515-B North McDonough St.
Decatur, GA, 30030
Doors 9:15 PM / Show 9:30 PM
Roxie Watson is a four-piece string band from Atlanta, Georgia that blends gorgeous vocal harmonies and stellar songs into live performances that will just as soon make you laugh as shed a tear. Their music combines elements of old country, rock-a-billy, bluegrass, gospel, and even a little touch of classic rock ‘n roll. Lisa Love of Georgia Music Magazine and the Georgia Music Foundation describes the band by saying, “When you have a group of women who are natural story-tellers, who sooth their aggressive musical chops with beautiful harmonies, temper their rock-n-roll sensibilities with an understanding of Appalachian tradition, and come off as a little bit Keith Richards, a little bit Bill Monroe, you get Roxie Watson.”
The group formed in 2007 as a just-for-kicks opportunity for long time friends to get together and play songs they love. But what started out as just porch settin’ and cover song playing evolved organically over the years, through the word-of-mouth support of an ever-growing group of loyal fans, into one of the finest original bands in the Southeast, regularly selling out storied songwriting venues from Eddie’s Attic in Decatur, GA to the Bluebird Cafe in Nashville, TN. Each band member takes turns with the lead vocal and contributes to both song and arrangement ideas. From the firecracker guitar playing of Linda Bolley to the delicate mandolin of Beth Wheeler, the propulsive bass of Lenny Lasater, to the lap steel and button box swells of the harp and guitar rhythms of Becky Shaw, Roxie Watson weaves a rich sound.
Georgianne Nienaber of the Huffington Post summed up the essence of Roxie Watson when she wrote, “These women are more than proficient as musicians, have a warm way with a story, and a natural stage banter that comes from a long history of friendship and community. The stage morphs into a back porch, with the audience becoming honored guests in an intimate setting that is a heck of a lot of fun, heartwarming, and heart-rending when it needs to be.”
Lynn Drury's compositions are as rich and full of visual imagery as life itself. Often autobiographical, each song is carefully crafted around its initial inspiration, ranging from love and loss to beauty and butterflies. Her sound combines the twang and grit of her native Mississippi and the funky grooves of her adopted home of New Orleans.
Drury has performed live on radio and television, and receives frequent local and national radio airplay. Offbeat Magazine dubbed "Spun" the Best New Release of 2003 and presented Drury with an award for Best Emerging Singer/Songwriter in 2004. She was also nominated for Best Roots-Rock Album ("All You need") at the Big Easy Awards in 2006.
Upon moving to New Orleans in 1995, Drury took guitar lessons with local musician Chris Wood. Almost right away, the budding singer-songwriter began performing originals and covers at small venues around town. She also frequented open mic nights at bigger clubs like the Howlin' Wolf and Tipitinas, eventually landing a weekly spot at Margaritaville, where she played opposite legends like Eddie Bo and Chris Thomas King for 5 years.
After honing her musical skills on the bandstand, Drury released her first CD of original compositions, "Crossing Frequencies," in 2001. Over the next two years, she released a pair of discs — "Blackberry Winter" and "Spun" — backed up by local group Bad Mayo (Dave Stover, Chris Mulé, Trevor Brooks and Chris Pylant). She also played at the New Orleans Jazz & Heritage Festival every year from 2000-2005.
With the help of Jimbo Mathus (Squirrel Nut Zippers), Drury began working on her fourth album, "All You Need". Progress was interrupted by Hurricane Katrina and the epic failure of the federal levee system in New Orleans that put much of the city under water, so she finished the recording at Delta Recording Studios in Clarksdale, Mississippi. The disc was mixed at the famous Piety Street Studios in New Orleans and released in 2006, scoring Drury her first national distribution deal with indie label 219 Records .
After Katrina hit, Drury relocated to Memphis, where she performed at museums and galleries. She also participated in the Diaspora house concerts series in Brooklyn (appearing on the resulting recording), produced by composer Nick Balaban. She was also featured in No Depression magazine.
Drury returned to New Orleans 2007, gigging around town at major venues like dba, the Maple Leaf, and the House of Blues (opening for Joan Armatrading). She began performing with Italian guitarist Roberto Luti, with whom she moved to Livorno, Italy, in 2008. The duo toured and performed extensively in Europe, including opening for blues-rock legend Robben Ford at the Lake Trasimano Festival. The resulting live CD, "Dal Vivo," released in January 2009, features their performances at festivals all over Italy.
In 2009, while splitting time between Italy and New Orleans, Drury teamed up with Louisiana songstress Kim Carson to form the Tipsy Chicks, playing their unique blend of honky tonk and rockabilly all over the American south and Europe. By August of that year, Drury moved back to New Orleans for good and reunited with her former drummer Chris Pylant and rebuilt her band, which still performs regularly at local and regional venues as well as at Jazz Fest and French Quarter Fest.
New Orleans-based nonprofit Threadhead Records Foundation awarded Drury a grant in February 2010 to help produce her next album, "Sugar On the Floor," consisting of 12 original compositions, represents a mixture of her Mississippi grit / New Orleans groove and grander styles with horns and strings arranged by Matt Perrine. The stellar lineup includes Alex McMurray (Tin Men, Royal Fingerbowl), Tommy Malone (Subdudes), Ivan Neville, Helen Gillet, Bill Malchow, and Eric Traub. Produced by Carlo Nuccio (who also plays drums on the album), much of the disc was recorded and engineered by Jacques DeLatour at Fudge Recording Studios in New Orleans.
$17.00 - $22.00