Brick by Brick and Psycho Entertainment present
Church of Misery with special guests
Spirit Adrift, Cloak, Black Mare
1130 Buenos Ave
San Diego, CA, 92110
Doors 8:00 PM / Show 8:30 PM
This event is 21 and over
Watch & Listen
Church Of Misery
CHURCH OF MISERY was founded by Tatsu Mikami (bass guitar) back in 1995. After the breakup of his leading thrash metal band SALEM (that had toured in the UK several times and received critical acclaim from metal fans as well as the press) Tatsu decided to start his own solo project. He wanted to do something that reflected his other musical inspirations - doom metal and doom rock. Apart from metal and thrash, he was strongly influenced by doom bands like SAINT VITUS, BLACK SABBATH and became aware that his own riffs had started to include doom vibes. Also, he was very much into late 60's/early 70's heavy rock material like LEAF HOUND, NOVEMBER, MAY BLITZ, HIGH TIDE, GUN, BLUE OYSTER CULT and so on. It was natural for him to shift his musical direction from metal to a more rock-influenced style.
In 1995, Tatsu formed a band with Tomohiro Nishimura (guitar), Hideki Shimizu (drums), Kazuhiro Asaeda (vocals), that was named CHURCH OF MISERY. In April-June 1996, they recorded their very first demo entitled "ADV.1996." Copies of this demo were sent to fanzines, labels, and bands overseas. They originally intended this as a promotional pack for friends in the underground doom scene. But Doom Records (USA) released the demo as "Vol.1" without the permission of the band. They hadn't expected anything like that to happen and of course made a complaint to the label. Ironically, as a result of this bootleg release, their name became well known amongst doom metal listeners all over the world. About 10 years later, "Vol.1" was released officially for the first time on Leaf Hound Records (JAPAN).
In 1997, Japanese label Cornucopia Records released a compilation record "Doomsday Recitation" that featured four Japanese doom bands ETERNAL ELYSIUM, MILLARCA, BERENICE and CHURCH OF MISERY. At the time, CHURCH OF MISERY had a new singer, Nobukazu Chow. In 1998, with this line-up, they released an EP called "TASTE THE PAIN" on Bad Acid Records (UK) and a split CD, "BORN TOO LATE" with Canadian doom band SHEAVY. Back then, they started to play gigs constantly, mainly in the Tokyo area and started to build a good reputation with underground metal fans in Japan.
In 2000, Tatsu reformed the band with new members Yoshiaki Negishi (vocals), and Junji Narita (drums), and they started to use analog synthesizers on stage. Elements of krautrock and psychedelia, add further elements that work effectively with their evil lyric theme of serial killers. The new singer Negishi's hardcore punk/thrash/death metal background gave more aggressive edges to the band's sound, and CHURCH OF MISERY's music started to sound much more brutal than ever before.
In 2001, they finally released their first full-length album "Master Of Brutality" via Southern Lord Recordings (USA). Doom metal/rock listeners all over the world were totally fascinated by their unique doom-gloom-bizarre songs, sounds, and lyrics. As a result this unique band acquired the undisputable reputation as "the heaviest band from Japan". Unfortunately, guitar player Nishimura left the band soon after the release of their debut album for personal reasons, but his successor Takenori Hoshi's guitar playing suited the band's direction perfectly. In short, Hoshi was more deeply into 70's heavy/psychedelic/blues rock like Peter Green (FLEETWOOD MAC), Manuel Gottsching (ASH RA TEMPEL) etc, etc. However, three years later, singer Negishi left the band because of musical/lyrical differences, and was replaced by Hideki Fukasawa who used to be the front man for Yamanashi hardcore/death metal band BLEED FOR PAIN.
In 2004, with this new lineup, they released their second full length album called "The Second Coming" on DIWPHALANX RECORDS (JAPAN). Their music style became not only more mature, but also even more brutal and bizarre, and it heavily terrorized both the doom listeners and bands on this planet. Since then, they have toured in Europe/US frequently and have shared the stage with famed and infamous western bands such as SAINT VITUS, CATHEDRAL, EYEHATEGOD, ELECTRIC WIZARD, ORANGE GOBLIN, FIREBIRD, THE GATES OF SLUMBER, DEATH ROW, ANGEL WITCH, etc. etc. Also, they have appeared in renowned metal/rock festivals in Europe/USA such as Roadburn (Holland), Hellfest (France), and Maryland Deathfest (USA) to date. Their reputation abroad continued to grow and grow as time went by.
