Woods / White Fence

"The foundations of Brooklyn's Woods lie in the small rear-house apartment bedroom of Jeremy Earl, who took to recording his eerily somber acoustic songs in 2005 as little more than a humble personal outlet. After two early albums and several singles which saw Earl still honing his sound, Woods released "Songs of Shame" in 2009 to widespread critical acclaim and offered the band a chance to develop their live sound on the back of a massive touring schedule. During this period, the live line-up solidified with the inclusion of multi-instrumentalist Jarvis Taveniere, bassist Kevin Morby and cassette-collage maestro G. Lucas Crane. While the band's early recordings had mixed haunting folk and distorted sound-scape journeys, their new live show offered Kraut-rock inspired fugues and Crazy Horse-style romps, infusing Earl's dirges with an off-kilter energy and a sense of looming chaos.

With their live sound now in place, the band released the equally lauded follow-up albums "At Echo Lake" and "Sun and Shade", which continued to explore their signature mix of sun soaked pop and psychedelic meditations. All were released on Earl's Woodsist label which, in addition to being the band's home, has achieved an influential status in its own right, releasing records from Real Estate, White Fence and Kurt Vile, to name a few.

While creating their newest record, "Bend Beyond", the band abandoned their usual recording process, which favored immediacy above all – some songs were recorded just mere minutes after their creation – and instead sought to capture elements of their dynamic live sound. To this end, Taveniere joined Earl in his upstate home in the Fall of 2011 and the pair produced the twelve song album, which features the epic title song, a recent centerpiece to the band's live set.

While the core sound of Woods will always be Earl's strikingly pure falsetto voice spilling dark secrets and twisted images, the group has never been content to coast on established formulas or sonic habits. With the recent addition of Aaron Neveu on drums to the live band, freeing up Taveniere to focus solely on guitar, the ever-evolving group has extensive touring plans for the Fall of 2012 to coincide with the release of Bend Beyond." – Justin Sullivan

White Fence

White Fence is one man, Tim Presley, singer in garage-soul band Darker My Love, player on The Fall album Reformation Post TLC and now full-time member of The Strange Boys. Amid all this band-hopping, he's managed to record an LP of lysergic psychedelic songs (think: Arthur Lee without the budget and the guns). The White Fence LP is out now on Eric and Anthony from Nodzzz's label, Make a Mess. Listen and download two tracks from it below.

Magic Trick (solo)

Magic Trick is Tim Cohen (Fresh & Onlys, Black Fiction), Noelle Cahill, Alicia Vanden Heuvel (#poundsign#, Still Flyin), and James Kim (Kelley Stoltz Band, Court & Spark).

Empty Cellar Records is proud to announce the latest full-length album by Tim Cohen, The Glad Birth of Love. This is Tim Cohen's fourth album following his 2009 debut, The Two Sides of Tim Cohen (Empty Cellar), and two full-lengths (Laugh Tracks / Tim Cohen's Magic Trick) and one EP (Bad Blood) on New York's Captured Tracks label. Featuring guest appearances by John Dwyer (Thee Oh Sees), Grace Cooper (The Sandwitches), Diego Gonzalez (The Dry Spells, Citay), and several other San Francisco musicians, The Glad Birth of Love is the first Tim Cohen album to not directly bear his name, but the name of his band, Magic Trick. Recorded in a tower at Tim Cohen's home this album marks a departure from his signature radio-ready song craft. The Glad Birth of Love is a 45 minute album composed of four epic long-form compositions saturated with Tim's uncanny pop sensibilities and vivid lyrical imagery. Transitioning seamlessly from sparse acoustic blues, to dense bass & oud ragas, to layered of lush vocal harmonies this album is a culmination of Tim's work to date.

"As a lyricist, Fresh & Onlys frontman Tim Cohen clearly evokes the early era of rock'n'roll he also explores in his music. His chord changes are simple without being rudimentary, his lyrics are romantic without being cheesy, and-- perhaps most notably-- his output is outrageously prolific without skirting inconsistency." --Pitchfork

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Woods / White Fence with Magic Trick (solo)

Wednesday, October 17 · Doors 8:00 PM / Show 9:00 PM at The Chapel

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