tell you that 14 songs is far more than an EP, and they’d be completely right about that, but he’s not here to argue. There are brand new tracks from the same song cycle as Strange Constellations, there are live recordings, there are re-imaginings of previously released songs and new interpretations of some of his heroes like Jason Molina and Tom T. Hall. Matheny compares it to a “last walk-through of a former residence before you lock the door and turn in the key.” Most importantly, the 14 songs that comprise Moon Over Kenova are neither b-sides nor outtakes. In fact, this is some of his strongest work to date. PopMatters says that “the work presented on Moon Over Kenova stands on their own two feet just as much as they are a practical extension of the music and the themes presented on Matheny’s previous full-length release.”



If Moon Over Kenova marks your introduction to the writing of William Matheny, there’s plenty to find appealing: Jackson Browne pop hooks alternate with widescreen, cinematic rock’n’roll that brings to mind Warren Zevon backed by Drive-by Truckers. Take, for instance, “Tonight & Every Night From Now On,” a neo-Tom Petty-esque pop-rock tune:

Rock from Birmingham AL

In March 2016, Will Stewart headed back home to Alabama.

He'd been away for years, living in Nashville while earning his stripes as a songwriter, frontman, and lead guitarist. His fans reached as far away as London, where The Guardian — one of the U.K.'s most widely-reached papers — hailed his work.

Still, something kept drawing him down South. He'd grown up there, surrounded by the twang of classic country music and the stomp of rootsy rock & roll. Alabama was a complicated place, its history filled with dark characters and cultural clashes, but it was oddly compelling, too. It was home. Unable to resist the pull, Stewart returned to Birmingham. There, after a decade away, he rediscovered his muse: the Modern South, whose characters, complexities, open spaces, and strange beauty are all channeled into Stewart's full-length solo debut, County Seat.

Released in 2017, County Seat is a guitar-fueled Americana record, caught somewhere between the worlds of country and electrified rock. The songs are roomy and lush, the result of an inspired — led by Stewart, who handles singing and guitar-playing duties — whose members recorded all nine tracks in two short days. There are swirls of swooning pedal steel, layers of vocal harmony, and the pastoral punch of a songwriter looking to turn the landscape of his home state into music. Close your eyes while playing songs like "Brush Arbor," whose title references Dennis Covington's Salvation on Sand Mountain, and you'll hear Stewart's Alabama home.

County Seat is also a record about time. On the album's title track, Stewart sings about a lonely man in his twilight years, hoping to find some sort of transcendence from an otherwise mundane, day-to-day life. During the nostalgic "Sipsey," Stewart longs for the wonder and innocence of young adulthood. And with "Heaven Knows Why," he takes a look at his own vices, realizing the hour has come to leave some of those habits behind. Like Stewart's own move back to Birmingham, County Seat finds its narrator in constant motion, hoping to weather the mysteries and murkiness of the 21st century South by holding on to a shred of hope.

Co-produced with Les Nuby (who also engineered and mixed the album) and recorded in a series of live takes, County Seat nods to a number of songwriters who sing about the beauty of their homeland without glossing over its imperfections. There are electrified moments influenced by Neil Young, guitar arpeggios suited for R.E.M., turns-of-phrase worthy of Bob Dylan, and the modern-day folksy charm of Hiss Golden Messenger. On an album that evokes some heavy starpower, though, Will Stewart shines the brightest. This is his first full-length release as a solo artist: a rallying cry from a Son of the South who, having returned home after a long trip, looks at his birthplace with renewed eyes.

Rock Singer Songwriter from Birmingham AL

EP "Lazy Bones" available on ITunes, Spotify, YouTube, Amazon, and many more!!!

https://www.facebook.com/Kyle-Kimbrell-Music-1508896049418333/

$8.00 - $10.00

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