The Funky Biscuit Presents
Eric Johanson, Damon Fowler
303 SE Mizner Blvd
Royal Palm Place
Boca Raton, FL, 33432
Doors 5:00 PM / Show 8:00 PM
This event is 21 and over
Watch & Listen
You’ve tried the rest, now try the best! Tab Benoit’s amazing new Medicine, 100% pure musical snake-oil. A melodic potion that provides immediate and satisfying relief for all aches and pain. Benoit’s Medicine is a guaranteed cure for heartache. It’s the genuine article this Medicine is for whatever ails you.
Medicine, Benoit’s seventh solo release on Telarc International, a division of Concord Music Group, successfully joins two gifted guitarists/songwriters in a session that proves greater than the sum of its very talented parts. Set for April 26, 2011 release, the 11-track recording features seven new Benoit originals co-written with ace songwriter Anders Osborne (his song “Watch the Wind Blow By” was recorded by Tim McGraw in 2002, hitting No. 1 on the country charts for two weeks and selling over three million albums, and Keb’ Mo’s 1999 GRAMMY-winning album Slow Down, featured two songs he had co-written).
“Anders and I have been friends for years, and we have a very comfortable relationship,” says Benoit, a GRAMMY®-nominated songwriter, as well as a guitarist and singer with a repertoire that ranges from swamp-pop classics to gritty blues and rootsy jams. “Songwriting needs to feel natural. It needs to flow easily. When he and I went out on the bayou, we came back with seven songs! Anders also played most of the rhythm parts on the album. He does a good job of not stepping on what I’m doing and making it fit the song.”
In an unusual twist, Osborne (who also co-produced the album) uses B.B. King’s famous guitar ‘Lucille’ on Medicine. “He played half the album on that guitar, basically anything that’s not slide guitar,” Benoit says.
Medicine showcases a lean, energetic young band, and vibe-wise it’s hipper and groovier than anything Benoit has ever done before. The recording also spotlights the work of keyboardist Ivan Neville (son of Aaron Neville and nephew to members of the Neville Brothers), drummer Brady Blade (Emmylou Harris, Steve Earle, Dave Matthews) and bassist Corey Duplechin (Chubby Carrier & Bayou Swamp Band). Fiddler/singer Michael Doucet of BeauSoleil makes a special appearance on three tracks.
Medicine was recorded at Louisiana’s legendary Dockside Studio (B.B. King, Dr. John, Keb’ Mo’, Taj Mahal, Buckwheat Zydeco), located on a 12 acre estate in the heart of Cajun country on the banks of the Vermilion Bayou, and engineered by David Z (Prince, Jonny Lang, Buddy Guy, Gov’t Mule). The award-winning music producer/engineer worked with Benoit on three earlier releases (Fever for the Bayou, Power of the Pontchartrain and Night Train to Nashville). “When David’s in the booth, I don’t have to worry,” says Benoit. “He’s always comfortable with the way I work. We have a lot of fun and like to joke around.”
Benoit’s blazing guitar kicks off the title track of the recording. ‘Medicine’ captures what this album is all about, he says. “Let music be the medicine. Like John Lee Hooker once said, Blues is the healer.”
‘Sunrise’ showcases Benoit’s keen sense of tasteful restraint when it comes to the slower blues numbers, and ‘A Whole Lotta Soul’ spotlights Ivan Neville on B-3, alongside Benoit’s crunchy fretwork and vocals.
‘Long Lonely Bayou’ is a special highlight. This roots summit features two of Louisiana’s biggest and most popular artists: Michael Doucet and Tab Benoit. ‘Michael and I have played several gigs together over the years,’ Benoit says. ‘When I wrote this song, I could practically hear him performing it. Most Cajun music is played in a major chord, but Michael approached it as crying, minor type of song.’
‘In It To Win It’ and ‘Next To Me’ both spotlight Benoit’s unbelievably solid guitar chops, while ‘Nothing Takes The Place of You’ is a deep, soulful ballad drenched in his whiskey-soaked vocals. Doucet returns to play fiddle and sing on ‘Can’t You See’ and the album’s funky closer, ‘Mudboat Melissa.’
