Bootleg Theater Presents
B-Sides hosted by Greta Morgan and Claire Mulaney
Fruit Bats, Langston Kerman, Ahamed Weinberg, Whispertown, Johnathan Rice
2220 Beverly Blvd
Los Angeles, CA, 90057
This event is 18 and over
Hosted by Greta Morgan and Claire Mulaney, B-SIDES is a variety show-meets-artists' lounge where musicians, comedians, and writers come together to try something new.
CLAIRE MULANEY is a writer and performer from Chicago. She's written for television shows Saturday Night Live and Jimmy Kimmel Live!, and contributes to the New Yorker. She was a New Face of Stand Up at Montreal's Just For Laughs festival in 2015 and can be seen doing stand up and improv comedy around Los Angeles.
GRETA MORGAN is a songwriter and musician who began her touring career at age 17. With her current musical project Springtime Carnivore, Greta has released two albums and a collaborations covers record with Katy Goodman called "Take It, It's Yours."
See you on the flip-side!
Fruit Bats started in the mid 1990's as the four-track project of Eric D. Johnson. The name "Fruit Bats" was actually one of many cryptic monikers scrawled on the cassettes. Somehow that one stuck. Some of the other band names included "Holiday Inn," and "Senseless Tripe." For a number of years there were many warbling, feedback laden tapes, but no shows and no band.
In early 2000, Johnson joined the cast of characters that made up Califone and the whole Perishable Records family. It was this kinship with a bunch of like minded folks that coaxed the Fruit Bats from out of the bedroom and turned the shy lo-fi project into a real band.
Brian Deck produced the first record, Echolocation, which featured hi-fi versions of many of the old four-track tunes. The album sold poorly, but garnered rave reviews in places like Mojo and The Village Voice, the latter calling it "a mini-masterpiece of zoology rock." Shows were offered, and a band was hastily put together. The lineup would remain ever shifting after that, always revolving around Johnson and a rotating cast of characters.
Fruit Bats would sign with Sub Pop records in 2002 and release 4 successful records with the venerable Seattle imprint. They then toured the world, played on the TV and had a generally great time. Besides the aforementioned "zoology rock," the two best obscure genres the Fruit Bats have been linked to by the press are "bootgazer," and "rustic pop." So there you go.
LA-based WHISPERTOWN is the latest iteration of the unique vision of Morgan Nagler (songwriter, lead vocals, guitar). What was once The Whispertown 2000 has morphed into a less structured version of itself, with Nagler’s unmistakable vocals leading a revolving cast of musicians and artists.
As The Whispertown 2000, Nagler and company garnered support slots for Jenny Lewis, The Breeders, Rilo Kiley, Bright Eyes, She & Him, The Elected, Azure Ray, Maria Taylor and many more. The band soon caught the attention of Gillian Welch and David Rawlings, inspiring the first signing to their own Acony Records. Shortly thereafter, the band released 2008’s Swim, their debut release from Acony, comprised of classic songwriting and harmonious folk-pop.
WHISPERTOWN’S sophomore release on Acony Records, Parallel, sticks to Nagler’s earth grounded wisdoms while taking a turn toward a new form of lo-fi electronica. Parallel moves easily through rock gems like “Blood From Wine” and “State Of Mind” with lyrical prowess, only to be punctuated perfectly by stark dance tracks such as “Open The Other Eye.” Produced, recorded and mixed by Andy LeMaster (Bright Eyes), Co-Produced by Jake Bellows (Neva Dinova), and Executive Produced by David Rawlings, the stars have aligned here. This is classic music for the people.
Johnathan Rice has done his best work to date on his third full length LP Good Graces (SQE Music). When asked about this collection of songs, Rice spoke candidly about his attempt to make what he called "healing music."
"Some people really close to me had been going through an exceptionally rough time, therefore I was going through a rough time," he admits. "People that I love very much were struggling with extreme darkness. Thoughts of suicide and deep hopelessness. Fundamental questions like: do I want to be here or not? That absolutely informed the writing of this record. It wasn't about exploring how difficult and dark things were and lamenting the situation. I tried to heal myself and the people around me with the music. It was about finding the frequencies, the melodies, and the words that would help. That was in the front of my mind. That was the best I could do for the people I love the most."
In order to collect his thoughts and focus the writing, Rice crossed coasts, leaving his Laurel Canyon home for a friend's New York City abode. Having just wrapped up a year of touring the world behind his collaboration with Jenny Lewis—Jenny and Johnny's I'm Having Fun Now—January 2012 in the Big Apple proved oddly peaceful for the singer, songwriter and producer. It would be the first solo material since 2007's Further North.
"I had been so busy recording and touring that it was necessary to take a month away from home and write," he goes on. "It was a conscious choice – I had been exploring writing and making records with other people – I really wanted to return to my own sound, which I feel is clearer than ever. It was time for another solo album."
Even though the LP is unequivocally his vision, he wasn't entirely alone. Over the course of seven days, he tracked the album alongside Dawes bassist Wiley Gelber and longtime drummer Jason Boesel at engineer Pierre de Reeder's Kingsize North Studio in North Hollywood. Rice handled most of the production and guitar duties, but Rice's frequent collaborator and friend Farmer Dave Scher also added some crucial finishing touches at his studio in Venice Beach—in between night surfing sessions and parties at Mollusk Surf Shop. In fact, longboard legend Chad Marshall lends vocals to the surf-rock-noir "Surfer's Lament." Rice's long-standing obsession with the female voice is further explored throughout Good Graces – the record features major contributions from Jenny Lewis, the Watson Twins and Z Berg.
The record's first single "Nowhere at the Speed of Light" marries organic instrumentation with the hammering insistence of an EDM track.
He explains, "I've always loved juxtaposing happy upbeat melodies with darker lyrics. I think the character in that song feels like his life has stalled, and his dreams have lost value. Life is at a standstill, so to speak. As far as the music goes, I'm a rock or folk musician, and I live in that world, obviously. I do love dance music though. I tried to write a rock song that had a similar energy to a dance song."
Elsewhere on the album, he teams up with Jenny Lewis and the Watson Twins for "Lou Rider," which "has that title because the vocal is kinda Lou Reed and the groove is kinda Low Rider" and the album's standout track – "My Heart Belongs To You" – an unadulterated and uncynical song of love.
Everything has led up to Good Graces for Johnathan Rice. Growing up between America and Scotland, he moved to New York in September of 2001. His first solo album Trouble Is Real dropped four years later, and he'd formally arrived. Seeing song placements everywhere from Grey's Anatomy to The O.C., to the Hangover 2 Soundtrack, he has toured the world as a headlining artist and also supporting R.E.M., Ray Lamontagne, Pavement, Belle And Sebatastian, Bright Eyes, Death Cab for Cutie, Phoenix, and more. Rice's achievements extend outside of music, including channeling Roy Orbison in the Academy Award-winning film, Walk the Line.
Good Graces is by far the most revealing portrait of Rice thus far. "I want everyone to feel what I felt while making the record," he leaves off. "It was my intention to put something positive out there. I hope you can feel the sincerity of that attempt."
$10.00 - $12.00
Wed, October 18
Thu, October 19
Thu, October 19
Fri, October 20
Fri, October 20