Liz Vice has always had a love for storytelling. The Portland native who currently resides in Brooklyn, started her career working behind the scenes in the world of film and video, only to accidentally find herself behind the mic. Liz Vice’s sound is a fusion of Gospel and R&B, with dynamic and and soulful vocals, and lyrics, deeply rooted in spirituality, that give her work a timeless feel. .

Vice got a knack for performing early. She was raised by her mother as the middle of five children. Every morning growing up, she was awaken by her Mother’s voice singing “rise and shine and give God the glory glory.” . She also found herself frequently stealing away to the basement to dance and lip sync songs from the radio, and soundtracks from her favorite films. E. Liz taught herself how to play piano, marking the notes on the piano using blue painter’s tape on the the notes of a keyboard, placed by her friends who were taking piano lessons. Her Aunt bought her h headphones, that she would make young Liz sit with on her head in the living room for hours mimicking the notes she would here from an instrumental CD.

At the age of 19 Vice’s health declined, and she found herself on hemodialysis for the next three years. Her illness left many scars on her body including those from surgery on a fistula (abnormal connection between an organs). Vice received a kidney transplant in December 2005, which marked the beginning of a time of great healing and perspective.

A year later, Vice became a member of a local church and felt a nudge, that would not leave her alone each Sunday, to sing background vocals on the worship team. Suffering from stage fright, Vice knew that fear could never overpower this unknown “call”. She said yes to the nudge and sang her first solo during a Sunday evening service, “Enfold Me”. The rest is history.

For the past four years, Vice’s music and live performances have put her on the map as an artist to watch. She has been praised and featured by Oregon Public Broadcasts’ One Song, NPR’s World Cafe, Mountain Stage, eTown, NPR’s Weekend Edition, Relevant Magazine, and more. Vice has also been a featured artist in Portland for such events as Safeway Waterfront Blues Festival, Moon River, Forecastle, Portland Soundcheck, Soul’d Out Music Festival, Siren Nation Music Festival, Music on Main Street and more.

The title track for her first album “There’s a Light”r received over one million streams on Spotify. The success of the record , led to performing and/or sharing the stage with artists such as Joss Stone, Blind Boys of Alabama, Boz Scaggs, The Temptations, Rodriguez, Lake Street Dive, Lecrae, Cody Chesnutt, St. Paul and the Broken Bones, Eric Early of (Blitzen Trapper), John Mark McMillan,Sandra McCracken, Josh Garrels, Tunde Baiyewu (Lighthouse Family), Luz Mendoza (Y La Bamba), Eshon Burgundy (Humble Beast), and more.

No matter how large the venue, her genuine approach to her work and playful interaction with the audience makes everyone feel like their sitting at home on the couch watching a friend sing their heart out. Vice is very passionate and has overcome many personal obstacles; she credits her adventurous life to not forcing anything and being willing and available to wherever it is that the LORD leads. "It's all about risk, and taking risk is never regretful...well, most of the time.”

Propaganda’s music is about both divergence and connection. The rapper, raised and bred in Los Angeles, sees the intersection of all things and celebrates it in each song. His music is like the man himself, the result of many elements coming together.Propaganda grew up in a working class black family in a mostly Latino neighborhood of LA. His dad brought home a new record every week and soul music and hip­hop blared through the house as Latin­inspired tunes blared outside. There was a sense of multiculturalism from the very beginning and Prop saw how one person’s problem could very similar to that of another person, no matter their surface differences. His dad was a Black Panther, which also inspired the rapper’s worldview. “I saw this black brilliance and innovation of people of color as I was growing up,” he notes. “It was so much more intriguing than slanging on the corner. I fell in love with hip­hop really young. For me, that was the origin of wanting to create music.”He wasn’t sure music could be a career, though, so Prop went to college and graduated with degrees in illustration and intercultural studies. He spent six years teaching high school and had a hand in founding two charter schools in LA, one of which had a focus on the arts. Music lingered, despite any other successes, and Propaganda joined up with hip­hop collective the Tunnel Rats. By 2007, he quit teaching to pursue music full­time and began touring as a solo artist. He joined the Humble Beast family and unveiled a series of four albums that put his music on the map. Propaganda’s 2014 album, Crimson Cord, was released for free, but still managed to top several Billboard Charts. He’s toured with krs­one, Murs, De La Soul and Lecrae, and played Warped Tour, Rock The Bells and Smokeout Festival. And now Propaganda is ready to take his songs to the next level with Crooked, his fifth solo album. Crooked is the result of two years worth of writing and recording, much of which was done in Portland. Unlike on previous albums, Prop wrote and rewrote and then rewrote again. He focused on each track to ensure that the messages were conveyed in the most effective and compelling way possible, and enlisted the help of the Humble Beast crew, as well as Copeland’s Aaron Marsh, during the recording. “It took a long time,” Propaganda admits. “But this is probably the best record I’ve madebecause I had so long to do it.”The album draws its name from the idea that we’re all working towards perfection in an imperfect way. It’s about the idea of a crooked individual who has crooked relationship inside of a crooked system set up by crooked people for crooked gain, where everyone longing for a day when the crooked is made straight. It’s only in his faith and belief in an eventual day of reckoning that the individual finds solace. That
theme is explored in the songs, which also grapple with Standing Rock, white supremacy, the patriarchy and self­hate within the black community. It all ties together in the subject of intersectionality, a concept used to describe the ways that oppressive systems are all connected and cannot be dealt with individuality. Prop was inspired by watching his wife, a first generation Mexican woman, face misogyny and sexism. He saw parallels to his own struggles as a black man and wanted to discuss that in his music. “This year I’ve been interested in interlocking systems of injustice,” Propaganda says.“That’s where my head has been. I’ve watched my wife run so hard into patriarchal systems and seen the misogyny she’s dealt with. It’s made me realize how overlapping our issues are. In my life I watch all these overlaps and I wanted to step into that space talk about how we’re all connected. And I know I’m indicted in all these structures I’m trying to take down. I talk about patriarchy and misogyny, but I know I still benefit from being a guy. I need to own that. On this album I’m exploring alot of ideas, including my relationship to my wife and two kids and how to love them better.”For Propaganda, art is the essence of everything. It represents the mouth of the river from which all of human culture flows, and it’s important to him to address it at its source. Crooked takes on a lot of big ideas and deals with issues that have no easy solution. But it asks questions and seeks a response from its listener, encouraging a dialogue that hopefully will incite tangible change. “I believe in art for art’s sake,” Prop says. “I think art is what makes us human. I believe art actually shapes and gives commentary to the human experience. That belief has never changed for me. But my music has evolved. I see music as my native tongue, but I continue to ask myself how I should convey my ideas best with art. How do I get to the top of culture and shape it there?”Propaganda’s ideas stem from where he sits at the intersection. He sees how cultures cross and inspire one another, and he knows that we are all connected. He’sworked with church leaders to discuss race relations in America, spoken out in meetings about global hunger and talked to politicians about police reform. He’s a degree or two of separation away from the who’s who of the LA hip­hop scene and he knows how all those career paths cross and diverge. For Prop, music is way to create conversations about bigger things that impact us on a daily basis and to see how faith can help guide us along the way. Crooked is the spark for a much larger fire. “It’s hip­hop, but it’s bigger than hip­hop,” the rapper says. “Everything I’ve done and everything I’ve experienced shows up in my music. It’s why my music takes the shape that it takes and why it is relatable to a variety of people.”

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