FLAW & SMILE EMPTY SOUL
FLAW, Smile Empty Soul, Code Red Riot, Worldwide Panic, Tearing Threads, Subzenith
1578 South Broadway
Denver, CO, 80210
Doors 6:00 PM
This event is 18 and over
Watch & Listen
RYAN JURHS--Bass, vocals
Jason Daunt - Guitar
Just like a bottle of the bourbon that shares their Lousville, KY, hometown, there's more to Flaw than meets the eye. And for a band that sold more than 300,000 copies of their Universal Records debut while touring with many of the biggest names in the business, that speaks volumes. Building on the success attained with the release of THROUGH THE EYES in 2001, follow-up ENDANGERED SPEICIES is the byproduct of a band who aren't afraid to take risks, the spirit of their hard rock and heavy metal fundamentals becoming all the more potent when blended with the sense of musical adventure that too many of their peers lack. In fact, if there was any one thing that was unanimous in Flaw's approach to their sophomore release, it was an unwillingness to compromise their artistic integrity, the very integrity that forms the foundation of ENDANGERED SPECIES.
"Basically, the entire band felt like we needed some level of progression. Not only musically, but also in terms of showing the listener that we will stay true to both the realms of music that we draw from, from the heavy to the soft, while still remaining intricate," says frontman Chris Volz. "So on this record, we wanted to make sure that there was an audible difference in the way that we were approaching the music. We wanted to make sure that we weren't releasing the same record twice." Added bassist Ryan Jurhs, "It was an issue of bellying up with something that we and the label could be proud of."
From the manic jabs that jar the senses through metallic album-opener "Medicate," through the peace of mind that permeates the subdued "Not Enough," Flaw's latest body of work encompasses the highs and lows of the human spirit, tackling the physical ramifications of abuse, tending to the emotional scars of life's daily battles, and embracing the spirit of a generation they represent. When it came time to "belly up," Flaw--Volz, Jurhs, guitarist Lance Arny and new addition Micah Havertape on drums--rose to the challenge, delivering an album as lyrically profound as it is musically profane.
"It was a lot easier writing the first record, we had more time. Six or seven years of writing and playing out locally," says Volz, living proof of the adage, 'you get your whole life to write your first record, and a year to write your next.' "After touring for 16 months, we went home for some time off, then needed to get a record done. There was a definite difference in pressure from that aspect, as well as the fact that we wanted to make sure there was enough material on this album to solidify our future and career."
ENDANGERED SPECIES succeeds in offering audiences plenty to sink their sonic teeth into, from the charge of metal guitars sledge-hammering drums at the epicenter of "You've Changed," through the progressive rock melodies of "All The Worst," and into the supple strings and acoustic guitars that pace "Wait For Me." "'All The Worst' is a song that the band, as a whole, is very proud of," says Volz. "It's about the things that we've been through and the times we're living in--We were out with Mudvayne when 9/11 happened, and that whole experience was pretty eerie."
From a more personal perspective, "'Recognize' is a song about being honest with yourself, admitting where your faults are," Volz says. "It's a self realization song. It's taking a long hard look in the mirror at yourself and trying to figure out who you are. Everyone goes through major changes in their life and I think that's what I was trying to get across." "Medicate" is Volz's way of looking at the habits he slips into while on the road. "It's my psychological way of trying to figure out if I'm overdoing it while we're on the road--You get up in the morning, and there's a case of beer and a deli tray in the front lounge of the bus. There's got to be a balance between getting a buzz and overdoing it, and that's the point I'm trying to find." While the song's adrenalized rush promises to be a fan favorite on the live front, "Wait For Me" is a smash hit in the making at the opposite end of the spectrum, a tender and touching plea for a love placed on hold. Supplemented by a string section and a mammoth bridge and hook, the song is an epic in the making, and a testimony to the breadth of influences Flaw can draw from.
