BLUMENTHAL PERFORMING ARTS, MAXXMUSIC & MIDWOOD ENTERTAINMENT PRESENT:
I'M WITH HER - Overland Tour **POSTPONED**
The Brother Brothers
345 North College Street
Charlotte, NC, 28202
Doors 7:00 PM / Show 7:30 PM
Watch & Listen
I'M WITH HER
A band of extraordinary chemistry and exquisite musicianship, I'm With Her features Sara Watkins, Sarah Jarosz, and Aoife O'Donovan. Collectively, the multi-Grammy-Award-winners have released seven solo efforts, co-founded two seminal bands (Nickel Creek and Crooked Still), and contributed to critically acclaimed albums from a host of esteemed artists. But from its very first moments, their full-length debut See You Around reveals the commitment to creating a wholly unified band sound. With each track born from close songwriting collaboration, I'm With Her builds an ineffable magic from their finespun narratives and breathtaking harmonies. The result is an album both emotionally raw and intricate, revealing layers of meaning and insight within even the most starkly adorned track.
Co-produced by Ethan Johns (Ryan Adams, Laura Marling, Paul McCartney) and the band and recorded at Peter Gabriel's Real World Studios in a tiny English village near Bath, See You Around delivers a warmly textured yet stripped-down sound that proves both fresh and timeless. To achieve the album's intimate feel, I'm With Her recorded live in the tight confines of the Wood Room, all three members performing in the same room without monitors or headphones. With its piercingly lyricism, See You Around also finds I'm With Her showing the uncompromising honesty of their songwriting. That intensity is heightened by the band's effortless harmonizing, which the New York Times has praised as "sweetly ethereal, or as tightly in tandem as country sibling teams like the Everly Brothers, or as hearty as mountain gospel."
Layered with lush guitar tones and crystalline harmonies, See You Around's title track opens the album with a breakup ballad of rare nuance ("It's about coming to the end of a long relationship where you both run in the same circles, and that melancholy feeling of knowing you're going to have to keep seeing that person again and again," Jarosz explains). A bittersweet mood endures for songs like "Ain't That Fine," a wistful meditation on existential ups and downs that ultimately discovers solace in its reflection and reckoning (sample lyric: "I can't believe the things I put my mother through/But it's alright, I guess we all deserve our turn to be a fool").
From track to track, I'm With Her infuses their sonic palette with so many unexpected and subtly captivating elements: the jagged guitar lines and chanteuse-like delivery of "I-89," the percussive vocal phrasing of "Game to Lose," the ghostly harmonies and eerie atmospherics of "Wild One." At the same time, the band's finely wrought lyrics gently shift from the darkly charged storytelling of "Pangaea" to the sleepy sensuality of "Ryland (Under the Apple Tree)" to the romantic travel tale of "Overland." And on the Gillian Welch-penned "Hundred Miles" -- a gorgeously understated track, and the album's only song written outside the band -- See You Around closes out with a world-weary but potent message of hope.
All through See You Around, I'm With Her exhibit a refined musicality that reflects their deep musical roots. After years of crossing paths in their intersecting scenes, the three musicians came together by happenstance for an off-the-cuff performance at the Telluride Bluegrass Festival in summer 2014. The very same day, a mutual friend texted them with a last-minute request to open a show that night at the Sheridan Opera House. "We had two hours to prepare for a 30-minute set and we said, 'Let's do it, let's skip margaritas and rehearse,'" O'Donovan recalls. "We worked up six or seven songs in the bathroom, and then went on to this crazy-energetic crowd at one in the morning. I'll never forget how amazing that felt."
Later that year, Watkins, O'Donovan, and Jarosz met up in New York to prep for a series of European shows in early 2015, carefully crafting their own arrangements of songs by artists ranging from Jim Croce to Nina Simone. "When you're arranging a song, you're communicating in ways that sometimes can be really inefficient," says Watkins. "But with us it felt like we were all in a similar rhythm." As their chemistry continued to deepen, the trio soon founded I'm With Her and transformed the project into a fully realized band. "Once you decide it's a band, you can put it higher on your priority list and give it more attention," says O'Donovan. "The bar gets raised when something has an air of permanence about it, and that's definitely been the case for us."
Although I'm With Her spent most of 2015 performing at festivals around the world, the band also holed up for their first-ever writing session that summer in L.A. "By that point it had started to solidify that we travel well together, play well together, eat well together -- it felt like we'd tested our compatibility in all these different zones," says Watkins. And after just four days of writing, it was clear that their compatibility extended to the art of songcraft. "I loved the songs, we all loved the songs," says Jarosz of that first batch of tracks penned in L.A. "I think that really sparked the flame for us to make a full record together."
