Southern Culture On The Skids
33 West St.
Annapolis, MD, 21401
Doors 7:00 PM / Show 8:00 PM
This event is 21 and over
Watch & Listen
Southern Culture On The Skids
Southern Culture On The Skids' newest album, The Electric Pinecones, was released on September 16, 2016. It's the band’s fifth album on their own label, Kudzu Records. The album features 12 original SCOTS tunes — 11 brand new songs and a whole-lotta NOLA remake of the SCOTS classic, “Swamp Fox - The Original.” All the tunes were produced and recorded at Rick’s studio in NC, The Kudzu Ranch.
The Electric Pinecones is a bit of a departure for the band conceptually and sonically. The inspiration for the record was born in an alter-ego side project from the early years of the band. “The Pinecones was folk-a-hill-a-billy garage band we used to put together just for kicks,” Miller relates. “We loved the sound of '60s west coast folk rock and psych bands. The Pinecones was our outlet for material that was not in the SCOTS vein. We even opened for ourselves occasionally. The Pinecones set list was the jumping off point for this latest collection of songs.”
The first single off the album, “Grey Skies,” is a minor key mood piece with that folk-a-billy, psychedelic sound. Listen to how the acoustic 12-string riff slides into the band’s hypnotic rhythms that propel Mary Huff’s reflective vocal into the mind’s eye of times past and love lost. “Check out the Mellotron on the chorus – that is a first for us,” Miller says.
The lead off track, “Freak Flag,” is more upbeat, but no less tweaked, with modulating guitars riding on pounding drums after the first verse. The song’s message is a good one – it is okay to be different and always respect yourself. The band debuted the song to an auditorium full of rowdy students at Carrboro Elementary School. “I was nervous,” Miller says “if the kids don’t like something they let you know, but when they started singing along with the second chorus and waving their imaginary freak flags in the air, I knew it was a hit!”
“Dirt Road” is Mary’s three-minute ode to séances, thunderstorms and good lovin’ long gone. The song is a backwoods southern gothic ghost story that opens with a big tom fill then twists and turns around a folky strum and a fuzz guitar. Mary’s spooky-good vocal takes it down that dirt road way back into the piney woods.
The album also has some country rock songs that highlight the melodic side of SCOTS, with “Baby I Like You,” “I Ain’t Gonna Hang Around” and “Given To Me” featuring some of the best harmonies Rick and Mary have ever recorded.
“Waiting On You” is the longest song on the album, coming in at 4:22; it’s a folk-garage-rocker with a sing-a-long chorus that segues into a surf raga breakdown before heading back to the big riff and out.
The album has traditional Southern Culture flavor too. Check out the remake of “Swamp Fox – The Original”. This take goes back to the beginnings of the song and is much closer to capturing the essence of the many all-nighters the band pulled in NOLA with friends and colleagues. The country funk of “Rice and Beans,” is a good humored tale of a cash strapped southern courtship, and “Midnight Caller” is Mary’s slinky R’n’B flavored woman-to-woman warning about bad men looking for good times.
Song for song, on The Electric Pinecones, Southern Culture On The Skids continues to blow minds and blur the lines between genres delivering a stellar album. From their 1985 debut Voodoo Beach Party, to their 1995 international smash, Dirt Track Date (featuring the hit single "Camel Walk"), and now to the SCOTS-ified tunes of The Electric Pinecones, 30+ years, 200+ songs and 1,000,000+ road miles in, Southern Culture On The Skids just continues to get better with time.
If you’ve seen David Mayfield perform with The Avett Brothers, Mumford & Sons, Jessica Lea Mayfield, or at Bonnaroo, you’ve caught the charisma, the heart, and the comedy, and it's likely you’ll come back for more.
This singer-songwriter, band leader, and Grammy nominated producer stepped out of the sideman shadows with his 2011 album "The David Mayfield Parade" his follow-up "Good Man Down" was self released and funded with a surprising successful Kickstarter campaign that more than doubled its initial goal of $18,000. On the heels of that success, Mayfield has partnered with Compass Records. A label that Playboy Magazine calls "Nashville's hippest alternative label".
STRANGERS, Mayfield’s first album with Compass, is a tour de force, stretching from the avant-garde to Mayfield’s musical roots, which are buried deep in the bluegrass tradition from a childhood of touring with his family’s band. Tracks range from the Celtic-inspired opener “Caution,” which features Mayfield’s deft ability in orchestrating complex instrumentation, to “The Man I’m Trying to Be,” a sharply honest song that is as dark and it is tender. Mayfield is truly a wordsmith, forging the mundane into the evocative in each track, most notably with “Ohio (It’s Fake),” whose innovative lyrics are propelled from acoustic beginnings into a pure pop finish, Mayfield’s trembling tenor rising above the grooving band. With the release of Strangers, David Mayfield is clearly going places, fueled by a deadly combination of infectious energy and songwriting chops that only comes around once in a blue moon.
“Acoustic, beardy goodness.” —American Songwriter
“Anyone with a craving for rustic Americana—frayed edges and all—will find Mayfield and company effective practitioners.” —Blurt
"A massively skilled picker and singer with a knack for stagecraft.” —Nashville Scene
“…his songs are sturdy enough to work in any format, because his tunes are that lovely and his words that understated.”
- Washington Post
“…a dynamic combination of music and comedy worthy of a traveling vaudeville act”
- The Boston Globe
“…the wild man of Americana!”
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