Thomas Melchior

Melchior first made a name for himself in the beginning of the 90’s releasing on Aphex Twins’ Rephlex label as part of electronica duo Vulva, and later as Yoni on Move D’s Source Records. Protégée of techno legend Baby Ford; Melchior and Ford release as Sunpeople, Soul Capsule, and part of the Ifach Collective and M-Core initially only on Trelik and Ifach but later on his own label Aspect Music.

As Melchior Productions, Thomas became one of the pillars of the minimal house movement on Perlon, Playhouse, a:rpia:r, Smallville, Cadenza and LoMidHigh Organic. An ex resident DJ at Ibiza’s Circoloco at DC 10 and member of Villalobos’ Narod Niki , Melchior ‘s work also includes collaborations with Luciano, Ricardo Villalobos, Bruno Pronsato, Zip, Fumiya Tanaka. He remains one of the undergrounds true visionaries.

As co-founder, resident DJ, and one of the creative minds of Blk|Market Membership since its founding in 2006, Taimur Agha has been instrumental in rebuilding New York’s resurgent dance community after its retreat to the underground post-9/11. When Bill Patrick, Nick Ac, and Dennis Rodgers ended ROBOTS, they handed the torch to Taimur and former partner Fahad Haider to become the leading lights the next nightlife era in New York. Blk|market Membership’s guests are a who’s who of the scene’s most important names; Taimur’s personal DJ resume includes multiple appearances at world renown clubs, festivals and parties: fabriclondon, OUTPUT NYC, ReSolute NYC, Panorama Bar, Montreal’s STEREO, Trouw (RIP), Club der Visionaere, Miami’s Space Terrace and Electric Pickle, SmartBar Chicago, Moscow’s Arma17 & Gipsy, Romania’s Sunwaves, Francois K’s Deep Space, Detroit’s infamous Need I Say More, Ibiza’s Zoo Project and tINI & the Gang parties, Apollonia’s BPM party, B018 in Beirut, Dubai’s Analog Room, and many more, alongside many of the world’s most important DJs. In the last few months Taimur has played at Craig Richard’s Houghton Festival in the UK, St Martin’s newest SXM festival and in Havana, Cuba for the Eyeife Festival weekend. As head of buying and distribution at Halcyon the shop Records from 2008 until mid-2014, Taimur’s work helped lead the resurgence of the local scene. His community-oriented radio show The Bandwagon ran 116 episodes and brought together labels and promoters from around the city, with showcases for The Bunker, ReSolute, L.I.E.S., Deconstruct Music, Underground Quality, The Corner, Plan B Recordings, Blkmarket headliners, and many others. With eleven years of history and accolades for helping to revive one of the world’s most important dance music scenes, Taimur and Blk|Market Membership hold an esteemed position as architects of New York’s contemporary scene as well as guiding lights for its future. On the strength of these accomplishments, Taimur devoted himself full-time to his own DJ career, his record labels, and to The Selectors, his new event series.

Navbox emigrated to the States in the 90s from Iran as a classically trained pianist with a deep passion for music. That passion turned him onto electronic music and he picked up a pair of turntables at the turn of the last century. In the early 2000's, he got his start playing in Washington DC before relocating to Boston and studying music engineering. Soon after, he found himself playing the underground circuit in Boston, comfortably tangled up in house & techno yet again.
Returning to the District in '08, he continued to pursue DJ'ing and found that the city was missing an underground dance music scene. He founded Stranger Than Paradise (STP) and began curating events in clubs, bars, warehouses, rooftops and wherever else he could. Navbox mastered his craft playing alongside leading talents like Cassy, Bruno Pronsato, Delano Smith, Jan Krueger and many others.

Fast forward to 2016 and Navbox has been at it for many years. Between DJ'ing and producing, he is booker and resident DJ for Flash in Washington DC, an incredible venue built for house and techno. His love for music is evident in his musical repertoire, spanning from deep house to techno, and his passion leads him to seek music that moves the feet as well as the mind. Navbox portrays the DJ-set as a journey, continually striving to break down static conceptions of house music in ways that inspire listeners beyond the confines of clubs and parties.

