Unscripted VIP PASS- September 2017

September is Sizzling
Gerald Veasley’s Unscripted Jazz
Keeps Getting Mo’ Better!
Tickets and Info: https://goo.gl/Ec81mr
Or call 267-225-8018

Gerald Veasley Band featuring
WALTER BEASLEY - Thursday, Friday, Saturday - August 31, September 1 & 2
BOBBI HUMPHREY - Thursday, Friday, Saturday, September 7, 8 & 9
MARION MEADOWS - Thursday, Friday, Saturday, September 14, 15 & 16
RILEY RICHARDS & SURPRISE GUEST - Thursday, September 21
MUSIC OF NINA SIMONE w/ JAGUAR - Thursday, September 28

Join us for an exciting September Line up for the Gerald Veasley’s Unscripted Jazz Series, hosted at SOUTH, Philadelphia's premier restaurant and jazz club. SOUTH features top name jazz artists, delectable southern cuisine and a warm and cozy ambience.

SOUTH - conveniently located on Center City's Avenue of the Arts North
600 North Broad St, Philadelphia, PA 19130

Can’t decide on an artist, become a monthly Unscripted VIP member!
Purchase your Exclusive September VIP Monthly Pass for only $120

Exceptional Benefits:
Enjoy All Unscripted Artists for the month
Priority Seating
10% off Dinner, Drinks and Unscripted Merchandise
Save Time and Money
Tickets https://goo.gl/Ec81mr
For more info, call 267-225-8018

Walter Beasley

Over the past two decades, saxophonist Walter Beasley has artfully and dynamically redefined the phrase "musical Renaissance Man" for the modern generation. Considered by fans and critics alike as "the heir to Grover Washington Jr.'s throne," the Boston-based musician has long mastered an exhilarating high wire act of balancing a successful career as a contemporary jazz recording artist (the highest selling full-time professor/recording artist in modern history) and performer with an equally thriving presence in the field of music education.

Amazingly, Beasley has partaken in all of these exciting activities while maintaining a full teaching schedule at Berklee. Currently, he teaches vocal and rhythm section ensembles (in both classroom and performance settings), private sax lessons, vocal delivery for singers and improvisation for instrumentalists, both on campus and at home. He has also developed an active side business as a career consultant for aspiring musicians. His areas of expertise include: maximizing musical performance and skills; overcoming performance anxiety; jazz/R&B improvisation; vocal delivery; saxophone technique/sound production; and R&B/jazz ensemble performance.

One of the top five best-selling African-American saxophonists in the world since the late 90's, Beasley— while establishing himself as a regular presence on the Billboard Contemporary Jazz chart--has performed over the years with contemporary jazz and R&B icons Brian McKnight, Gerald Albright, Ronnie Laws, Kirk Whalum, Bob James, Norman Brown, George Howard, art Porter, Stephanie Mills, Vanessa Williams and Rachelle Ferrell. He has also opened concerts for traditional jazz legends Art Blakey and Dexter Gordon.

Bobbi Humphrey

She has been named “First Lady of the Flute” by the critics and listeners alike and, from the accomplishments in her musical career, deservedly so. For three decades now, Bobbi Humphrey has been playing her special brand of music to audiences around the world. Her professional career began in 1971 when she was the first female signed to Blue Note Records.

Certainly a lady playing a flute must have seemed something of a novelty then. Humphrey proved, however, she was not just a “first” or novelty, but a talent to be reckoned with. For in 1973, her LP, Blues and Blues was not only a huge commercial success, but established a strong crossover market for her. Also, in 1973, she was invited to the prestigious Montreux International Music Festival in Switzerland where Leonard Feather, noted critic of the Los Angeles Times, acclaimed her “the surprise hit of the festival”. Since then Humphrey has continuously proved her sustaining power, for today she is the only successful female urban-pop flutist on the scene. Further proof is the fact that she was acclaimed “Best Female Instrumentalist” (1976 and 1978 to both Billboard and Record World, and “Best Female Vocalist” in Cashbox. This is certainly a milestone for any instrumentalist.