Tab Benoit is Louisiana’s No. 1 roots export. More than just an acclaimed bluesman, he is an indefatigable conservation advocate. Benoit is a driving force behind Voice of the Wetlands, an organization working to save Louisiana’s wetlands. In 2010, he received the Governor’s Award for Conservationist of the Year from the Louisiana Wildlife Federation. Benoit also starred in the iMax motion picture Hurricane on the Bayou, a documentary of Hurricane Katrina’s effects and a call to restore the wetlands.
In 2007, Benoit won the dual awards of B.B. King Entertainer of the Year and Best Contemporary Male Performer at the Blues Music Awards in Memphis (formerly the W.C. Handy Awards). In 2006, he received a GRAMMY nomination for Best Traditional Blues Album for Brother to the Blues, a collaboration with Louisiana’s LeRoux. LeRoux joined Benoit on Power of the Pontchartrain in 2007 and the live Night Train to Nashville in 2008.
Medicine is more than another strong entry in Benoit’s increasingly impressive discography it’s one of his most defining albums. ‘Magic happens when you least expect it,’ says Benoit. ‘Most of the stuff here was played live ~ these are mostly first takes. When it came down to playing, we weren’t trying to structure things. We were open to the moment.’
If music has the power to help relieve pain and suffering, then Tab Benoit’s Medicine might be just what the doctor ordered.
New Orleans based Eric Johanson was tearing up nightclub stages in Louisiana with his soulful blues guitar before he finished high school. He has toured across the US and internationally as lead guitarist for the legendary Cyril Neville, Grammy-winning Zydeco artist Terrance Simien, and performed onstage with Tab Benoit, JJ Grey & Mofro, Eric Lindell, Mike Zito, Anders Osborne, the Neville Brothers, and many more.
Recently signed to Whiskey Bayou Records, his debut album was produced and engineered by Tab Benoit at his studio in Houma, featuring Tab on drums, and Corey Duplechin on bass. Following it's release in October of 2017, Eric has been touring across the US supporting Tab Benoit at sold out theaters and performance halls.
After spending much of the past year touring with the band Southern Hospitality, Damon Fowler is back with his third solo project for Blind Pig Records, Sounds of Home. Damon chose swamp blues master Tab Benoit to produce and record him at Tab’s rural Louisiana home studio, and their collaboration has resulted in Damon’s strongest effort to date. The tension between his measured, laid-back vocal delivery and the hallmark intensity of his guitar virtuosity has never been keener, and the stories told in his songwriting here – sometimes in collaboration with long-time writing partner Ed Wright and Benoit – exhibit a combination of depth, grace and humor very few of his contemporaries can match.
Damon sets the standard for what is to come on the first track, “Thought I Had It All.” It’s an introspective, brooding tale shot through with razor sharp, frenetic guitar leads. Other songs like the title cut and “Where I Belong” flow in an easy Southern groove. Damon offers up two covers, peppering Johnny Winter’s “TV Mama” with slithering slide guitar runs, and doing a great version of Elvis Costello’s “Alison.” The country tinged “Old Fools, Bar Stools, And Me” offers a poignant take on a familiar theme. “Do It for The Love” is a sweetly contemplative ballad featuring the lyrical counterpoint of Damon’s lead guitar and Tab’s pedal steel. The album closes with an inspired, finger-picked rendition of the traditional gospel song, “I Shall Not Be Moved.” As with Damon’s legendary live performances, Sounds of Home takes the listener on a tour through the rich traditions of American roots music, presented by one of its foremost practitioners.
Alongside his solo career, Damon joined forces with fellow guitarist JP Soars and keyboardist Victor Wainwright in 2011 to form the southern roots rock group, Southern Hospitality. SoHo quickly became a strong draw on the national circuit due to their early, roof-raising live performances and their first recording, Easy Livin’, on Blind Pig. Of their first show BluesWax said, “Southern Hospitality, after a single gig, has significant players in the blues world taking notice. Fowler, Wainwright and Soars share much love for the songs of the South. The hot jazz and funk of New Orleans, classic country, gospel, soul, and blues that became rock ‘n’ roll in Memphis and went global by way of a trucker named Elvis.” Hittin’ The Note called the album “a dozen potent shots of pure Southern pleasure. The roughneck, laid-back ways of this fine debut are reminiscent of the best days of Southern rock.” Damon has neatly managed to balance his participation in SoHo with his own, well-established solo endeavors.
