Nectar's and Future Fields present
Madaila on Main ft. Madaila, Turkuaz and more!
Caroline Rose, Wild Adriatic
176-206 Main Street
Burlington, VT, 05401
Doors 12:00 PM / Show 2:30 PM
Psych pop juggernaut Madaila is upbeat, synth-heavy, and catchy. Vocal skill and range are immediately apparent. But in the tradition of Prince and more recently Frank Ocean, an ornateness and heaviness expose Madaila's complexity and depth. Tight arrangements and multi-instrumental performances showcase musical minds at work.
When Madaila is on stage, spontaneous expression and contagious melody coexist. The freakier elements of the band come to the surface as the five-piece explores the deeper possibilities lying within their concise-recorded material. The band’s improvisational power gives each song the capacity to have its form pushed to the edges of comfort, or uplifting peaks.
Madaila released its debut, “The Dance”, in 2015. The band generated buzz with large hometown shows held on a ferry, in Burlington’s City Hall, and in an aquarium. Madaila has shared the stage with artists such as BØRNS, Mac DeMarco, Grace Potter, Big Gigantic, Delicate Steve, Deer Tick, Matisyahu, Twiddle and Rubblebucket; and played at festivals such as Mountain Jam, Frendly Gathering, Grand Point North, Waking Windows, Otis Mountain & Burlington Discover Jazz. Madaila is part of Future Fields, an artist-run label and management group based in Burlington, Vermont that includes Kelly Ravin, Iron Eyes Cody, & The Precepts. Madaila’s sophomore release "Traces" was released on November 4th, 2016.
Turkuaz is a 9-piece “Powerfunk” army hailing from Brooklyn, NY, whose modern twist on the classic sound has placed them at the forefront of a new funk evolution. With the obvious influences—Parliament, Sly & The Family Stone, Rick James and Zapp and Roger—as the basis for a recipe, Turkuaz adds healthy doses of Talking Heads inspired jittery, world-pop-dance grooves and a passion for The Beatles, Motown and R&B into the mix, resulting in a refreshing update to the funk idiom.
A universally appealing dance band at its core, Turkuaz’s tightly arranged songs are built on thick grooves, driven by a powerhouse rhythm section and interlaced with swirling guitar lines and synthy keyboard riffs. Over the top, lyrical jabs and swells that serve as both subject matter and rhythmic reinforcement are delivered by four distinct vocalists, framed by horn lines and punctuated with left hooks and right angles. Whereas there are certainly talented improvisers in this extremely musical band, Turkuaz engages bodies and minds with its densely layered compositions, setting the stage for the soaring exploratory guitar and horn solos with no room for noodling. This is perfect for those who want to dance. As for the “headier” crowd showing up for the “jams”—these die hard music lovers are always more than satiated by Turkuaz. They are transported by an irresistible groove, bowled over by a devastating solo and swept up in the impressionistic, occasionally Dadaesque and often seemingly free associative lyrics that—upon closer consideration—reveal unexpected depths of insight, mystery and wry humor in equal parts.
"This Brooklyn-based nine-piece delivers horn-filled funk incorporating elements of R. & B., psychedelic pop, gospel, Afro-pop, New Wave, classic rock, and just about any genre that gets people dancing."
- The New Yorker
"Turkuaz's rapid ascension to relevance can be aptly compared to how fast and focused they play onstage."
- Relix Magazine
"Turkuaz will raise the roof on any given night."
- Live For Live Music
Since hitting the road in mid-2012, Turkuaz has been touring non-stop, amassing a solid, passionate coast-to-coast fan base that grows with every mile driven and each night on stage. This traveling circus is more than a live juggernaut, however: Turkuaz is remarkably prolific in the studio, as well, and continues to write fresh music, pushing their creative boundaries even as they are promoting a new release. On April 14, 2015, Turkuaz will release the Stereochrome EP (Techne Records), fifty-four weeks after presenting the highly successful independent album Future 86, their third full-length studio album of original music. Recorded at Brooklyn’s Galaxy Smith Studios on vintage gear and captured on 1/2 inch tape with analog production techniques, Stereochrome is both a reverent homage to the past and a look over the horizon at the dawning of a new day. The four tracks are all in their own ways tributes to some of Turkuaz’s favorite recording artists, from The Beatles to Ray Charles and The Band to James Brown, all of whom have had a profound influence on the Powerfunk sound that Turkuaz fans know today. In some ways, Stereochrome closes a door on this warm den where the greats recline on stuffed leather sofas like the gods and goddesses of a gilded age… and with the closing of that door, Stereochrome opens a portal to the future of the Powerfunk sound… a future that is defined by the 2015 Fall release of Turkuaz’s latest full-length record: Digitonium…
US-American singer and songwriter raised in Center Moriches, Long Island, New York, and currently living in Burlington, Vermont. Caroline Rose's music is deeply rooted in country and blues.
Rooted in the rowdy spirit of rock & roll, Wild Adriatic has built an international audience on a combination of groove, grit, and guitar-heavy swagger.
With the power trio's newest album, Feel, bandmates Travis Gray, Rich Derbyshire, and Mateo Vosganian update the sound of their influences -- from Seventies rock to Motown to soul -- for a contemporary audience, taking influence from the past but never losing sight of the present. They aren't revivalists; they're modern men, carrying the torch of melodic, riff-ready, high-energy rock into new territory.
Whittled into sharp shape by a touring schedule that's kept them busy for roughly 175 days a year — including two European tours, countless stateside runs, and appearances at festivals like Bonnaroo — Wild Adriatic's three members recorded Feel in Austin, teaming up with Grammy-nominated producer Frenchie Smith in the process. The goal was to shine a light on the band's strength as a live act, avoiding click tracks, digital instruments, sampled sounds, and other tricks of the recording studio. Instead, Wild Adriatic focused on the same core ingredients — Gray's guitar playing and soulful sweep of a voice; Vosganian's percussive stomp; Derbyshire's in-the-pocket bass — that helped kickstart the band in 2011, back when Wild Adriatic formed in Upstate New York.
From the psychedelic "Chasing a Ghost" to the mellow, horn-filled "Come Baby Baby" — the latter song featuring blasts of brass from the West End Horns — Feel offers up 11 new songs of modern, analog, groove-heavy rock, with Wild Adriatic taking inspiration from breakups, friendships, new relationships, tour stops, and even politics. "Appleton" finds the guys paying tribute to the Wisconsin town that's hosted some of their most most memorable shows, while songs like "Some Nerve" and "Hurricane Woman" channel the influence of guitar greats like Stevie Ray Vaughan and Joe Walsh. Much of the album came together during five separate writing retreats, including treks to Virginia, Texas and Wisconsin. Throughout it all, the songs were written collaboratively, molded by a band of longtime friends who, more than a half-decade into their career, are still turning over new leaves.
"This feels like our first record all over again," says Vosganian, a childhood friend of Gray since his elementary-school days. "We're a rock and roll band at heart, but we have heavy ties to soul and blues music, too, and as the band matures, those roots come out. This is a great way to reintroduce ourselves."
Gray agrees, saying that the real-life inspiration behind most of the album — a painful breakup — helped Wild Adriatic create a record that ultimately celebrates the electricity and elation of playing in a traveling band.
"These songs align with everything we've gone through in the last year," he adds. "They highlight hard times, but also underlying hope and optimism. We're people. We're supported by fans who buy tickets and come out to shows, and we like to hang out with them. We aren't trying to take ourselves too seriously. We're trying to connect. We're trying to feel."