In addition to Mudvayne, the outfit left their mark on the road alongside such metal power-players as Cold, Kittie and Mushroomhead, and were also a part of OZZfest 2002, sharing the sidestage with heavyweights Soil, Chevelle, Down, Mushuggah and Hatebreed, outselling each of them, and converting new fans with every performance. The results may not have been a gold or platinum album, but they were something more organic, and more important, resulting in one of hard rock's most devoted followings, something that wasn't overlooked when preparing the new release.
"Our fans were really happy with THROUGH THE EYES because they found an album that they could listen to from front to back," says Volz. "We wanted to do that again with the new album, keeping the flow even, but still making the adjustments that we had to make." Of primary concern, was how the band would respond to being pared down to a four-piece--It was clearly the right move from a peace-of-mind perspective, but what about the songwriting? To that end, Jurhs credits a great deal of the album's success to Arny, with whom he wrote the bulk of the music. "I was proud of the album's development, the techniques we used to write, and the different designs Lance would use to put things together," says the bassist. "All the songs are inspired by one of us getting an idea, then working together from there. It's never a situation of just sitting down and trying to write a song. It's a lot of time on our own, then getting together and spending countless hours breaking down the ideas and deciding where we want to go from there."
"We're much better as a four-piece," continues the bassist. "The band's much tighter, it's much easier to work that way, and we can really pull things off live. It's better to me, now, and I think that's because of the individuals in the band. Through all the trials and struggles and tribulations that this band has gone through, we're still here, we always will be, and our focus has never changed." Adds Volz: "At first, we thought it was just about getting signed, but now our goal is to have a career that lasts."
The irony is, while their new release is entitled ENDANGERED SPECIES, the album boasts everything it takes to make certain that Flaw has just that -- a career that lasts.
Smile Empty Soul
California’s Smile Empty Soul formed in 1998 and quickly rose in the Los Angeles club scene. The band was picked up by Atlantic Records which released their self-titled debut album “Smile Empty Soul” in 2003. The album was best known for the smash hit “Bottom of a bottle” and was certified gold with sales in excess of 500,000 units.
The band toured and built a massive following which spawned the albums “Vultures”, “Anxiety”, “Consciousness” and “3′s”. All met with strong independent success and furthered the bands long standing career.
According to vocalist Sean Danielsen: “Fans have always said they can relate to the band’s “heartfelt” lyrics, as well as their raw and emotional sound. Through many struggles and hardships Smile Empty Soul has always persevered , simply because “this is what we love to do”. When you listen to our records it’s obvious where our priorities lie: The music.”
In June 2013 Smile Empty Soul formed an imprint label called “Two Disciples Entertainment” in conjunction with Pavement Entertainment, and It will see the band controlling all aspects of marketing and promotion. The group has just completed work on their new album “Chemicals” and are planning on a release in the fall of 2013.
Code Red Riot
CODE RED RIOT originated as a cathartic musical outlet for Corky Gainsford, formerly of the band OTHERWISE (Century Media Records).
“I needed a way to release all the frustrations that had built up after 4 years of touring with a band that didn’t feel like it would ever reach its full potential,” says Corky. “After 2 full-length albums, an acoustic EP, 5 Top 20 singles, hundreds of shows, and rocking every major festival in the United States... it felt like the group had lost the cohesive vision, goals, and personalities required to make it all work, and I knew it was time for me to move on.”
Leaving that band was heartbreaking, but there was also an inherent excitement in starting something new. That symbiotic relationship of the struggle between grief and optimism was the creative spark that ignited Code Red Riot, a name that served as a metaphor for the turbulence and commotion that helped fuel the music, combined with the urgency Corky felt to get it to the masses.
Although he was known in the music industry primarily as a drummer, Corky had also worked behind-the-scenes as a producer, songwriter, and recording engineer for over a decade. After sifting through dozens of riffs and melodies he’d written over the years, he decided to focus on crafting a group of hard rock songs that featured anthemic choruses, melodic riffs, and soul-searching lyrics balanced on top of a hard-hitting rhythmic groove. “I play guitar like a drummer, and I drum like I singer,” Corky explains. “When I start writing one element of a song, I always think about how the other instruments will complement each other, and how the song’s unwritten puzzle will eventually fit together before the final product manifests itself.”
