Jackiem Joyner

As a young turk on the contemporary jazz scene, saxophonist Jackiem Joyner is far from complacent and staid in his sound and style. Not afraid to challenge the fan base that took him to No. 1 twice and Top 3 two more times on the Billboard chart, Joyner gets adventurous on his fifth album, “Evolve,” which will be released April 29th by Artistry Music/Mack Avenue Records. It’s his first on which he wrote and produced the entire set, including the first single going to radio in mid-March, “Generation Next,” an up-tempo urban-pop track with vibrant flashes of strings that provide a contrast to Joyner’s gentle melodic sax.

Juxtaposing invigorating otherworldly sonicscapes under tender sax melodies, “Evolve” is a dynamic, highly-rhythmic session that is unpredictable laced with traces of the familiar. Listening will take you to a different place while defining Joyner as a musician and a writer beyond what we have already heard from the chart-topping rhythm and groove guy. The imaginative new set has a greater purpose with the introductory single, “Generation Next,” serving as “a declaration that the next generation of jazz musicians is here to stay. Music evolves, including jazz. All types of sound evolve. So do people and our imaginations. That is what I tried to put on tape. ‘Evolve’ captures the changes in my musical mind and how I have evolved as an artist. Rather than fitting in with the traditional, I’m bringing the audience along with songs that unfold over different and interesting soundscapes even as I move towards a live organic sound,” explains Joyner.

In addition to playing alto and soprano sax on the record, Joyner is a multi-instrumentalist who played many of the instruments heard on the collection along with a couple of high-profile assists from Grammy-nominated sax player Gerald Albright and internationally-renowned keyboardist Keiko Matsui. The collaborations are noteworthy for different reasons. When Joyner was in high school, Albright was his idol thus dueting with him on “Big Step” was a thrill. Joyner tours in Matsui’s band when not performing his own dates and wrote “Europa” with her mind. On a few tracks, he was joined by his touring band – guitarist Kayta Matsuno, bassist Tim Bailey, keyboardist Bill Steinway and drummer Raymond Johnson – to record live in the studio.

“Evolve” marks a return for Joyner to the contemporary jazz-urban instrumentals for which he achieved notoriety on his first three albums after 2012’s “Church Boy,” an offering that landed on Billboard’s Jazz Albums and Top Gospel Albums charts. Joyner was named Debut Artist of the Year for his 2007 debut, “Babysoul,” by Smooth Jazz News. His sophomore set, “Lil’ Man Soul,” registered a pair of No. 1 Billboard hits with “I’m Waiting For You” reigning for 12 weeks and winning Song of the Year honors at the 2009 American Smooth Jazz Awards. Two singles from Joyner’s self-titled third record climbed into Billboard’s Contemporary Jazz Songs Top 3. He’s toured the world extensively in support of each release and anticipates a busy year of touring in 2014 – both with his own band and with Matsui. For more information, please visit www.JackiemJoyner.com and www.facebook.com/jackiemjoyner

Gerald Veasley Live at South

Gerald Veasley’s musical odyssey has taken him to the top of the contemporary music world as a bassist, bandleader, composer, producer and educator. He has recorded and/or performed with many of the world’ stop performers in many genres of music such as; Chuck Loeb, Maysa, Kim Waters, Nick Colionne, Special EFX, Pieces of a Dream, McCoy Tyner, Gerald Levert, Teddy Pendergrass, Nnenna Freelon, Philip Bailey, the Dixie Hummingbirds, John Blake, Phil Perry, Will Downing and Pat Martino. His performance as a bassist has been top shelf, as his memorable work with the late, great Grover Washington Jr., Joe Zawinul, and the Jaco Pastorius Big Band attests.
When not collaborating with notable artists, Gerald tours and records with his band, which features some of the top musicians in the country. Gerald’s recordings as a bandleader are: Look Ahead, Signs, Soul Control, Love Letters, On The Fast Track, Velvet, Live at The Jazz Base, Your Move and The Electric Mingus Project.
Veasley teaches the history and fundamentals of the electric bass to musicians and educators, both privately and at the university level. He is on the faculty of the University of the Arts (Philadelphia) and is founder and artistic director of Gerald Veasley’s Bass BootCamp, nurturing a growing army of bassists from all skill levels.
Gerald is currently curator of the “Unscripted Jazz Series” with special guests such as Kirk Whalum, Raul Midón, Alex Bugnon, Maysa and Gerald Albright. He is in the process of producing two projects, “The Purple House” and songs from his musical ties to Philadelphia. Whether he is performing, recording, collaborating, or teaching, Gerald brings a joyous, polished professionalism to the process of making music.

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