2727 Canton St
Next to Bomb Factory
Dallas, TX, 75226
Doors 7:00 PM / Show 8:00 PM
This event is all ages
Watch & Listen
Like many great Southern storytellers, singer-songwriter Tyler Childers has fallen in love with a place. The people, landmarks and legendary moments from his childhood home of Lawrence County, Kentucky, populate the 10 songs in his formidable debut, Purgatory, an album that's simultaneously modern and as ancient as the Appalachian Mountains in which events unfold.
The album, co-produced by Grammy Award winners Sturgill Simpson and David Ferguson, is a semiautobiographical sketch of Childers' growth from wayward youth to happily married man, told in the tradition of a Southern gothic novel with a classic noir antihero who may just be irredeemable. Purgatory is a chiaroscuro painting with darkness framing light in high relief. There's catharsis and redemption. Sin and temptation. Murder and deceit. Demons and angels. Moonshine and cocaine. So much moonshine and cocaine. All played out on the large, colorful canvas of Eastern Kentucky.
Childers had been searching for a certain sound for his debut album for years as he honed his craft, and was finding it elusive when his friend, drummer Miles Miller, introduced him to Simpson, the Grammy Award-winning musician and fellow Kentuckian. Childers sent Simpson a group of his songs, then went to visit him in Nashville.
"And he said, 'There's this sound. I know what you're trying to get at, the mountain sound,'" Childers recalled. "'So I asked, 'What are you doing?'"
Intrigued, Simpson enlisted the aid of Ferguson, the Grammy Award winning sound engineer. They assembled a band that included multi-instrumentalists Stuart Duncan, Michael J. Henderson and Russ Pahl, bassist Michael Bub and Miller on drums, of course, and helped Childers make a debut album of consequence that announces an authentic new voice.
"I was writing an album about being in the mountains," Childers said. "I wanted it to have that gritty mountain sound. But at the same time, I wanted a more modern version of it that a younger generation can listen to -- the people I grew up with, something I'd want to listen to."
With threads of singer-songwriter, rock, and jam band music woven throughout, The Wooks are as at home on a festival stage as they are in a barn in the heart of Kentucky's horse country. The Wooks: CJ Cain (Lead Guitar), Arthur Hancock (Guitar), Harry Clark (Mandolin), Roddy Puckett (Bass), were born over some 20 years time somewhere between an Irish pub, an IBMA Songwriter Showcase, and a festival jam circle. Inspired by legends and trailblazers like Crowe, Whitley, Simpson, Bush, Stapleton, and Rice who cut their teeth on stages throughout the Bluegrass Region, The Wooks translate the sights and sounds of the people, hills, bars, roads, and creeks around them into songs and shows that captivate. With both respect for their heritage and innovative originality, The Wooks are the natural evolution of a sound that has always been there.
Since their inception in late 2014 The Wooks have been making noise in central Kentucky and beyond. The band won the prestigious 2016 RockyGrass Band Competition, placed in the finals for the 2017 Telluride Bluegrass Festival Band Competition, and were a 2017 IBMA Momentum Award Nominee. Their first record, Little Circles, recorded at Compass Studios and produced by Alison Brown, debuted at #6 on the Billboard Bluegrass Chart.