On the strength of his hybrid of roots rock, blues, and sacred steel, the Florida native started wowing audiences with his musical exploits as a teenager, building a reputation as one of the hottest young players on the scene. Adding songwriting and vocal skills to his repertoire over the years has brought him many accolades, with critics extolling his originality and maturity as well as his technical guitar expertise. In 2008’s “Best of Tampa” poll, Creative Loafing magazine named him “Best Guitarist… And Slide Guitarist… and Lap Steel Player… And Dobro Player.” Fowler’s guitar work has been compared to Johnny Winter and Jeff Beck, while his slide guitar has a hint of the late Duane Allman. He can play fiery guitar runs with the best of them, but it’s his lyrical work on lap steel and Dobro that makes him stand out among the legions of guitar heroes.
Damon’s Blind Pig debut, 2009’s Sugar Shack, showcased a fresh and exciting rising star coming into his own as a performer and writer. Damon’s sparkling original compositions paired perfectly with well-chosen cover tunes from Billy Joe Shaver, Merle Haggard, and the Amazing Rhythm Aces. The critical reaction to its release was unanimously laudatory. The Chicago Sun Times proclaimed, “Make way for the next big-time guitar slinger, wire-walking Tampa, Fla., native Damon Fowler. This kid can play, garnering big raves for his power trio’s live shows. Even better, he shows no need to kill you with pyrotechnics on his major-label debut.”Hittin’ The Note said, “With this album, Damon Fowler is really just starting to open up shop, and I suspect he’ll be open for business for a long time to come,” while Billboard noted, “He’s a formidable slide guitar player, and has also mastered lap steel and dobro as well as electric guitar; his playing throughout the album is deft. Indeed, Fowler may be so skillful that he prefers pickin’ tasty to larger-than-life guitar heroics.”
In 2011, Blind Pig released Devil Got His Way, which went a long way toward fulfilling the tremendous potential that his acclaimed debut promised. His remarkable songwriting skills and vocal expressiveness were maturing, and his instrumental voice, by turns incendiary and deeply lyrical, got even stronger. The styles and moods of the songs on Devil Got His Way ran the gamut. The sharp title cut told a sordid tale, punctuated by furious slide guitar runs. “After The Rain” was a beautiful, meditative ballad. “Tight Rope” recalled the playful tone of Leon Russell’s version, without sounding derivative. From the swampy nighttime heat of “Cypress In The Pines” to the wistful, R&B feel of “You Go Your Way” to the ironically rock anthemic “American Dream,” Damon showed the uncanny ability to make all the flavors of American rock’n’roll uniquely his own. Like its predecessor, Damon’s second Blind Pig release garnered high praise from reviewers everywhere. As Living Blues put it, “Devil Got His Way is full of lyrically rich, confident songwriting and shimmering Americana-laced guitar. Fowler is as expressive a songwriter as he is a singer and instrumentalist. He’s preaching an otherworldly, Americana-themed gospel from a six-stringed pulpit. He is a roots guitar guru in the making.”
Damon Fowler’s star is on the rise. As Wade Tatangelo put it in a feature piece in March, 2013, in the Sarasota Herald-Tribune, “Damon Fowler’s big, dimple grin cuts through the darkness as he stands outside the historic cottage he calls home in Bradenton Beach. It’s the same endearing smile he’s flashed on stages across the country and, in recent years, abroad, for nearly two decades. But these days, his smile shines just a bit brighter. In the past year Fowler has married, become a father and witnessed his music career reach new heights thanks to the formation of the super group Southern Hospitality.”
And to this list of accomplishments we can now add the release of a superb new recording, Sounds of Home.
$40.00 - $60.00
Reserve Seats for this show are subject to a $15 food or beverage minimum (Happy Hour Menu not available for this show)
The Funky Biscuit
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