Hi-Fi Music Lounge Presents
Mayya & The Revolutionary Hell Yeah, Christina Schneider's Genius Grant
44 E. 7th Ave
Eugene, OR, 97401
Doors 8:00 PM / Show 9:00 PM
This event is 21 and over
Watch & Listen
Experiencing one emotion at a time is a luxury of the past. Think back to that moment at the womenâ€™s march or the pro-science rally, when you spied a small child holding a handmade sign that read â€śI love naps but I stay wokeâ€ť or â€śBoys will be boys good humansâ€ť or â€śMay the facts be with you.â€ť How adorable! How upsetting! How the hell are they going to make it to adulthood in this toxic environment?
Deerhoof is right there with you. They recognize that we are simultaneously living in two worlds, one a maniacal, mainstream monoculture hell-bent on driving humankind into extinction, the other a churning underground teeming with ideas and dogged optimism and the will to thrive and survive. Mountain Moves refutes the former by ecstatically celebrating the latter.
Though Deerhoof have often made albums from start to finish with virtually no input from the outside world, now is not the time for artists to operate in isolation. Mountain Moves throws the doors wide open. Working quickly, the band invited myriad guests to participate, some of them dear friends, others practically strangers. They are of different ages, different nationalities, different disciplines. The only common thread was that each and every artist on Mountain Moves doesnâ€™t fit into a single, neatly-defined category â€“ and doesnâ€™t wish to.
The results, as expected, were unexpected. Guide vocals and simple melodies were dispatched via email, only to be answered with an outpouring of alternate harmonies, suggestions for arrangements, additional instrumentation. Every file received triggered a new rush of jumbled emotions. Some guests crafted their contributions in the small hours of the dawn, toiling in hotel rooms before driving eight hours to the next tour date; others hopped on the subway and recorded with the band in-person.
Collisions and collusions abound on Mountain Moves. In addition to its bounty of originals, the program includes three covers that epitomize the albumâ€™s assemblage of disparate ideas and personalities. Reducing Bob Marleyâ€™s â€śSmall Axeâ€ť to a beat-less fragment of hymn-like simplicity magnifies the songâ€™s rebellious spirit and undercurrent of violence. Deerhoof vocalist Satomi Matsuzaki, a Japanese immigrant, lifts the Staple Singersâ€™ â€śFreedom Highwayâ€ť out of its original place and time, imbuing it with a new sense of alienation from oneâ€™s own country. Snippets of the bass recitative â€śFor behold, darkness shall cover the earthâ€ť from Handelâ€™s Messiah provide the foundation for a fresh take on Chilean folk hero Violeta Parraâ€™s bittersweet masterpiece â€śGracias a la Vida.â€ť
Adventures outside the United States also informed the making of Mountain Moves. During a recent visit to Brazil, the band was astonished to see how enthusiastically audiences at concerts sang, danced, and reveled â€“ a cultural response, they learned, to the scarcity of resources for all but the nationâ€™s wealthiest elites. Elsewhere, the experience of confronting unfamiliar audiences of fired-up Red Hot Chili Peppers fans taught them that one of their greatest skills â€“ the ability to recalibrate their sound nightly to suit a particular venue â€“ wasnâ€™t limited to basements or small clubs. The broader strokes of Mountain Moves sprang forth from lessons learned while trying to engage audiences of 20,000+ across the vast distances of Northern European sporting arenas.
If Mountain Moves were a movie, it would be a double feature, Journey to the Center of the Deerhoof and Escape from Planet Deerhoof, shown side-by-side simultaneously. The record epitomizes the band at its very best, exploring new realms between the poles of independence and invention. It also serves as a welcoming point of entry for new listeners outside Deerhoofâ€™s traditional orbit, an opportunity to bring even more voices into the communal conversation. Weâ€™re all in this together.
Deerhoof is John Dieterich, Satomi Matsuzaki, Ed Rodriguez and Greg Saunier. The only thing they see eye-to-eye on is the freedom to not see eye-to-eye. Their guests on Mountain Moves include Awkwafina, Juana Molina, Matana Roberts, Xenia Rubinos, LĂ¦titia Sadier, and Jenn Wasner. Together, they made this record for you. For all of us.
Mayya & The Revolutionary Hell Yeah
"Diminutive in stature, Gargantuan in spirit" -Mayya was born in Russia, grew up in the TL in SF. she is inspired by david bowie, gogol bordello, iggy pop, funk music, george harrison, pretty much anything w energy and good melodies... and anyone who is unapologetically themselves! She has a band called Mayya & The Revolutionary Hell Yeah!
Christina Schneider's Genius Grant
Advance Tickets: $15, Day of Show: $18