123 S. Walnut St
Bloomington, IN, 47401
Doors 7:00 PM / Show 8:00 PM
This event is 18 and over
Watch & Listen
Vagabon, the moniker for multi-instrumentalist, Lætitia Tamko, was born in late 2014 during her final years of engineering school. Currently living in New York City via Cameroon, Tamko’s cultural duality and engineering background informs her inspirations as a musician and a producer. Blending elements of west and east African music from her childhood with punk as well as electronic leaning instrumentation, Vagabon songs vary in themes and genre.
In November 2014, Tamko self-released an EP, “Persian Garden”, a collection of the first songs she had ever written. “Persian Garden” caught the attention of a larger than imagined audience which led Vagabon to a couple of U.S tours and several Northeast tours.
Tamko recently finished recording her first album, where she is the writer, co-producer and main performer of all instruments.
'Spissy is the rare and obvious duo of Aaron Denton and Ben Lumsdaine. I say "obvious" because they fit together and compliment one another so well, their creative pairing seems almost inevitable. Aaron's ability to craft a delightful, memorable hook alongside Ben's penchant for arrangement, vibe, and skill makes Spissy an absolutely satisfying listen. "Rare", because what draws these two dudes together seems hard to find; a studious, almost aggressive, attraction and ambition toward moderation. That is to say, every piece of this record, even and especially the riskier bits, has been carefully considered and measured. Every synth sound and every rhythm is the right choice. Each unexpected turn and gratifying conclusion hits precisely the right spot.
But don't get me wrong. For every "right choice" that's made, a consequence must be considered. What emotion follows this chord progression, or these lyrics? It's a balancing act. Spissy have tightened themselves down into a niche. They've struck a symmetry between pleasant music and raw expression. And they've hit their mark so accurately, then shown their vulnerabilities so appropriately...it's like they're the Ed Harris' Gene Kranz at the end of Ron Howard's Tom Hanks-starring 1995 space-race masterpiece, Apollo 13 of 2016 indie rock. This record is ambitious, it's considered, and it's meticulous, but - what makes it great - Spissy haven't forgotten that it's also a crap shoot.'
- Mike Adams