Madaila on Main: Nectar's Afterparty

Rough Francis

In the early ‘70s, three brothers—Dannis, David, and Bobby Hackney—begin playing quick-tempo, high-velocity, hard rock as the revolutionary Detroit band, Death. Heavily influenced by the wild on-stage antics, politically-tinged lyrics, and kick-in-the-face raw rock of fellow Detroit bands MC5 and the Stooges, as well as the high energy of more mainstream bands such as The Who in England, Death unknowingly helped create the genre of punk rock that later hit the music world full-force. Fellow Detroit native and rock musician Jack White summed it up best, “Ahead of punk, ahead of their time.” Because of their extremely innovative brand of rock, Death unfortunately never had their moment in the spotlight. After changing musical directions, the three brothers moved to Burlington, Vermont. The Hackneys continued to develop their musical interest and eventually settled down and raised families of their own. The days of Death seemed only a memory of the distant past.

30 years after the group disbanded and after the passing of David Hackney, sons Julian, Urian, and Bobby Hackney Jr., unearthed the original Death recordings in their father’s attic. Already well steeped in the hardcore and punk scene since youth and inspired by the power and magnitude of their father’s recordings, the boys, along with friends Steven Hazen Williams and Dylan Giambatista, created Rough Francis as a way to help spread the word of Death and the newly re-discovered music. The band’s name, Rough Francis, is in tribute to David Hackney, who created the moniker for himself years earlier. Shortly after forming, Rough Francis began playing and developing their style and sound while sharing their own form of punk/rock to select audiences. Although the loud howls, wild stage antics and maximum power of Rough Francis echoes Death, they explore a musical style unique to them. Their sound has appealed to a wide range of fans—from the most core punk enthusiasts to underground hip hop kids.Fueled by their widespread appeal but anchored in their core roots, Rough Francis has been taking the rock world by storm. The band has been steadily gaining acclaim for their energetic performances from critics all over, which has included a feature in the New York Times and mentions on, to name a few.

"We are Rough Francis!!!…and we play Rock-N-Roll!!!"

Wild Adriatic

Rooted in the rowdy spirit of rock & roll, Wild Adriatic has built an international audience on a combination of groove, grit, and guitar-heavy swagger.
With the power trio's newest album, Feel, bandmates Travis Gray, Rich Derbyshire, and Mateo Vosganian update the sound of their influences -- from Seventies rock to Motown to soul -- for a contemporary audience, taking influence from the past but never losing sight of the present. They aren't revivalists; they're modern men, carrying the torch of melodic, riff-ready, high-energy rock into new territory.

Whittled into sharp shape by a touring schedule that's kept them busy for roughly 175 days a year — including two European tours, countless stateside runs, and appearances at festivals like Bonnaroo — Wild Adriatic's three members recorded Feel in Austin, teaming up with Grammy-nominated producer Frenchie Smith in the process. The goal was to shine a light on the band's strength as a live act, avoiding click tracks, digital instruments, sampled sounds, and other tricks of the recording studio. Instead, Wild Adriatic focused on the same core ingredients — Gray's guitar playing and soulful sweep of a voice; Vosganian's percussive stomp; Derbyshire's in-the-pocket bass — that helped kickstart the band in 2011, back when Wild Adriatic formed in Upstate New York.

From the psychedelic "Chasing a Ghost" to the mellow, horn-filled "Come Baby Baby" — the latter song featuring blasts of brass from the West End Horns — Feel offers up 11 new songs of modern, analog, groove-heavy rock, with Wild Adriatic taking inspiration from breakups, friendships, new relationships, tour stops, and even politics. "Appleton" finds the guys paying tribute to the Wisconsin town that's hosted some of their most most memorable shows, while songs like "Some Nerve" and "Hurricane Woman" channel the influence of guitar greats like Stevie Ray Vaughan and Joe Walsh. Much of the album came together during five separate writing retreats, including treks to Virginia, Texas and Wisconsin. Throughout it all, the songs were written collaboratively, molded by a band of longtime friends who, more than a half-decade into their career, are still turning over new leaves.

"This feels like our first record all over again," says Vosganian, a childhood friend of Gray since his elementary-school days. "We're a rock and roll band at heart, but we have heavy ties to soul and blues music, too, and as the band matures, those roots come out. This is a great way to reintroduce ourselves."

Gray agrees, saying that the real-life inspiration behind most of the album — a painful breakup — helped Wild Adriatic create a record that ultimately celebrates the electricity and elation of playing in a traveling band.

"These songs align with everything we've gone through in the last year," he adds. "They highlight hard times, but also underlying hope and optimism. We're people. We're supported by fans who buy tickets and come out to shows, and we like to hang out with them. We aren't trying to take ourselves too seriously. We're trying to connect. We're trying to feel."


Swale started in 2002 as part of the house band for a burlesque revue in Burlington, Vermont. For the most part, Amanda plays the keys, Jeremy plays the drums, Eric plays the guitars, Tyler plays the bass, and all four of them sing the songs.

$10.00 - $15.00


This ticket allows for entry to the Nectar's Afterparty featuring performances by Rough Francis, Wild Adriatic (Led Zeppelin set) and Swale.

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