Jackiem Joyner

As a young turk on the contemporary jazz scene, saxophonist Jackiem Joyner is far from complacent and staid in his sound and style. Not afraid to challenge the fan base that took him to No. 1 twice and Top 3 two more times on the Billboard chart, Joyner gets adventurous on his fifth album, “Evolve,” which will be released April 29th by Artistry Music/Mack Avenue Records. It’s his first on which he wrote and produced the entire set, including the first single going to radio in mid-March, “Generation Next,” an up-tempo urban-pop track with vibrant flashes of strings that provide a contrast to Joyner’s gentle melodic sax.

Juxtaposing invigorating otherworldly sonicscapes under tender sax melodies, “Evolve” is a dynamic, highly-rhythmic session that is unpredictable laced with traces of the familiar. Listening will take you to a different place while defining Joyner as a musician and a writer beyond what we have already heard from the chart-topping rhythm and groove guy. The imaginative new set has a greater purpose with the introductory single, “Generation Next,” serving as “a declaration that the next generation of jazz musicians is here to stay. Music evolves, including jazz. All types of sound evolve. So do people and our imaginations. That is what I tried to put on tape. ‘Evolve’ captures the changes in my musical mind and how I have evolved as an artist. Rather than fitting in with the traditional, I’m bringing the audience along with songs that unfold over different and interesting soundscapes even as I move towards a live organic sound,” explains Joyner.

In addition to playing alto and soprano sax on the record, Joyner is a multi-instrumentalist who played many of the instruments heard on the collection along with a couple of high-profile assists from Grammy-nominated sax player Gerald Albright and internationally-renowned keyboardist Keiko Matsui. The collaborations are noteworthy for different reasons. When Joyner was in high school, Albright was his idol thus dueting with him on “Big Step” was a thrill. Joyner tours in Matsui’s band when not performing his own dates and wrote “Europa” with her mind. On a few tracks, he was joined by his touring band – guitarist Kayta Matsuno, bassist Tim Bailey, keyboardist Bill Steinway and drummer Raymond Johnson – to record live in the studio.

“Evolve” marks a return for Joyner to the contemporary jazz-urban instrumentals for which he achieved notoriety on his first three albums after 2012’s “Church Boy,” an offering that landed on Billboard’s Jazz Albums and Top Gospel Albums charts. Joyner was named Debut Artist of the Year for his 2007 debut, “Babysoul,” by Smooth Jazz News. His sophomore set, “Lil’ Man Soul,” registered a pair of No. 1 Billboard hits with “I’m Waiting For You” reigning for 12 weeks and winning Song of the Year honors at the 2009 American Smooth Jazz Awards. Two singles from Joyner’s self-titled third record climbed into Billboard’s Contemporary Jazz Songs Top 3. He’s toured the world extensively in support of each release and anticipates a busy year of touring in 2014 – both with his own band and with Matsui. For more information, please visit www.JackiemJoyner.com and www.facebook.com/jackiemjoyner

Gerald Veasley Live at South

Gerald Veasley’s musical odyssey has taken him to the top of the contemporary music world as a bassist, bandleader, composer, producer, educator, and curator. His performance as a six-string bassist has been top shelf, as his extensive body of work attests. Veasley has recorded or performed with many of the world’s top artists in Jazz, R&B and Gospel: Kirk Whalum, Will Downing, Chuck Loeb, Maysa, Nnenna Freelon, Special EFX, Pieces of a Dream, McCoy Tyner, The Jaco Pastorius Big Band, Gerald Levert, Teddy Pendergrass, Philip Bailey, the Dixie Hummingbirds, John Blake, Odean Pope and Pat Martino.
Veasley’s new recording, Live at SOUTH is the latest chapter of a multi-decade career of combining jazz, funk and soul genres into a tantalizing blend of earthy sophistication. Schooled by his mentors Joe Zawinul of Weather Report fame and saxophone giant Grover Washington Jr., the six-string bassist continues to blur musical boundaries with his latest project. As the title suggests, Live at SOUTH was captured live at South Jazz Parlor, a premier jazz venue, located in Veasley’s hometown of Philadelphia. The recording documents Veasley’s outstanding band in a 10 song set of music that is fresh, in-the-moment and crackling with intensity. The songstress Carol Riddick is featured in a breathtaking version of the Sound of Philly classic, “You are Everything”.
Live at SOUTH is also the natural outgrowth of Veasley’s role as a curator of the Unscripted Jazz Series at SOUTH Jazz Parlor. Launched in October 2015 (co- curated by Roxanne Veasley), the series has presented over 140 exciting nights of music to enthusiastic audiences in an intimate setting. The "Unscripted” format is perfectly suited for artists who, like Veasley, have broad musical tastes and experiences. Allowing them to showcase their versatility, the series has attracted many celebrated guest artists: Gerald Albright, David Benoit, Rick Braun, Randy Brecker, Alex Bugnon, Maysa, Raul Midón, Janis Siegel, Peter White, Kirk Whalum, and a growing roster of established and emerging artists.
Having a passion to educate and motivate other musicians, Veasley has served on the faculty of the University of the Arts (Philadelphia). Veasley is also the Artistic Director and Co-Founder of Gerald Veasley’s Bass BootCamp. Established in 2002, the annual event has informed and inspired hundreds of bass players of all levels and ages.
Veasley has more intriguing projects on the horizon: “I Got Life”, a studio album and tour in tribute to the life and music of Nina Simone, an all-star album celebrating the musical legacy of his hometown of Philadelphia, and a spinoff of the Unscripted Jazz Series, Pablo Batista’s Latin Jazz Series.
Musician. Educator. Curator. Veasley’s life as a creative professional is clearly multifaceted. Indeed, he wears various “hats” yet he is motivated by a singular purpose - to translate his joy of music to the world - music without boundaries.
#

28.00

Tickets

Who’s Going

Upcoming Events
South Jazz Club