Collective Concerts Presents
Frank Turner & The Sleeping Souls
Sam Coffey and The Iron Lungs, Bad Cop/Bad Cop
410 Sherbourne Street
Toronto, Ontario, M5X 1K2
Doors 6:30 PM
This event is all ages
Frank Turner & The Sleeping Souls
January 29, 2018 - Frank Turner has announced details of his forthcoming seventh studio album entitled Be More Kind available on May 4th via Xtra Mile Recordings/Polydor UK /Interscope Records. The album is available for pre-order HERE and those who pre-order will receive instant downloads of “1933” and the previously released track “There She Is” from the 2017 release Songbook.
Months after the release of Songbook, a career-spanning retrospective which also saw reworked versions of tracks from across the past decade, Be More Kind represents a thematic and sonic line in the sand for the 36-year-old. It’s a record that combines universal anthems with raw emotion and the political and the personal, with the intricate folk and punk roar trademarks of Turner’s sound imbued with new, bold experimental shades. Be More Kind is produced by Austin Jenkins and Joshua Block, formerly of psychedelic-rock Texans White Denim, and Florence And The Machine and Halsey collaborator Charlie Hugall. “I wanted to try and get out of my comfort zone and do something different,” says Turner.
Turner was halfway through writing a very different sort of album, a concept record about women from the historical record who had been ignored, when he was reading a collection of Clive James’ poetry and one particular line compelled him to re-think his direction. It was from a poem called Leçons Des Ténèbres: “I should have been more kind. It is my fate. To find this out, but find it out too late.” “It devastated me the first time I read it,” he says.
Turner and his band, the Sleeping Souls, were on tour in the USA in 2016 “when the world decided to go collectively nuts” and the songs that make up Be More Kind started to come together. “Somewhere in the record, there’s a convergence of the ideas of personal and political, which is a central theme of the album,” Turner says. One of the driving themes of the album is empathy, even for your enemy. “You should at least be able to inhabit the mental universe of the people you disagree with. If you can’t do that, then how do you communicate with people other than through force of arms, which is something we all agree is a bad idea.”
Turner’s last two records, 2013’s Tape Deck Heart and 2015’s Positive Songs For Negative People, dealt with the fallout from a break-up and saw Turner struggling to cover the cracks in his personal life. Now happily in a relationship and living with his partner and their cat, he again set his sights to the bigger picture. Positive Songs… was cut in nine, intense days whereas Be More Kind was made over a period of seven months, giving Turner the opportunity to turn songs on their head, try different versions and shake up the dynamics within his band.
The first track to be released from Be More Kind is “1933,” a clattering, state-of-the-nation anthem. Furious and direct, it’s inspired by articles Turner saw that suggested the alt-right was punk rock. “That filled me with a mixture of incredulity and anger,” says Turner. “The idea that Breitbart or Steve Bannon think they have anything to do with punk rock makes me extremely angry.”
The Be More Kind World Tour will begin in the UK in April and head to North America on May 31, with its first leg playing to over 200,000 people across the UK, the USA, Europe, Canada, Australia and New Zealand, taking them through to Christmas. Turner promises that 2019 will include visits to some “slightly more weird and wonderful places.”
Frank Turner Facebook Live Q&A and acoustic performance of “1933” today at 11:33am PT / 2:33pm ET.
Sam Coffey and The Iron Lungs
Bad Cop/Bad Cop
Jennie Cotterill - Lead vocals/guitar
Linh Le - Bass/backup vocals
Stacey Dee - Lead vocals/guitar
Myra Gallarza - Drums
“Shove your labels / we’ll flip your tables / and we won’t apologize / for causing a scene.” – Bad Cop/Bad Cop, My Life
The lyric above is essentially a mission statement for Bad Cop/Bad Cop, who prove that the best way to battle sexist stereotypes about women in bands is to play well, and to play hard.
With catchy hooks, three part harmonies, and a drummer who fires her ‘guns’ harder than most of her male compatriots, Bad Cop/Bad Cop bring to mind the ‘90s heyday of chicks who actually rocked, from the snarl of The Distillers and synchronized vocals of Dance Hall Crashers to the guitar prowess of The Muffs and wry lyrics of Lunachicks.
All hailing from different parts of the U.S., the foursome met in Los Angeles while playing in bands like Compton SF, The Radio Sweetheart, The D’Maggs, The City, Angry Amputees, and Cunt Sparrer. Eventually realizing that their combined talents and influences would be greater than the sum of their parts, they launched the band in 2011 and quickly became the big sisters of the DIY punk scene, about which Jennie says “We have been so lucky to participate in such a supportive, inclusive, and active scene [with] great people working together and encouraging each other.”
After playing at the “Lilith Bear” party during San Francisco Bear Pride 2013, they were supported and encouraged by an unlikely audience member: NOFX’s Fat Mike. “After our set, Mike approached and said he liked all the songs and Fat Mike decided then that he was going to do something with our band. I almost crapped myself, and the rest is history,” says Dee.
Now in the Fat Wreck Chords fold, look for their 7” titled Boss Lady in the immediate future.