Following in the footsteps of Dave Grohl (Foo Fighters), Sully Erna (Godsmack) and Blake Allison (Devour The Day), Corky knew it was time to make the necessary transition from drummer to frontman. “As the songs took shape, it was clear that I needed to be the individual singing these songs,” Corky clarifies. “The lyrics, specifically, were intimately personal to my own experience, and asking anyone else to front this band would have felt disingenuous and fake.”
In 2017, after posting the band’s early demo of “Living Low” on Facebook, the song was quickly picked up by Sirius/XM Octane and several terrestrial radio stations across the USA, without any record label, promo team, or industry machine pushing the product. The music was unique, and people were responding. “It went over like gangbusters,” proclaimed Frank Pain, Program Director for KEYJ Rock 108. “One listener said, ‘This is the next generation of rock’.”
This response was quickly noticed by Sony RED Music, who signed the band shortly afterwards.
On CODE RED RIOT’s debut album, Corky played almost all the instruments himself (vocals, drums, bass and guitar), and recruited a fantastic unknown guitar slinger, named Tyler “Taz” Azure, to round out the album’s lead guitar work. “The songs were fantastic,” Taz explains. “So, I took a chance and moved from Minnesota to Las Vegas to be a part of this band. Great people and great music - you don’t pass up an opportunity like that.”
Unconcerned with the latest media-defined trends and fashions, their music is full of honest and earnest material, filled with heart, soul, blood, guts, angst and relentless passion. Look for CODE RED RIOT’s debut album, “Mask,” to be released by Sony RED Music in the summer of 2018!
Based out of Los Angeles, Worldwide Panic is a hard rock/heavy metal band that started out in 2016 with the aim of writing heavy, catchy music and personal, meaningful lyrics. In a world mired with social and political controversies, Worldwide Panic offers a more relatable take on everyday life and overcoming the trials and tribulations the common man faces. With a songwriting approach that focuses on a mix of clean and aggressive vocals and a guitar-driven sound, Worldwide Panic appeals to listeners all across the hard rock and heavy metal spectrum. This music is presented on stage by engaging the audience in a theatrical and unique experience. The band has completed work on new material which was mixed by Mike Plotnikoff (In Flames, Warbringer, Fear Factory, Mudvayne, Van Halen, Aerosmith, KISS, and many others) and mastered by Howie Weinberg (Slayer, Pantera, Korn, Deftones, Nirvana, etc). Worldwide Panic is gearing up to release new singles and music videos, and the band looks forward to conquering stages everywhere. Keep your eyes and ears peeled for lots from Worldwide Panic in the near and distant future!
Subzenith of Aurora Colorado formed in the summer of 2016 when guitarists Dustin King, Matt McLean, and drummer Josh Greenly were searching for members to complete a new project with a hard hitting and motivating sound. Shortly after they recruited Thomas Sierra - who was serving overseas in the Army - to play bass. Needing a singer, they placed an ad and Patrick Rikki Chauvin - who was a looking for a band he could truly express himself with - came into the fold with strong dedication and a promising voice. Over the next year, the band wrote, practiced and rehearsed on a strict timeline and during the process many of Subzenith's members experienced the highest of highs and the lowest of lows in their personal lives. Those emotions are on display in the music Subzenith have produced. With topics such as addiction, introspection, betrayal and full-on rage, Subzenith has something that any fan of hard rock and heavy metal music can enjoy and relate to. Unfortunately, over time Thomas Sierra was no longer able to fully perform his duties as a full-time member of Subzenith. Still a valuable and dedicated member of the Subzenith team, he has moved over to become its full-time manager. After trying out a few bassists, Pinky Salyer was brought aboard to fulfill those duties and has brought with him a monster low end to round out the group.
Currently Subzenith is working on thier debut EP and a demo version of one of its tracks - Breathe You In - can be found on soundcloud.
$10.00 - $100.00
Thu, January 17
Fri, January 18
Sat, January 19
Sun, January 20
Thu, January 24