In 2006, guitar player Hoshi left the band due to personal issues, and was replaced by Australian guitarist Tom Sutton who had lived in Japan for years. Tom had often taken part at CHURCH OF MISERY gigs and was well known to the band. He was such a huge fan of the band that he knew and could play almost all the band's songs at their first studio session. With this new lineup, they wrote and recorded their third album "Houses Of The Unholy" that was released via Rise Above Records (UK) in 2009. With this release they created another murder-doom classic and had great reactions from people in the doom scene. But, shortly after the completion of this record, the singer Hideki left the band for personal reasons, literally disappearing from his colleagues. So, the band was joined by the previous (also the successor to Hideki) singer Yoshiaki Negisi. With Negishi as a frontman again, the band flew to Europe and USA for more extensive tours.
After the release of "Houses Of The Unholy", they continue to go to western countries over and over again, and had some fantastic tours with the mighty doom-sludger's EYEHATEGOD. Besides this, they headlined in the US for the first time. After the tours for "Houses Of The Unholy", Tom decided to leave the band because of a move to England, but the band had been through a pretty difficult time while seeking his successor, and out of goodwill Tom continued with the tour.
In 2012, ex-EARTH BLOW guitar player, Kensuke Suto joined the CHURCH OF MISERY camp and they toured in Europe. But after this tour, the band parted ways with Suto and Negishi due to musical and personal differences. Tatsu and Junji contacted the previous singer Hideki, and they decided on a reunion, joined by new guitar player Ikuma Kawabe (ex-DHIDALAH) in late May 2012.With this new line-up, they started writing and recording the new record, and completed it on January 26, 2013. The new album, Thy Kingdom Scum will be out very soon via Rise Above Records (UK) and Metal Blade Records (USA). The title Thy Kingdom Scum will remind hardcore CHURCH OF MISERY fans of their early years track called "Kingdom Scum"in"Vol.1". This record includes a cover song "One Blind Mice", originally written by UK/70's Hammond organ rock trio QUATERMASS.
While Spirit Adrift made many take notice with their debut album “Chained To Oblivion”, it is on “Curse Of Conception” their stellar second album, and first with new label 20 Buck Spin, that the band has taken a giant leap forward in songwriting prowess, production and confidence. From the Metallica / Priest like opening moments of ‘Earthbound’ to the epic closing of “Onward, Inward”, Spirit Adrift are aiming sky high with burning focus and peak vigor.
The aforementioned ‘Earthbound’ is a standard bearer for album-opening songcraft, leading into the colossal title track, a grungy and twisting radio-ready crawler. ‘To Fly On Broken Wings’ & ‘Graveside Invocation’ continue to show that any of the eight tracks on ‘Curse Of Conception’ could stand as featured singles. Throughout the duration brick heavy riff assembly, somber southern atmospherics and grand melodies entwine flawlessly into perfect metallic majesty, exemplified succinctly and totally in the instrumental ‘Wakien’ for example.
With a host of fantastic albums released by their contemporaries lately, Spirit Adrift has taken their craft to an ascendent new level on ‘Curse Of Conception’ earning their rightful place among the top tier of modern metal bands clawing their way above and beyond the underground scene. Now more than at any time metal has become the lifeblood of rock music and Spirit Adrift offer ‘Curse Of Conception’ as an embodiment of that perseverant vitality.
"CLOAK captures the magic, mystique, and mystery of classic heavy metal with their long-awaited debut 'To Venomous Depths'. Drawing from metal's most impactful sub genre's, the quartet distill their collective influences into an enthralling full-album experience that honors the spirit of the early classics while standing firmly in the now. Captivating tracks like "Beyond the Veil", "Deep Red", "Forever Burned" and the title track are riveted with somber harmonies, driving rhythms, and dramatic builds in momentum and suspense. CLOAK's bold and blackened metal teems with dark energy, and 'To Venomous Depths' is a testament to the genre’s primal power and magic."
"Cloak lead the listener down a winding walkway towards a shadowy intersection of black metal and cavernous death rock." - Decibel Magazine
Black Mare is the solo project of Sera Timms (Ides of Gemini, Black Math Horseman, Zun)
$24 adv & $30 day of
*Online sales end at 6PM day of show unless otherwise noted. After that, limited tickets will be available at the door.
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