15711 Waterloo Road
Cleveland, OH, 44110
Doors 7:00 PM / Show 8:00 PM
This event is all ages
Watch & Listen
Foxing is an American indie rock band from St. Louis, Missouri.
Foxing began in 2011 following the end of the group Hunter Gatherer, a post rock group active from 2008 to 2010 that featured Josh Coll, Jon Hellwig and Matthew Piva. They released their debut album, The Albatross, in November 2013. In 2014, they signed to Triple Crown Records. In spring of 2014, alongside Adventures, Foxing supported Seahaven on their spring tour. Also in 2014, Foxing embarked on a summer headlining tour alongside The Hotelier. In the fall of 2014, Foxing supported Modern Baseball on their fall headlining tour. In summer 2015, they will be a part of the tour supporting Philadelphia band MewithoutYou's new album Pale Horse.
Born out of fierce friendship and a mutual affection for melody, Chicago’s Ratboys – anchored by the partnership of Julia Steiner and Dave Sagan – aim to ‘write songs that tell stories and honor the intimacy of memory,’ according to Steiner.
GN, the group’s second full-length album via Topshelf Records, offers a bevy of tales, laments and triumphs, which recount near-tragedies by the train tracks, crippling episodes of loneliness, remembrances of a deceased family pet with freezer burn, and on and on. The songs shift and breathe as worlds all their own, tied together by the group’s self-proclaimed ‘post-country’ sound, which combines moments of distortion and a DIY aesthetic with a devotion to simple songwriting and ties to the Americana sounds of years past.
Drawing influence from the down-to-earth sincerity of late-90s Sheryl Crow and the confessional confidence of Kim Deal and Jenny Lewis, the songs on GN (aka ‘goodnight’) “largely detail experiences of saying goodbye, finding your way home, and then figuring out what the hell to do once you’re back,” says Steiner. The songs chosen to close both sides of the record – the slow-burning ‘Crying About the Planets’ and quizzical ‘Peter the Wild Boy’ – unpack the respective journeys of two real people who were quite literally lost and found. ‘Crying’ tells the survival story of Antarctic explorer Douglas Mawson from a first-person perspective, and ‘Peter’ reflects on the life of a feral child in Germany who was eventually adopted by the King of England,’ according to Steiner. ‘Writing as and about these people is the best way I can attempt to empathize with them and really just wrap my mind around these bits of history that otherwise might not get talked about. And it helps me understand my own experiences a little bit better,’ she says.
Certain personal stories – the tour adventures recapped in ‘GM,’ the struggle to learn to show affection as divulged in ‘Molly’ – find Ratboys just as eagerly exploring subject matter that comes from within, and then illustrating the highs and lows with soaring hooks and plaintive ones. Even in the moments that lie somewhere between bliss and misery, a tension persists between Steiner’s sweet vocal delivery and Sagan’s physical, almost-off-the-hinges guitar playing that lends each song a deeper sense of color and movement.
Steiner and Sagan felt the impulse to make music together from the get-go – they first met as university students, quickly put out an EP together, and started performing as an acoustic two-piece in dorm rooms and backyards. During the next few years, the friends traveled separately, eventually reunited, and recorded what would become the first Ratboys record, AOID, which the folks at GoldFlakePaint describe as ‘a gleaming, joyous, raucous display of melodic indie-rock.’
After a year and a half of touring the US and Europe as a plugged-in full band (featuring the additions of drums, bass, and trumpet), the members of Ratboys returned to Chicago and holed up at Atlas Studios for two weeks to record with engineer Mikey Crotty (who had previously worked with the group on the songs ‘Not Again’ and ‘Light Pollution’). ‘This time around, we were lucky enough to feature the talents of friends who play the pedal steel, accordion, cello and violin to give the songs an extra something,’ says Steiner. ‘Dave finally got to show off his ridiculous skills on the pocket piano, and the whole thing felt like one big loving experiment.’
Ratboys keep the good times going in 2018 with a new EP called GL (aka Good Luck). Featuring four songs recorded shortly after the GN sessions, this new companion piece expands upon themes of isolation and memory, while focusing closely on the ups and downs of personal relationships.
‘Each of the songs on GL sounds like its own little world, which is what we set out to do,’ Steiner says. With each song sounding distinct from the rest, the EP offers up four different takes on the sounds of heartache.
On the heels of their newest release, you can find Ratboys on the road, playing songs old and new all over North America and Europe.
Since 2014, Zoe Reynolds has been making music under the Kississippi moniker, but the release of her debut full length, Sunset Blush signals a change for the artist. Following a series of demo releases and EPs, Reynolds believes she has finally found her voice, calling Sunset Blush an honest recognition of the music she always wanted to make. The album fully immerses listeners in Kississippi’s sincerely heartfelt world, with Reynolds sharing every strength and struggle that fueled her writing. The album’s namesake comes from a flavor of boxed wine that’s frequently appeared throughout Reynolds’ adulthood; consumed on rooftops reached by ladders or in between sets at house shows. The album enlivens these moments saturated in nostalgia for listeners, Sunset Blush is more than just a debut, it’s Reynolds’ reassurance to herself and others that even when things are at their worst, brighter days are ahead, and you have the strength needed to get through it.
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