Oh Susanna

This Canadian songstress has a voice that can pierce a heart of stone. Her superbly crafted songs often tell stories of troubled souls who rebel against their circumstances to attain a quiet dignity. These are tales of longing and love, of small town joys and pains, of our simple feelings and strong passions. These are tales that look into our beautifully flawed human hearts.

Performing since 1996, Oh Susanna has released eight critically acclaimed albums. She is the recipient of a Genie Award for Best Original Song and a Canadian Folk Music Award for English Songwriter of the Year. She has also been nominated for two Juno Awards each for Best Roots and Traditional Album of the Year, as well as two Canadian Folk Music Awards for Best Solo Performer and for Best Contemporary Singer of the Year. This year she released A Girl in Teen City, an album of songs set in 1980s Vancouver starring a teenage punk girl named Suzie. Oh Susanna lives in Toronto with her husband and son.

Ben Kunder

Ben Kunder is the kind of guy you pray sits next to you on a long-haul flight. Affable, erudite, and full of riveting tales about the ordinary and the extraordinary — and the intersection where they converge — Kunder is a storyteller of the highest order.
So, it’s no surprise that Better Human, the Toronto singer/songwriter’s dazzling new album and confident follow-up to 2015’s internationally acclaimed Golden, soars on vividly detailed vignettes elevated by Kunder’s warm conversational voice and, like Golden, by a small army of marquee musical guests.
Compelling themes like the birth of a child (“Night Sky”), the struggle for life balance (“Fight For Time”), the workaday reality propping up our outward façade (“Hard Line”) are all fearlessly explored on Better Human, with vocal assists from luminaries Oh Susanna, Jim Guthrie, Paper Bird/Bahamas singer Carleigh Aikins plus Sarah McDougall and Ladies of the Canyon’s Maia Davies, who, respectively, co-wrote “Better Days” and “Fight for Time,” the album’s meditative lead single.
Expertly traversing that rarefied space between elegiac folk and accessible pop, Kunder’s music — propelled variously by strings, pedal steel, keyboards, percussion, guitar, bass, and those spectacular before-mentioned voices — renders small moments in precise detail, making his songs both accessible and, occasionally, downright palpable.
“This record is about trying to navigate through the world while sharing darkness to see the light. It’s been cathartic for me to realize that, while I was filling my social media with pictures of my kids and stops on my last tour, I was also filled with anxiety and struggling to find time to really be joyful,” Kunder laughs. “The more I started opening up about it, the more I realized everyone was feeling the same way.
“If we could just embrace that, then we could all just breathe it out and be present with each other.”
Diving deep into Better Human — both the album and the title song which is slated to receive an accompanying video — is an excellent way to begin that process. With its shimmering lead guitar and joyful chorus (“I’m working harder every day, to be a better human in this world, tattoo these words onto my skin”), “Better Human” is a tiny, perfect anthem for self-realization.
Elsewhere, Kunder lightens it up, as in the breezy, propulsive “Jessi,” buoyed equally by bloopy synth and by Kunder’s onetime Europe tour-mate Sarah McDougall, who adds backup vocals. Meanwhile, the unabashedly knock-kneed “Come On,” gorgeously abetted by Carleigh Aikins, is a tender reminder that love really is all you need.
Kunder spent most of 2017 assembling Better Human, beginning with the songs “Better Days” and “Night Sky,” which were cut that spring with multi-instrumentalist/producer Aaron Goldstein at his Baldwin Street Sound in Toronto.
Writing happened throughout the year. “My first record, Golden, was a collection of songs I’d been working on for years,” Kunder says. “Now, it’s a bit more immediate. The title track was written the day I went into the studio, and ‘Come On’ I wrote halfway through the recording process. I was struggling leading up to the recording. Then I went on tour with Oh Susanna at the end of last summer and the floodgates just opened.”
Kunder and Goldstein reunited at Baldwin Street Sound last fall, welcoming a host of esteemed players — bassist Anna Ruddick (Randy Bachman, Bry Webb, Ben Caplan), Arkells drummer Tim Oxford and keyboardist Anthony Carone, violinist Drew Jurecka, Wintersleep drummer Loel Campbell, among others — while crafting the superb album that will now dominate the balance of Kunder’s 2018 via tour dates across Canada, Europe, and beyond.
“I realize it’s hard to know where to put me,” Kunder offers when asked where he’d expect to find Better Human filed. “I just write songs and hope people relate to them. I think there are people like me who listen to albums the whole way through, to hear the arc of the story. Others want to pick out specific songs to soundtrack their lives.
“I’m happy with either kind of listener. I really just want to connect with as many people as I can in any way possible.”

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