When it came time to get working on the record, I'm With Her convened at a borrowed farmhouse in Vermont and spent over a week carving out new material, leaving only to replenish their supply of Heady Topper beer. "We were completely on lockdown and didn't interact with another human being for eight days," says O'Donovan. "If you can get through that and, at the end, still be so excited about what you're doing, then that says a lot about the whole creative flow as a band." Jarosz adds: "A lot of times you approach songwriting as a solitary act, or maybe choose to write with one other person you feel comfortable with. It's a whole other beast to have three people writing together, juggling all these different ideas and personalities. But somehow for us, all of the songwriting was just so seamless."
In Vermont, the band settled into their creative stride, but when the additional voice of producer Ethan Johns was added to the process in the studio, they found themselves starting another round of learning and growth. "Going into the recording, there were a lot of unknowns and a lot of questions," says Jarosz. "It was a challenge for us to figure out how to make our vision and Ethan's vision come together in a way that worked for everyone, and there was definitely some friction at times, but about halfway through we started to work it out." With each member playing guitar and handling various aspects of the instrumentation -- including fiddle and ukulele for Watkins, mandolin and banjo for Jarosz, piano and synth for O'Donovan -- the band cut most of the album live and under exceptionally close-knit conditions. "Ethan had the studio so that we played all in the same room and facing each other," Jarosz says. "There was really no separation between us at all."
In looking back on the making of See You Around, I'm With Her note that a sense of unity has sustained in every step -- including the moments when one member's song idea failed to fly with the others. "If an idea doesn't get accepted, it's not like, 'I'm a failure, this will never be heard,'" says Watkins. "You just move on to the next thing and put that idea aside for something else. We don't have to be as precious with things, which really helps that forward-motion of creativity." It's exactly that dynamic spirit that, despite the album's many moments of graceful restraint, imbues so much of See You Around with a powerful urgency -- or, as O'Donovan, puts it: "In this band, there's no time to get bogged down in what doesn't happen. It's all about what is happening."
The Brother Brothers
Their sound is striking and undeniably captivating. Often leaning towards the darker, moody elements of Appalachian folk, and bluegrass traditions, their songs are laden with near perfect sibling harmonies or unison singing, compelling writing, and imaginative arrangements. They tour as an acoustic duo: David on cello and guitar, and Adam on the 5-string fiddle. With individual storied music careers under their belts, the brothers have finally teamed up to bring their experiences together.
They Released their EP Tugboats in January 2017 and are planning to release their follow up full length album in early 2018.
“The Brother Brothers have been in this together for life, and their familial connection comes through in the music, harkening back to some of the greatest family harmonies ever made. They approach their poignant and often charming songs with an almost startling sense of ease, and the tight harmonies are enough to send shivers down anyone’s spine. Their ability to pull the listener into their quietly energetic musical journey is a joy to behold. I can’t wait to be out on the road with Adam & David and hear their heart wrenching songs and spot on harmonies night after night!” -Sarah Jarosz
"They're the real deal. They know old-time two part harmony from the inside, and that fraternal resonance is there to be clearly heard." -Mark Simos (Allison Krauss, Del McCoury)
Brooklyn based fiddler and songster Adam Moss’ musical career can most easily be characterized by the variance of his influence. Adam loves and plays in the Klezmer, Bluegrass, Old-time and swing traditions which lends itself to a very unique and innovative style in performance setting. He is actively touring with Boston’s Session Americana, Brooklyns The Defibulators, Ana Egge, and has formerly toured with Anais Mitchell’s “Hadestown,” and Texas’ 3 Redneck Tenors.
“When David Moss sings you his songs he rips your heart out, throws it on the ground and stomps on it, then picks it up and gently places it back in your chest...then he punches you.”
— The Lula Wiles (2015)
Originally from Peoria, IL, David Moss began his musical journey playing cello and singing in various formats from a very young age. After receiving a degree in cello performance from the University of Illinois (Urbana-Champaign), he moved to Austin, TX in 2007 where he immediately formed with the trio The Blue Hit. There, David attended the Kerrville Folk Festival, and before long was playing guitar and writing songs. By the summer 2011 he was a finalist in the prestigious New Folk competition and went on to become a winner.
On his album "Bag of Bones" which was released in 2010, David has a gruff voice as a result of a Granuloma on his vocal chords. In November 2012, however he underwent surgery and has rejoined with his old and original vocal timbre. He is currently living in Brooklyn, NY and performing his songs in various formats with his twin brother Adam Moss and continuing his cello career playing and composing with The Blue Hit as well as groups such as the Satellite Ballet, Moishe Circus, The Broken Stares, Ana Egge, Roy Williams and The Human Hands and many others.
David released his album "Songs for Willoughby" in March 2014, and his breakout hit "Jerusalem" was featured on Democracy Now! in July 2014.
TICKETS BEGIN AT $25.00