Born in Marlin, Texas and raised in Dallas, Humphrey’s training on flute began in high school and continued through her years at Texas Southern University and Southern Methodist University. It was there that Dizzy Gillespie spotted her when he served as a judge in a school-wide competition. With Gillespie encouraging her to pursue a career in New York City, Humphrey wrote a letter to New York’s famed Apollo Theatre and received a telegram soon afterwards telling her, “We have reserved a spot for you on Amateur Night”. She didn’t take further convincing, nor did she have trouble finding her “spot” in the music industry.

The title of one of her Epic LPs The Good Life, best describes her career. Humphrey has played with the best, ranging from Duke Ellington (her third day in New York) to Lee Morgan to Stevie Wonder (featured on Songs In The Key of Life LP in 1977). Between 1971 and 1976, Bobbi recorded six albums for Blue Note Records. In 1974, she recorded the successful Satin Doll LP.

1977 was another big year for Humphrey. For the third consecutive year she was voted “Best Flutist” in Ebony Magazine Reader’s Poll. She was signed to Epic Records. She was invited back to the Montreux Music Festival., and honored with the Key to New Orleans. It was not only a year of musical growth but of commercial expansion as well, because in 1977 Humphrey formed Bobbi Humphrey Music Company to publish her compositions as well as composers. She also formed Innovative Artist Management to handle her business affairs.

Humphrey has also gone to gather numerous awards and citations for her music. These awards have included the keys to cities for the United States and a Congressional Appointment to the Community Advisory Committee. Also, the business world has recognized Bobbi’s talents in that arena. She has received various awards for her business accomplishments and high ethics from the City of New York, “Dollars and Sense” magazine, and was featured in financial section of Billbaord Magazine. However, Humphrey’s longevity on the charts has been her greatest award. Her LP Freestyle was one of the hottest LPs during the summer of ‘78. And with her LP The Good Life, the summer of ‘79 was not only good, but hot! The eighties were a period of rapid creative and business expansion, and community activism.

Whether it is from the stage of Carnegie Hall or an intimate jazz room in Europe or Atlanta live performing remains her first love. However, she enjoys composing and producing musical jingles for several major corporations, such as Halston and Anheuser Busch and doing solo work for the television on such shows as the “Cosby Show”. Though she is petite, one can see that she has the talent and heart as big as the State of Texas. Former New York City Mayor David N. Dinkins says it best, “Bobbi Humphrey’s dedication to artistic excellence is matched only by her social activism and concern for those in need”. This includes her working on various political campaigns, performing at senior citizens homes, fundraising concerts for the United Negro College Fund, and speaking before the General Assembly of the United Nations about the Ethiopian famine in the eighties.

Ever growing and seeking new challenges Bobbi produced one of her most exciting and personal LPs entitled “City Beat” in 1989. “City Beat” remained on the Billboard Magazine Black Charts for sixteen weeks. She served as producer, wrote many of the songs and gathered some of her musical friends to share in the treat.

As the beat went on, the nineties’ held the promise of some of Bobbi’s greatest musical and commercial expansion. In 1990 her company Bobbi Humphrey Music, Inc., signed a production agreement with Warner Bros. Records, in which she brought new artists to the label and produced new material. Her agreement with Warner Bros. followed her discovering, and bringing to the attention of Warner Bros. A&R executives, R & B vocalist Tevin Campbell.

Following the success of Bobbi Humphrey Music selling in excess of five million units of the Campbell records, Ms. Humphrey boldly launched her label, Paradise Sounds Records, in 1994. She recorded her first release “Passion Flute”, which was recently re-released and continues to be one of her fans’ all-time favorite recording. The album’s concept is to showcase Bobbi Humphrey with a cool jazz setting; mostly at mid-tempo: although there is a surprising uptempo version of her huge hit, "Harlem River Drive". There are also two original ballads in which Bobbi features the smooth singing of D’wayne Whitehead. Another song features two great artists and friends of Bobbi, Gwen Guthrie on vocal and Ralph MacDonald on percussion. From the first track, “Steppin’ Out” which features Bobbi’s flute on a hauntingly smooth, yet strong hook, to the last track, “Rainbows”, a soaring ballad, her passionate and pure flute playing is ever present. In “Passion Flute”, her fans old and new will surely have a greater passion for Bobbi Humphre

b. 25th April 1950, Marlin, Texas, U.S.A.
Notable jazz flautist, one of the first female instrumentalist signed to Blue Note Records in 1971. As well as a successful solo career she has recorded with many artists such as Duke Ellington and Stevie Wonder.

