311 E. Congress St.
Tucson, AZ, 85701
Doors 7:00 PM (event ends at 10:00 PM)
Gaelynn Lea is a musician from Duluth, MN. She has been playing violin for over twenty years. First classically trained, she began learning traditional Celtic and American fiddle tunes at the age of 18. During her college years Gaelynn started sitting in with various folk/rock musicians and developed an improvisational style all her own. Eventually she also began singing and dabbling in songwriting. Gaelynn has played alongside many notable Minnesota musicians over the years, including Alan Sparhawk, Charlie Parr, and Billy McLaughlin.
Gaelynn Lea has been actively performing throughout Northern Minnesota and Wisconsin since 2006, contributing to a number of musical projects in the Twin Ports. Currently her most active collaboration is The Murder of Crows, an atmospheric alternative duo with Alan Sparhawk. Together they recorded an EP titled "Imperfecta" in 2012. Their original song "When We Were Young" was featured on the Sundance Channel's acclaimed drama "Rectify" in June 2014. Gaelynn also regularly performs solo sets of experimental fiddle tunes sprinkled with her original songs; her aim is to create a meditative, layered sound that allows the listener's mind to drift.
In November 2015, Gaelynn Lea released her debut solo album entitled "All the Roads that Lead Us Home". It pays homage to the traditional fiddle tunes and beloved standards that Gaelynn has been playing for over a decade… But of course, there is a twist! Gaelynn used her Memory Man looping pedal to create winding layers of sound underneath these familiar melodies.
From her album review by Tony Bennett in the Duluth News Tribune:
"Lea takes a meditative approach, building loops that are based on sustained notes and vibrato, loops that seem like she's scoring a sunrise on a winter morning. Yearning, reaching melodies emerge from the wash of sound and then recede into the background. Chords are flittingly outlined as root notes collide with thirds or fifths or sevenths. It's all very ephemeral and gauzy, and the tracks are easy to get lost in. All the Roads that Lead Us Home is a focused, vibrant piece of music by a person who is able to take a solitary instrument and make it sound like a full string arrangement, who can fill a full-length LP with mostly just those sounds and communicate fluently her heart and soul with only a few tools."
On March 3, 2016, Gaelynn Lea was named the winner of NPR Music's second-ever Tiny Desk Contest. Her music video entry rose to the top of over 6,100 entries from around the nation, chosen as the unanimous favorite among the contest's six judges. The very next week, Gaelynn performed a moving Tiny Desk Concert, at which the show's host Bob Boilen said "there was hardly a dry eye."
A handful of busy months flew by after winning NPR Music's Tiny Desk Contest, and somewhere in that whirlwind Gaelynn managed to record a 6-track EP titled "The Songs
We Sing Along the Way". This record was released on August 15th, 2016 and is a blend of Lea's original songs (including the contest-winning number, "Someday We'll Linger in the Sun"), traditional fiddle tunes, and her own poetry.
Lea identifies equally as a songwriter and a fiddler, so much like her debut solo album, Gaelynn constructed this EP to be a winding exploration of both art forms. However this time around she took a slightly different approach, choosing to collaborate with Minneapolis songwriter, guitarist and percussionist Alan Church (BBGUN, Al Church and State). He skillfully added texture and color to each track as they improvised together in The Pearl Recording Studio in the Twin Cities. Gaelynn Lea hopes this EP will provide her new, wider audience with a sense hope and an appreciation of what the violin can do and has done for hundreds of years.
In addition to performing and recording, Gaelynn loves to do speaking engagements about disability, overcoming challenges, and the joy of music. Gaelynn has a congenital disability called Osteogenesis Imperfecta, or Brittle Bones Disease. In recent years, she has used her music as a platform to advocate for people with disabilities and to promote positive social change. Gaelynn believes society must make accessibility a priority so people with disabilities can participate fully in their communities and use their talents and gifts without discrimination.
"Karen Dalton and Joanna Newsom melt together in the form of Gaelynn Lea and set about absolutely obliterating your heart." -Dan Auerbach (The Black Keys)
"The way her voice resonates is so unusual and beautiful, like nothing I've ever heard before." -Jess Wolfe (Lucius)
Hands in Our Names, the first full-length album from Tucson, Arizona experimental musician Karima Walker, is a hypnotizing patchwork of drone, folk, psychedelia, field recordings and tape loops. Equal parts gorgeous and abrasive, comforting and confounding, Hands in Our Names builds abstract song-collages from disparate sonic components, isolating and harmonizing a wild array of instruments and textures across the span of twelve interwoven tracks. Hands in Our Names is dizzyingly abstract at moments, but taken as a whole, the album moves like a half-remembered travelogue, with Walker's understated, measured and beautiful singing voice acting as a compassionate tour guide through a wrecked landscape.