Bad Bad Hats
1100 Chestnut Street
Philadelphia, PA, 19107
Doors 7:00 PM / Show 8:00 PM
This event is 21 and over
Bad Bad Hats
Bad Bad Hats is an indie rock band from Minneapolis, Minnesota. Kerry Alexander (vocals, guitar, wisdom), Chris Hoge (drums, courage), and Noah Boswell (bass, power) met while attending Macalester College in Saint Paul, Minn. Kerry and Chris began writing songs together in 2010, recording a collection of demos that would later become their first EP. The addition of their friend Noah in 2012 solidified the line-up. The indie rock trio's songwriting quickly caught the ear of Minneapolis label Afternoon Records, whose alumni includes Yellow Ostrich, Now Now, Haley Bonar, and One for the Team, among others. Afternoon Records signed the trio and released their It Hurts EP in early 2013. Two years later, the band is ready to release their bold debut LP, Psychic Reader, due out on July 17th.
Before the three joined forces (creating what is now known as the Triforce), Alexander recorded rough demos in her mom's walk-in shower and sang 90s pop covers at open mic nights. Hoge played electric guitar in high school, but took up drums in college to fill out his own fuzzy recordings. Boswell played in jazz band by day and spun turntables by night in a teen experimental rap squad called The Erotic Assassins.
As primary songwriter, Kerry's perspective is the guiding force behind Bad Bad Hats. In her early teens, Kerry's family moved away from her childhood home in Birmingham, Alabama. As the new kid at a new school, Alexander began writing songs to temper her loneliness and take up the time. Inspired by popular female songwriters of the 90s, notably Alanis Morissette, Kim Deal, and Letters to Cleo's Kay Hanley, Kerry developed a unique songwriting voice of her own. She embraces classic melodies and simple arrangements, and does not shy away from emotive lyrics. It's Kerry's party and she'll cry if she wants to.
Since the release of It Hurts, the three friends have performed around the Midwest, working on new material that expands upon the homespun sound of their previous work. Psychic Reader is the result of their sonic growth. Bolstered by the experimental touches of the album's producer, Brett Bullion, Psychic Reader draws from the influences of all three members, exploring a number of musical styles over the course of 33 minutes. Kerry's strong vocals and lyrical sensibilities tie the songs together as a cohesive unit, making for an album that is both surprising and universal.
Future Teens started as a joke, and perhaps appropriately, the band played their first show in a sweaty basement while a Fourth of July barbecue raged outside. They played three songs at that 2014 show, each less practiced than the one before.
The group's debut EP Still Afraid of Allston was scruffy and full of hooks, a bedroom-pop gem that was recorded "right into the computer—we didn't even use amps," Radin (Vocals/Bass) recalls. The charming, conversational songs demanded a fuller sound in a live setting at the band's shows in their hometown of Boston and beyond and so drummer Dylan Vadakin, guitarist Nick Cortezi, and vocalist and guitarist Amy Hoffman signed on.
In 2017, Future Teens wrapped Bored And Alone, which was self-produced and mixed by Justin Pizzoferrato (Speedy Ortiz, Krill). The band's hooks and energy are bolstered by the four-piece setup; "when you're with three other people, you can bounce ideas off each other and collaboration is just more fulfilling," says Radin.
Though standalone in itself, Bored and Alone is a precursor to the band’s first full length effort, Hard Feelings. The album title encapsulates how each song toes the line between despair and humor. “Having feelings all the time is hard — but everyone has them in one way or another— my goal with these songs was to write about things that happen to nearly everyone at some point in their lives” Radin explains.
Hard Feelings is out now via Take This to Heart Records features 10 tracks of romantic misadventure, miscommunication and mistakes. The album also features songwriting from Hoffman and Vadakin. Hoffman remarks, “These new songs are happy sad. Though some are sadder than others, singing them is always cathartic.”