Marion Meadows

In 1990 Marion Meadows made his recording debut with For Lover's Only and followed up with ten albums since then. In addition to touring steadily on his own, Marion Meadows is also a member of the highly sought after Sax And the City Tour fronting the band with fellow reedman Paul Taylor, with additional guests Jessy J, young saxophone sensation Vincent Ingala and pianist vocalist extraordinaire Joe McBride. Marion Meadows, is never content to rest on his laurels. With a four-year intermission between recordings, Marion Meadows is back with Whisper and ready to share his gift with the world.

Riley Richard

Born and raised in Cleveland, Ohio, Riley Richard is an inspired jazz saxophonist who has plans on making his contribution to the jazz genre. Having studied at Cleveland School of The Arts, Cuyahoga community college and Cleveland state University, Riley was trained in the traditional sense of jazz analyzing the styles of John Coltrane, Charlie Parker and Sonny Sttit. Although having a heavy interest in sports at a early age, Riley was encouraged by his parents to take piano lessons in which led him to learn the flute and eventually the Alto Saxophone. His first professional gig was at the age of 14, playing with Cleveland’s legendary organist Eddie Baccus SR. From then on Riley has shared the stage with the likes of Najee, Brian Simpson, Kim waters and Boney James and the list continues.

Jaguar Wright and Gerald Veasley “I Got Life: The Music of Nina Simone.”

"I Got Life: The Music of Nina Simone."

An exciting and groundbreaking collaboration featuring Gerald Veasley and Jaguar Wright comes together to celebrate the music of the iconic of
Nina Simone. The legends of jazz and soul music are taking this dynamic show on the road and making it available for festivals and clubs throughout the United States.

More than a concert, I Got Life is an event that explores the powerful music and empowering messages of Nina Simone. The presentation moves through four aspects of Ms. Simone's songbook: Quest, Passion, Fury and Hope. Vocalist Jaguar Wright and bassist Gerald Veasley lead an ensemble that re-imagines Nina Simone's work with inventive energy.

Why "The Music of Nina Simone"?
While the world is re-discovering the brilliance of Nina Simone, Jaguar has known it all along. She has long been a student of her music and has been inspired by her life story. Veasley recognized Jaguar's potential for channeling Nina Simone before the two even spoke. Says Veasley, "I knew Jaguar had that same intensity and fire before I heard her sing a note of of Nina Simone's music." Together they share a deep appreciation for Ms. Simone's music and her desire for social justice. As a result, "I Got Life" speaks to our current turbulent times with honesty and raw beauty. Veasley and Wright understand there is no better time to present this timeless music.

Jaguar Wright

Jaguar is an artist who cannot be defined by genre. She is a Renaissance woman, as comfortable performing with rap mogul Jay Z as she is with jazz drummer extraordinaire, Terri Lynn Carrington. Jaguar was a breakout artist in Philadelphia's Black Lily scene created by Questlove and The Roots which spawned the careers of Jill Scott and other major Neo-Soul and Hip Hop artists. She released two critically acclaimed albums and also appeared on Veasley's "Velvet" cd, performing a rendition of the soul classic, "Let's Do It Again".

Gerald Veasley

Veasley is well regarded as a recording artist with several solo albums to his credit. As a bassist, he has worked extensively in the jazz, gospel and R&B genres. His resume includes collaborations with a wide range of artists: Dianne Reeves, Kirk Whalum, The Dixie Hummingbirds, Teddy Pendergrass, Zap Mama. He counts among his mentors two groundbreaking artists: Grover Washington and Joe Zawinul, from whom he developed an appreciation for the balance between innovation and tradition.

I Got Life brings together two internationally acclaimed artists who were launched out of the vibrant Philadelphia jazz and soul scenes. However, the performances by these collaborators defy category and are in the adventurous spirit of Ms. Simone. As the iconic artist said, "Jazz is not just music, it's a way of life, it's a way of being, a way of thinking". Well said, Ms. Simone, well said.

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