THE WEIGHT BAND feat. Members of The Band, Levon Helm Band & Rick Danko Group

The Weight

Performing their current album, World Gone Mad, as well as classic songs of The Band, The Weight Band is led by Jim Weider, a 15-year former member of The Band and Levon Helm Band. The Weight Band originated in 2013 inside the famed Woodstock barn of Levon Helm. Weider was inspired by Helm to carry on the musical legacy of the Rock and Roll Hall of Fame group.


Years of touring have seen The Weight Band revive “The Woodstock Sound,” keeping the spirit of Americana/Roots Rock alive for audiences of all ages. They continue to keep the sound vibrant by releasing new music, evidenced by the album World Gone Mad (February 2018.) Their live set features Weight Band songs from the new album as well as fan favorites from The Band’s treasured catalog, including “Up On Cripple Creek,” “The Weight,” and “The Night They Drove Old Dixie Down.”


The Weight Band includes Brian Mitchell (The Levon Helm Band), Michael Bram (Jason Mraz), Matt Zeiner (Dickey Betts Band), and Albert Rogers (The Jim Weider Band). With a US and international tour schedule slated for 2019 and beyond, The Weight Band complements The Band’s timeless legacy while pushing the music forward for new audiences.

Produced By Eric Michael Lichter At Dirt Floor Studios In East Haddam Connecticut, Kerri Powers New Album Starseeds Boasts Eight New Original Compositions And Two Choice Covers -- A Moving Take On Blind Faith’s Restive Anthem “Can’t Find My Way Home” And “Polly,” A Lovely Song Of Wistful Reflection Written By The Late Gene Clark.

Powers Makes It Consistently Clear That She’s Adept At Expressing Sentiments That Ring And Resonate With Common Appeal. With The Assertive “Mine The River,” She Explores The Idea Of Finding A “Motherlode,” Using It As A Metaphor For Striking It Rich In Romance And Maintaining A Sense Of Gratitude, Even When Faith Seems Especially Fleeting.

Other Songs Make Their Points With Equal Measures Of Subtlety And Finesse. The Sassy Shuffle And Bluesy Sway Of Album Opener “Peeping Tom” Ostensibly Retells The Story Of Lady Godiva, A Princess Who Rode Naked Through A Village To Spite Her Politically Powerful Husband- Under The Watchful Gaze Of An Obsessed Voyeur - Makes A Statement About Sexual Harassment And Insidious Intimidation. “I Was Initially A Little Reluctant To Put This Song Out There With All The Stories That Are Making Headlines These Days,” Powers Admits. “Yet With So Many Courageous Victims Relating Their Experiences, I’m Actually Thankful For The Chance To Share The Song. Hopefully It Will Help Bring About Awareness, Albeit In A Slightly Abstract And Whimsical Way.”

Much Like Countess Godiva, Powers Has Taken An Unconventional Approach To Her Music Career And The Hurdles That Inevitably Come With It. During An Artistic Youth Indulging In Music, Painting And Writing She Composed Her First Songs At The Age Of Nine. Her Creative Instincts Seemed To Come Naturally, Given That There Was A Certain Talent Embedded In Her Genes. Bing Crosby Was A Distant Relative On Her Father’s Side, While Her Mother’s Relatives Claimed A Kinship To Herman Melville. Her Paternal Grandmother Even Maintained A Position Playing Piano As Accompaniment For Silent Movies, As Was The Custom Back In The Day.

In Her Teens Powers Began Performing In Local Coffeehouses Throughout New England. But When She Fell In Love, Got Married And Had A Child, She Put Her Pursuits Aside. Later, After Raising Her Son And Overcoming The Hardship Of A Difficult Divorce She Rediscovered Her Passion And Returned To Making Music.

“I Lost Confidence And Questioned Everything About My Ability As An Artist For A Long Time. I Wasn’t Sure I Would Ever Get Back To Performing. But I Did Continue To Write. Writing The Songs Was What Ultimately Gave Me The Incentive To Keep Going. I Wasn’t Exactly Sure What The Driving Force Behind Writing Those Songs Was, But It Kept Me Going. Music And Art Have Always Been A Healing Force In My Life. I Think Most Of Us Could Say It Has An Incredible Impact On Us Both Personally And On A Universal Level.”

In The Aftermath, Kerri Released A Self-Titled EP In 2014 And With Zero Radio Or Publicity Assistance She Was Able To Land The #1 Spot On Roots Music Report’s List Of “Top 50 Folk Albums Of 2014.” Over The Years She Has Appeared At Numerous Prestigious Venues And Musical Gatherings Including The Boston Folk Festival, The Philadelphia Folk Festival And The Telluride Bluegrass Festival. She Has Toured Throughout The United States As Well As Overseas, Making Appearances In The Netherlands, Belgium, And The U.K. Her Song Diamond Day Was Featured In The Motion Picture Chuck, And Other Tracks Have Made Their Way Into The Television Series Rescue Me And Justified.

Powers Has Come A Long Way Since The Days When She Was Admittedly Hesitant About Returning To Music, But Energy And Persistence Conquer All Things. It’s Fitting That The Boston Globe Proclaimed, "There's An Authenticity At Work Here, A Heart-Tugging Gravity And A Lively Intelligence To Go Along With The Sass.” The Hartford Courant Called Her A “Mark Twain-Like Trickster Whose Wry Words, Dramatic Sense Of Dynamics And Supple Phrasing Can Celebrate Joy And Hope.”

Lee Zimmerman

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