515-B North McDonough St.
Decatur, GA, 30030
Doors 6:15 PM / Show 7:15 PM
For nearly two decades, Willie Watson has made modern folk music rooted in older traditions. He’s a folksinger in the classic sense: a singer, storyteller, and traveller, with a catalog of songs that bridge the gap between the past and present. On Folksinger Vol. 2, he acts as a modern interpreter of older songs, passing along his own version of the music that came long before him.
Southern gospel. Railroad songs. Delta blues. Irish fiddle tunes. Appalachian music. Folksinger Vol. 2 makes room for it all. Produced by David Rawlings, the album carries on a rich tradition in folk music: the sharing and swapping of old songs. Long ago, the 11 compositions that appear on Folksinger Vol. 2 were popularized by artists like Leadbelly, Reverend Gary Davis, Furry Lewis, and Bascom Lamar Lunsford. The songs don’t actually belong to those artists, though. They don’t belong to anyone. Instead, they’re part of the folk canon, passed from generation to generation by singers like Watson.
And what a singer he is. With a quick vibrato and rich range, he breathes new life into classic songs like “Samson and Delilah,” one of several songs featuring harmonies from gospel quartet the Fairfield Four. He’s a balladeer on “Gallows Pole,” whose melancholy melodies are echoed by the slow swells of a four-piece woodwind ensemble, and a bluesman on “When My Baby Left Me,” accompanying himself with sparse bursts of slide guitar. “Dry Bones” finds him crooning and hollering over a bouncing banjo, while “Take This Hammer” closes the album on a penitent note, with Watson singing to the heavens alongside a congregation of Sunday morning soul singers.
Arriving three years after Folksinger Vol. 1 — his first release since parting ways with the Old Crow Medicine Show, whose platinum-selling music helped jumpstart the 21st century folk revival — Vol. 2 expands Watson’s sound while consolidating his strengths. Several singers and sidemen make appearances here, including Gillian Welch, the Punch Brothers’ Paul Kowert, and Old Crow bandmate Morgan Jahnig. Even so, Watson has never sounded more commanding, more confident, more connected to the music that inspires him.
“I’m not trying to prove any point here,” he insists, “and I’m not trying to be a purist. There’s so much beauty in this old music, and it affects me on a deep level. It moves me and inspires me. I heard Leadbelly singing with the Golden Gate Quartet and it sounded fantastic, and I thought, ‘I want to do that.’ I heard the Grateful Dead doing their version of ‘On the Road Again,’ and it sounded like a dance party in 1926, and I wanted to do that, too. That’s the whole reason I ever played music in the first place — because it looked and sounded like it was going to be a lot of fun.”
Nodding to the past without resurrecting it, Willie Watson turns Folksinger Vol. 2 into something much more than an interpretation of older songs. The album carries on the spirit of a time nearly forgotten. It taps into the rich core of roots music. It furthers the legacy of American folk. And perhaps most importantly, it shows the full range of Willie Watson’s artistry, matching his instrumental and vocal chops with a strong appreciation for the songs that have shaped not only a genre, but an entire country.
Anna Tivel has spent some quality hours in a dodge caravan repeating lyrical lines over and over until the words fall in time with the windshield wipers, or until the gas light comes on.
An internationally touring artist with a deep love of quiet stories, Anna is beginning to carve a place for herself in the songwriting world. She was recently chosen a winner of both the Telluride Troubadour Contest and the Kerrville New Folk Contest, placed second at the Rocky Mountain songwriting contest, and has shared the stage with heroes and friends like Gregory Alan Isakov, Blind Pilot, Anais Mitchell, Mandolin Orange, Peter Mulvey, Caitlin Canty, Sean Rowe, Darlingside, Devon Sproule, Jefferson Hamer, Jeffrey Martin, and lots more.
Anna was raised in the forest and farmland of rural northern Washington and currently calls Portland, OR home. Her songs reflect both the stark colors of small town life, and the hard, sharp lines of the city. Her newest album, Small Believer, came out in September on Portland’s well-loved Fluff & Gravy Records. Produced by guitar mastermind Austin Nevins (Josh Ritter, Anais Mitchell, Kris Delmhort), Folk Radio UK called the album “open, honest, and deeply affecting, her best work yet.” Her previous album, Heroes Waking Up was hailed "a superb and sublime album from a voice that deserves to be shouted from the highest rooftops.”
“Portland songwriter Anna Tivel is a favorite over at Hearth. She’s a deft, clever songwriter with a knack for observing the small, subtle beauties of our lives.” – Kithfolk
"Everything here is testament to her storytelling gifts (she’s been likened to Steinbeck and I suspect she may have a novel or short stories collection in her) with her finely drawn characters and observations of an emotional life that ranges from defiance to regret, joy to sadness." -- Folk Radio UK
$20.00 - $25.00
Sun, June 17
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