If you want to know Josh Thompson, just listen to the lyrics of his music. Thompson showcases his undeniable gift for writing with songs like the anthemic “Way Out Here,” or the unapologetic “Blame It On Waylon,” and on his upcoming projects, the “aw, shucks” admittance of “Same Ol’ Plain Ol’ Me,” the nod to his humble background, “Daddy Had A Beer,” and the breathtakingly poignant “I Like To Believe In That.”

They’re songs born of a hard-working, blue-collar raising. The son of a Wisconsin concrete worker, destined to follow in the steel-toed boots of a laborer, Josh veered to the left when he picked up a guitar, but he didn’t quite realize the course he had steered himself down until much later.

“I got a guitar for my birthday when I was 21 years old. I asked my parents for it because I wanted to play songs around the campfire,” he explains. “There had been people in my circle of family and friends who would play around the campfire and I always thought that would be really awesome. I wanted to learn to play Merle Haggard and Tom T. Hall songs.”

Before long it wasn’t enough to just play guitar and sing around the campfire. Like the stone cold country icons that he grew up listening to and admiring, Josh had something to say. “What made me want to play guitar and write songs was what attracted me to country music. People like George Jones, Merle Haggard, Hank Senior, Jimmie Rodgers, Hank Snow and Lefty Frizzell. That was the country I was first introduced to.”

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