Mazi R

Mazi Bear

Born in Casa Blanca, Morocco, Jubilee understood the power of music at a young age. He watched as his father played old records and instruments such as the tarbouga, the aoud and the bandir. Arriving to the U.S. in 2001, Jubilee immediately took to the streets of Washington D.C. as a club promoter for Panorama. During this time, his interest in becoming a DJ grew while watching people like DJ Alex Kelly in 2001 hit the tables for six-hour sets. Noticeably inspired, he was soon handed the headphones and hit the ground running with innovative sounds inspired by his own unique and culturally infused sense of rhythm and beats.

For Jubliee, now producing his own tracks, the medium of house music continues to evolve as an art form. He is dedicated to creating both a journey for his listeners as well as using music as a base for his own journey through the intricacies of life. His is known for his unmatchable creativity and his impenetrable work ethic. Yet, more than anything Jubliee is a product of the exclusive and ever growing house music scene in our nation's capital.

Though based in Washington D.C., he travels routinely between cities such as New York, San Francisco , and more With pals Gabriel , Benoit , Navid Jubilee has put together successful events at established venues like D.C.’s WAREHOUSE/THE LOFT along with a regular residencies at NAPOLEON, and U ST MUSIC HALL . He has booked and played with global talents such as Stephan Bodzin, Marc Romboy , Deepak sharma , Seuil, till von sein, Kate Simko, Ryan Crosson, Shaun Reeves, Ewan Pearson, Pantha du Prince, Nicolas Jaar and Nick Curly, just to name a few.

In 2010, Jubilee launched his production career with the critically acclaimed release “Dopamine” for New York City based Hidden Recordings. Label owner Deepak Sharma recently stated: “Jubilee is definitely one to watch. For me, he is D.C.'s best DJ and producer. I was immediately drawn to the tracks he submitted to Hidden Recordings. His style is deep and bouncy in all the right ways." Sharma was so impressed with Jubilee’s work that he has him slated for a new EP in 2011 on Hidden . already seeing support from alexi delano, DVS1, alland byallo, someone else, derek marin, signal deluxe, stefano infusino, kane roth, subfractal, funk shuei, roman kramer to name a few .

Jubilee’s previous work has also appeared on Mexico City’s Blaq Records and the esteemed Mo’s Ferry imprint.

If rats learn to scale walls. I come from a long line of women who do good work with needles. Black without apology.

Juana (the artist formerly known as Brdhs) is so house. Birthed from a tribe of light-skinned opera singers and children of the soul mother from the universal vibrations of the earth spirit, Juana grew up on a steady diet of smooth jazz, jheri curl funk, and prog rock, which shaped her sensibilities immeasurably. Her early musical inspirations include Hendrix, Can, Frank Zappa, Roy Ayers, Deftones, Patrick Adams, Prince, Tool, Norman Connors, RZA, Pepe Bradock, Cocteau Twins, Roxy Music, Isley Brothers, Marvin Gaye, Mtume, and a bunch of classical dudes. She began collecting records at age 4 and stealing tapes and CDs from Tower Records at around 14.

Juana has been a DC staple since 2004. Bored with her humble beginnings as a bedroom DJ spinning pulsating sweaty drug-fueled disco sessions alone in her Northside Chicago efficiency, she relocated to DC where she connected with the likes of Sam "the Man" Burns and immediately offered to carry his records around for free. This dedicated sycophancy earned her opening spots at some of the top underground house clubs in DC, such as Red, Dragonfly, and DC Sanctuary, and lots of places somewhere down on New York Avenue. Although she is generally afraid of talking with her mouth, preferring the uttering of the depths of her heart, she also caught the attention of online radio stations and played weekly shows on HandzOnRadio (BMore) and CyberJamz (Tampa), beating down office workers worldwide with her unique blend of deep house, techno, disco, rare groove, and fart noises.

Around 2010, Juana again decided to flake on the world, going on hiatus, and robbing it of her naked and fearless genius.

A city wept.

But that very next year, she began to harken on the sweet, ethereal sounds that haunted her her entire life, making original tracks that would propel her into fame almost immediately. For one, renown UK DJ/producer Ben Sims has said of her artistry, "I don't get it," and "It's okay." This kind of acclaim has been just the beginning of her trajectory into the the souls of true heads everywhere. Her residency at Dr. Clock's, the infamous Tech Support parties, has attracted alcoholics from all throughout walking distance.

$8.00 - $15.00


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