Pickwick

Pickwick

Listen to LoveJoys, the sophomore release from Seattle, WA's Pickwick, and you'll hear a band that has pushed aside external pressures and expectations, overcome internal demons, and plugged directly into their own creative center. Slinky, sinewy, and articulate, the record pulses with a palpable confidence. Hypnotically intricate, just-right sonic ornamentation shimmers around a thick, undulating bed of propulsive rhythm. Submit willfully, give yourself over to Pickwick's practiced ministrations, and you'll find yourself exhausted and deeply satisfied, slick with a sheen of glitter and sweat.
Following the breakout success of 2013's self-released Can't Talk Medicine (which WXPN lauded for its "wonderfully engaging lo-fi rock and soul") the band found themselves on national tours with Neko Case and Black Joe Lewis, performing on the main stage of the Sasquatch Music Festival, headlining the Capitol Hill Block Party, and performing alongside with the Seattle Symphony. They holed up to begin work on what was to be the follow up release, and things got complicated.
As the band was forty songs into writing a pop R&B record, they became deeply unsatisfied with the direction the music was taking. Tensions boiled over, and they lost a member in 2016. Walking away from a mountain of music, the group was able to tap into the joy of writing for themselves. "We rediscovered what we do best by not overthinking what we make, and learned to love the process of creating again" relates vocalist Galen Disston. "LoveJoys is a specific type of euphoria," says drummer Alex Westcoat "a liberating feeling of inspiration that can only be achieved through the sacrifice of one's own ambition. It is the shedding of expectations; an uninhibited escape into a world of child-like infatuation and wonder."
After an intense three month writing session the band - Disston, Westcoat, guitarist Michael Parker, bassist Garrett Parker, and keyboardist Cassady Lillstrom - turned to producer Erik Blood (Shabazz Palaces, Tacocat and Moondoggies) for guidance in putting the music to tape. "We are huge fans of his, and a mutual friend made the introduction" says Disston. "Erik requested we go out to drinks together every couple weeks for a four month period; he wanted to get to know us before we got too deep into working together. The first time he came to a practice I kept my back to him the whole time because I was intimidated, and after we'd played him all our demos, he picked them apart and pushed us into a new and better sound."
LoveJoys was recorded at "Chemical X" and "Black Space" (February - May 2016), Blood's studios in the basement of the old Rainier Brewery building in Seattle. It features performances from: Tendai Maraire (Shabazz Palaces), Sean T. Lane, Marquetta Miller (Breaks and Swells), Taryn Rene Dorsey, and the Black Space's in-house horns and strings - Alina To (Passenger String Quartet) and Jeremy Shaskus (Breaks and Swells).
Written in the midst of personal and political turmoil, lyrically and sonically LoveJoys became an escape somehow, a place for the band to purge all their deepest concerns while somehow also being relieved of them. LoveJoys embodies the relationship between inspired creativity and the use of escapism as a way of getting there. Like little fossilized explorations of his own greatest fears and anxieties, Disston's lyrics bury themselves into the band's bright new sonic landscape, both contradicting their collective fantasy and reminding them of why they chose to construct it in the first place. "This record is an escape toward love and joy in the face of uncertainty" says Westcoat. It's a sonic sanctuary built from unrestrained creativity, and a potent tonic; undiluted joyful creativity, guaranteed to transport the listener to a place of ecstatic release.

The Elwins

"Looking back, it kinda blows my mind thinking about all the different conversations we had about the album and how much we supported each other through the process of making it. I guess it’s not exactly a surprise but a nice reminder that four different people with different tastes can come together and create something." - Elwins bassist/singer Francesco Figliomeni

The Elwins--singer/guitarist Matt Sweeney, drummer Travis Stokl, guitarist/keyboardist Feurd, and bassist Francesco Figliomeni--came together in 2006 near Newmarket, about an hour north of Toronto. After touring extensively behind 2012's And I Thank You and 2015's Play for Keeps, the band developed a natural chemistry, which continues to propel (and challenge) their collaborative spirit on Beauty Community.

The Elwins had never entered the studio with so many songs before, each member coming in with strong material. An unspoken desire for more introspective ballads seemed to pervade each songwriter's creative impulse, weirdly putting some pressure on the band to figure out what this record was all about. Experimentation led to new creative forays, including, unusually, an instrumental: "Your Very Own Beauty Community."

There seems to be an overtly upbeat spirit to the songs and a sensitive, inquisitive sentiment within Beauty Community. A close listen suggests that certain things are being processed. Relationships, life, the sense of (and not) belonging.

In the end, Beauty Community is the work of an experienced unit--a band of brothers who know when to push each other out of comfort zones. There's plenty here for Elwins faithful to cling to but also tasteful explorations that shed new light on the band--a beauty community indeed.

$12.00 - $14.00

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