Kid Congo & the Pink Monkey Birds, Slim Cessna's Auto Club
250 State Street
New Haven, CT, 06511
Doors 9:00 PM / Show 9:30 PM
Kid Congo & the Pink Monkey Birds
Kid Congo & The Pink Monkey Birds' fourth and strongest album yet for In The Red Records, “La Araña Es La Vida”, summons the Mexican muse of The Great Spider Goddess of Teoticuhan, who sprouts hallucinogenic morning glories and protects the underworld, or in Kid’s eyes, the world of underground music. Recorded at The Harveyville High School gym in Kansas, Guitar slinger and singer, the legendary Kid Congo Powers (The Gun Club, The Cramps, Nick Cave and The Bad Seeds), bassist Kiki Solis (Baby Baby Dance With Me, Knife in The Water, Rhythm of Black Lines), drummerRon Miller (Switch Hitter, Up The Academy) are joined by Chicano, Mosrite playing guitarist Mark Cisneros(Medications, Deathfix) on this self-produced ball of wax.
“La Araña Es La Vida” rocks n rolls it’s way thru a planet of Glamazons (Psychic Future), blisters with the tricks of a “Magic Machine” then gets to work out a low rider groove on “Chicano Studies”. Tales of gender bending, disembodied heads, gente from La Puente and even a TCB-era, Elvis-inspired rave up on “Karate Monkey” is merely a smatter of the magic on this platter.
A limited number of colored vinyl comes with a flexi disc; a cover of the Psychedelic Furs' “We Love You”, plus an original tune; “Anything To Say", with the CD featuring a bonus track; “Nasty Hat”, as well as completely different artwork from the vinyl.
The world is a wild and woolly place and with “La Araña”, Kid Congo & The Pink Monkey Birds will continue to mirror it.
Slim Cessna's Auto Club
There comes a moment in every Slim Cessna’s Auto Club show when you realize you’re seeing something you’ll never see anywhere else. It’s Slim Cessna in a white cowboy hat and beard, the lights haloing his ungainly frame, horn-rimmed glasses flashing through the smoke. He’s trading lyrics and insults with Munly Munly, gaunt and strange, dressed in a shade of black particular to preachers and burnt down barns. Their voices rise and converge in the kind of exquisite harmony usually found in Sacred Harp congregations, and then the band cuts loose, the best live band in the world, and the two men are doing battle, playing out some cathartic war between good and evil on stage. Or trading dance steps. You can’t tell.
I said the best live band in the world, and I ain’t the only one. No Depression and Spin Magazine have said the same. This is a band that’s held its own onstage with everybody from Johnny Cash to the Dresden Dolls. But you listen to the recording of “That Fierce Cow is Common Sense in a Country Dress,” and it’ll take you just about four minutes before you realize you’re listening to the best band in the world, period. It’s Lord Dwight Pentacost leading the lunatic rapture on his Jesus and Mary double-necked guitar; Rebecca Vera playing pedal steel so sublimely that I swear to God you can see the ghost of Ralph Mooney circling the stage; and, holding down the rhythm section like they have with each other since seventh grade, The Peeler on drums and Danny Pants on the doghouse bass, driving the band, making you lose your damn mind.
They’ve been making music for over twenty years, and there is, quite simply, nothing else like it. It’s gospel music, is what I’ve decided. Gospel music for a blasted world. A world straining and bursting in constant pain, but one that can’t help but overspill with joy – even knowing better. And the songs, Jesus. Songs about Colorado Indian hater John Chivington, alien abductions, patricide, a man born without a spine. This is the wild, bloody and weird America of Harry Crews, the only America worth a damn. It’s what Flannery O’Connor was trying to say when she wrote of dark romances and the grotesque. If you’ve got a heart, these songs’ll break it, and if you’ve got any laughter left in you, they’ll beat it out of you until you cry.
I probably can’t improve on what Jello Biafra said about Slim Cessna’s Auto Club, that they’re “the country band that plays the bar at the end of the world.” But I like to think that as long as they’re around, they can still save us from that end. Or at least from what currently passes as country music.
– Benjamin Whitmer, author of Pike and Cry Father, and co-author with Charlie Louvin of Satan is Real: The Ballad of the Louvin Brothers